Found in the Summer 1924 issue of Now & Then (Jonathan Cape) is this brief announcement:
‘LUMMOX finds new admirers every day. Miss Hurst is expected in England shortly, and many admirers are hoping to meet her. She is a prominent figure in New York literary and dramatic circles and has a number of friends in Europe also. The ‘ ban ‘ of the circulating library still remains, but the book is on sale at the bookshops. The current impression is the third.’
This ‘ban’ is a bit of a puzzle. The journalist for Now & Then places the word in quotation marks, which suggests that although Mrs Hurst’s book was in the shops, it was not available for borrowing in certain circulating libraries, though these libraries are not specified. Nor is it clear whether these libraries are in the U.S. or the U.K. A thorough online trawl has revealed nothing on this issue.
At the time Fannie ( or Frances ) Hurst, as the report suggests, was an immensely popular, best-selling American author of rather sentimental and melodramatic novels, many of which had been adapted for the cinema. It has been claimed that she accepted $1m for the film rights of one particular novel. As for the problematical Lummox there seems little in this tale of a young female immigrant who is exploited and abused by her rich employers that could possibly offend even the most delicate sensibilities of an average circulating library subscriber. However, Hurst’s proto-feminism and support for the oppressed in society might have touched a few nerves among members of the wealthy middle class in post-war Britain. [RR]
In the year in which the UK edition of The Waste Land was published, as well as novels by Lawrence, Wells and Huxley, comes this copy of The Writers and Artists Year-book. Evidently owned by a lady who wished to make money from her writing, the blank pages at the back of this book devoted to a record of contributions includes mostly household and beauty tips, such as ‘ Dangers in the Kitchen ‘ ,‘To Clean Hats ‘, ‘ My Great Grandmother’s Beauty Tips’, and ‘Adulterated or Not ‘, all of which were accepted. However, it seems as if this writer was also concerned with the role of women in society; she sent an article entitled ‘Women as Prison Wardresses’ to the Yorkshire Post, which though it was not published there, was re-sent to the Yorkshire Evening Post, where it appeared in May 1923 in the ‘Work for Woman’ series as ‘The Prison Wardress’. Other magazines to which she sent feature articles include Farm, Field and Fireside, Pearson’s and the Westminster Gazette.
Our freelance journalist also appears to have been interested in contributing verse. In the section covering ‘ Magazines and Journals’ she has underlined in pencil references to ‘ verse ‘ , ‘ humorous verse’ or ‘ poems’ in the Times (really?), the Prize, Lady’s World, Ideas, Humourist, Home Notes, Graphic, Colour, Chummy Book Annual, Children’s Companion, Boys’ Own Paper, among other periodicals. There are pencil marks next to the names of various American periodicals, too. Continue reading →
Found — a slim volume of poetry from 1927 Lodequest: A Ballad of the Grail (Ancient House, Ipswich 1927) by Herbert Hudson. His wife produced the illustrated cover and also contributed one of the poems. She was Joan Abbay an East Anglian artist, and this is the only example of her work currently online, although it is possible some of her paintings are occasionally sold at auction.
The introduction to the book places the Grail legend in context, quoting from Jessie L Weston’s The Quest of the Holy Grail (1913)- (also an influence on a somewhat better known poem*):
“Every student of mediaeval literature will bear witness that there were strange current stirring in those days, that more was believed,that more was known than the official guardians of faith and morals cared to admit; that much, very much of this undercurrent of yearning and investigation was concerned with the search for the source of life; life physical, and life immortal. I contend that the Grail romances were a survival that period of unrest….The secret of the Grail I hold to be above all a human problem. When seekers after Truth will consent to work together in harmony, doing full justice to each other’s views, then,and not till then, the secret of the Grail will cease to be a secret.”Continue reading →
The second and last part of a chapter from this fascinating forgotten work Oddities: A Book of Unexplained Facts (Allan, London 1928) by R.T. Gould. Gould was a polymath who appears to have tolerated fools and cranks gladly...however Johann Bessler was no fool (although he may have been insane) and no less a figure than the philosopher Leibniz and and the scientist and Newtonian Willem Jacob 's Gravesande thought he had the secret of perpetual motion. Gould gets to the heart of the matter -as always with footnotes blazing...
Was Orffyreus honestly deceived when he wrote down such an incorrect description (for so we must regard it)† of his own mechanism? The thing is unlikely–but it is possible, as a later case has sufficiently shown.
† The supposition that the wheel was kept going by external power does not, of course, exclude the possibility that it also contained "overbalancing" mechanism. If well made, this would waste very little power, though it could not generate any: and it would certainly impress an amateur mechanic like the Landgrave–the only man who ever saw it.
Yet another chapter from this fascinating forgotten work Oddities: A Book of Unexplained Facts (Allan, London 1928) by R.T. Gould. Gould was a polymath who appears to have tolerated fools and cranks gladly...however Johann Bessler was no fool (although he may have been insane) and no less a figure than the philosopher Leibniz and and the scientist and Newtonian Willem Jacob 's Gravesande thought he had the secret of perpetual motion. Gould gets to the heart of the matter -as always with footnotes blazing...this is the first part:-
The history of human folly, on any scale commensurate with the vast and "ever-increasing amount of material available, remains to be written. A casual effort in this direction was made by Sebastian Brant, who published his Ship of Fools* in 1494. But while this book may have inspired Erasmus to take up the cudgels "for self and fellows", and produce his Praise of Folly,† its satire fell, for the most part, on deaf ears. Centuries later an atrabilious Scotsman, peering at the world from an anacoustic study in Chelsea, recorded his conviction that it was peopled by "too many millions, mostly fools”–a sweeping statement, but embodying an essential truth. Most of those, for example, who have had experience (internal or otherwise) of Government Departments can testify to having, like Oxenstiern, been amazed at discovering how little wisdom it takes to govern the world; and if there be any truth in the often-quoted assertion that "a nation gets the government it deserves”, Carlyle's apothegm must be regarded as resting upon a very solid–one might even say dense–basis of fact.
The second part, from the fascinating forgotten work Oddities: A Book of Unexplained Facts (Allan, London 1928) by R.T. Gould, on the non-existent planet Vulcan. The first part can be found here.
Vulcan Landscape (from Star Trek, the Motion Picture)
Leverrier, once convinced as to the real character of Lescarbault's discovery, lost no time in performing the necessary calculations which that worthy had found so baffling. He obtained, for the new planet's mean distance from the sun, about 13,000,000 miles, and for its period of revolution 19 days 17 hours. Lescarbault, who had seen Mercury in transit over the sun with the same telescope, and the same magnifying power, on May 8, 1845, considered that the new planet (which he decided to name "Vulcan") had a disc rather less than a quarter as large. Accordingly, Leverrier calculated that Vulcan's volume was probably about one seventeenth that of Mercury. It did not escape him that, supposing its mass to be in anything like the same proportion, Vulcan could not be held responsible for more than a small fraction of the disturbances observed to be taking place in Mercury's orbit. He also calculated that Vulcan ought to be in transit on the sun's face on or about April 3rd and October 6th of every year, at which times it should, of course, be visible in the same manner as it had been to Lescarbault. He did not hold out much hope of its being seen at other times, since he computed that its lustre would be so feeble that it might easily remain unseen, even during a total eclipse of the sun.* * Proctor has questioned this statement. By his calculations, Vulcan and Mercury, seen during eclipse at their greatest angular distance from the sun, would appear about equally bright. Continue reading →
Found - a fascinating forgotten work Oddities: A Book of Unexplained Facts (Allan, London 1928) by R.T. Gould. Rupert Thomas Gould (1890 – 1948), was a lieutenant Commander in the British Royal Navy noted for his contributions to horology. While in the navy in WW1 he suffered a nervous breakdown. During long recuperation, he was stationed at the Hydrographer's Department at the Admiralty, where he became an expert on various aspects of naval history, cartography, and expeditions of the polar regions. He gained permission in 1920 to restore the marine chronometers of John Harrison, and this work was completed in 1933. Jeremy Irons played him in Longitude, a dramatisation of Dava Sobel's book about John Harrison Longitude: The True Story of a Lone Genius Who Solved the Greatest Scientific Problem of His Time, which recounted in part Gould's work in restoring the chronometers.
Something of a polymath, he wrote an eclectic series of books on topics ranging from horology to the Loch Ness Monster. He was a member of the Sette of Odd Volumes (Brother Hydrographer) and the book Oddities is dedicated to the club. He was a science educator, giving a series of talks for the BBC's Children's Hour starting in January 1934 under the name "The Stargazer", and these collected talks were later published. He was a member of the BBC radio panel Brains Trust. He umpired tennis matches on the Centre Court at Wimbledon on many occasions during the 1930s. This is the first part of the chapter on the planet Vulcan (more to follow)-
The concluding part of a posting of a complete book How to be Happy on the Riviera by Robert Elson W. (Arrowsmith Ltd., 11 Quay Street, Bristol, 1927).The appendix has a wealth of information, much of it aimed at the long stay vacationer and the expat or 'remittance man' (similar to the trustafrian of our time). The address and name of the British Consul in Monte Carlo (G W Hogg) the address of the British Library and the Anglo-American Library (in the Grand Hotel building.) There was even a weekly paper for the British abroad,The Cote D'Azur,that came out on a Friday. There is good advice for those who 'winter abroad' -- Hyeres is suggested for those who like it quiet, Monte Carlo for those who want it lively (but the bathing is poor). Also invaluable advice for the journey there, that might still hold true:-
"Don’t trust the time-tables as to there being a restaurant-car on any train southward from Paris (except the Calais–Méditerranée); bring a tea-basket with you and be prepared to grab things from the buffets at the Gare de Lyon and at Marseilles, or you may go foodless."
The penultimate part of Robert Elson's 1927 book dealing with indoor and outdoor amusements and of course gaming. There is a good description of a Gala dinner which has the authentic 1920s tone:
"A gala dinner may be ...a more elaborate entertainment indistinguishable from a fête, the room being decorated for the occasion–sometimes in a really artistic manner–and a good programme of show-turns provided. There are sure to be surprises–toys to make noises with, balloons, etc. The peculiarity of surprises is that they are always the same. Occasionally really attractive gifts are distributed, or prizes given in connection with dancing or a tombola (raffle). If you are in an appropriately happy-go-lucky mood, a gala is usually quite enjoyable. It is good to play the fool sometimes, pelting and being pelted by the occupants of neighboring tables with little coloured balls, and trying to hit people at a distance with harmless projectiles. Also, you never know what may come of it. A happily-married lady of my acquaintance first made her existence known to her husband by hitting him on the ear with a flying sausage; he asked her to dance, and the thing was as good as done."
Such goings on would have been vieux jeu by the 1940s. Interestingly many fetes described have gone - The Venetian Fete at Cannes has been replaced by a film festival, car shows and uphill car racing at Monte Carlo has become the Rally, but the Burning of the Boat still goes on and the Battle of Flowers - so all is not lost.
The second part of a posting of a complete book How to be Happy on the Riviera by Robert Elson W. (Arrowsmith Ltd., 11 Quay Street, Bristol, 1927). There is plenty on food and restaurants (including menus and tips on coffee, ice cream and liqueurs) and some good descriptions of gamblers in Monte Carlo -
"Little old women in Victorian black silk dresses and bonnets; others attired in the fashions of twenty or thirty years ago; exotic-looking young women, wearing extravagant parodies of the fashions of to-day – some exactly like cinema vamps; women like men, and girls like boys. A duke who is a frequent visitor summed it up neatly: 'There are always a lot of queer wild-fowl about'...you may see incredibly ancient men; wild-looking men with immense manes of hair; gaunt men with sunken cheeks and bony hands who might have come out of a novel by Mrs. Radclyffe, unnatural-looking young men who might have been created by Mr. Michael Arlen; people who impress you as half crazy, others who look as if they had been dead a long time, only they don't know it.'
We are putting up an entire book on Jot101, a fairly early book on the Riviera. Very much of its time with local prices, information about the weather and sports facilities and recommendations for hotels and cafes and cabarets. Here are the first 4 chapters...
HOW TO BE HAPPY ON THE RIVIERA
BY ROBERT ELSON
First published in August, 1927
Printed in Great Britain by J. W. Arrowsmith Ltd., 11 Quay Street, Bristol