Found in The Fingerpost: A Guide to Professions for Educated Women, with Information as to Necessary Training (Central Bureau for the Employment of Women,1906) an article about getting work as a female companion. It suggests that the occupation, often found in thrillers and novels up to the late 1930s, hardly existed even in 1906. Vere Cochran, the writer of this piece, says that the profession was at its height in early Victorian times when 'semi invalidism' was a prevailing fashion. 'Who (now) can afford the doubtful luxury of a paid companion?' One of the most notable companions in fiction is the unnamed narrator of Daphne du Maurier's Rebecca (1938) While working as the companion to a wealthy American woman on holiday in Monte Carlo she meets the rich and troubled widower Max de Winter who whisks her off to his country mansion Manderley...
"Companion, Housekeeper, or any position of trust - I could undertake work of this kind".
If the many seekers after work who open their campaign with these words could gauge their true import, or the effect which they produce, they would not so lightly use them. Few words could more clearly display their ignorance with regard to the conditions of the labour market;indeed, to the ears of those who know and who receive year by year hundreds of such applications, these words almost constitute a badge of incapacity.
Here is a signed photo of that amazing woman, Frances Willard ( no relation of Dolf !!), an icon of American feminism, who almost single – handedly organised the suffragist movement in the States from the mid nineteenth century until her comparatively early death (probably partly from sheer hard work) in 1898 aged 58. As a committed proto-Socialist and president of the Woman’s Christian Temperance Movement (WCTU) for 19 years she lobbied on an enormous range of progressive social issues, including the voting rights of all women over the age of 21, federal aid for education, free school lunches, unions for workers, an eight-hour working day, municipal sanitation, national transportation, anti-rape laws and protections against child abuse. On the issue of female suffrage she argued that women could only be safe from male violence in their own homes if they were seen as ‘companions and counsellors of men’ rather than their playthings.
Willard made several tours of the UK to promote her ideals and it was probably on one of these appearances in October 1895 that she signed as ‘your affectionate sister’ this mass-produced photo of herself. Three years later she was dead. [R.R.]
In her sixty six years Constance Smedley (1875 - 1941) managed to pack more into her life than most centenarians would do. Despite being on crutches from her early years and confined from her thirties to a wheelchair (due to some unidentified disability, possibly a hip problem) this Birmingham-born fireball, who married the gay artist Maxwell Armfield, was at various times a crusading feminist, suffragist and journalist, an artist, novelist, playwright, organiser of pageants and folk dances, and perhaps most notably, the founder of the world’s first arts and science club devoted entirely to women.
It is on the notepaper of the London-based Lyceum Club, which the twenty-eight year old Smedley helped to found in 1903, that this featured letter (below) also shows her to be a tireless encourager of talent among women—especially budding musicians and actresses. Here she writes to an actress and fellow feminist Annie Schletter, inviting her to a ‘ semi dress rehearsal ‘where she will witness the enormous promise of a twenty three year old thespian called Gwenol Satow:
‘…I feel Miss Satow has great gifts, but they are entirely undeveloped: her intelligence is far before her technique---& she needs the discipline of training . She is ineffective for lack of technique & is very self-conscious. If she stayed with us & really worked day by day & all day, she might be very, very good.
It is a very hard profession---and she has a great opportunity with us—but I don’t know if she quite realises what a lot of hard work she has to put in, if she is to make good …’
Alas, Miss Satow does not appear to have made the most of her extravagant gifts. In fact, there is no record of her lighting up the professional stage in any way. She became the second wife of the brilliant songwriter David Heneker, also born in 1907, and the composer responsible for such hit musicals as Irma La Douce, Charlie Girl and Half-a-Sixpence. Indeed, Heneker credits his wife for bringing Tommy Steele’s musical into being. According to him she ‘suddenly sat up in bed one night and produced the idea for Half-a-Sixpence ‘. So, in her ninety years perhaps Satow did contribute something to the success of the British theatre, although it is unlikely that Constance Smedley would have been impressed. [RR]
Mina Hubbard (1870 – 1956) is not a name that means much in the UK, although this intrepid explorer of Labrador ( the first woman to do so) retired to Britain and ended up in suburban Coulsdon, of all places, where she died rather tragically at the age of 86.
Born in Bewdley, Ontario, in 1870, to a Canadian father and an English mother, there was little in her early years that would suggest that worldwide fame as an explorer would attend her by the time she was 35. After leaving school she spent two years teaching, then trained as a nurse. It was while nursing that she met the journalist Leonidas Hubbard, then ill with typhus (or typhoid). The couple married in 1901 and within 2 years he had embarked on an unsuccessful expedition to map northern Labrador that ultimately cost him his life. Such a tragedy would have destroyed some women, but Mina was made of sterner stuff. When Dillon Wallace, a survivor of the expedition, published his account Mina suspected that he had been responsible for her husband’s death through starvation and vowed to revenge herself on him by embarking on her own expedition to achieve what he and her husband had failed to do. Recruiting three guides, two of them Cree Indians, she left for Labrador on June 27th 1905 and by 29th August had completed a trek of 576 miles, beating Wallace, who had embarked on the same day, by seven weeks. Not only did she bring home an accurate map of northern Labrador, but she also made an important photographic record of the native Labradorians she had met.
On her return home Hubbard became an overnight celebrity. Before long she had been sponsored by the Royal Geographical Society to undertake a lecture tour in England. It was while on that tour that she wrote this letter to a Miss Lewis (possibly an admirer) gratefully accepting an invitation to dinner. She also met her second husband, the MP Harold Ellis. In 1908 appeared A Woman’s Way through Unknown Labrador , which became a best-seller. Today this account of her expedition, and in particular the photographs she took of the native tribes, is generally recognised as one of the most valuable anthropological records of the period. More recently, however, it has sparked controversy. In particular, feminist commentators have interpreted the text as a seminal document in women’s studies. Hubbard’s projected persona in the book is seen as that of a woman performing a male role as a conqueror of a hostile environment.
The Ellises produced three children, but the couple parted in the twenties and Mina returned to Canada in 1936. After this she seems to have led a rather conventional life, latterly in poverty. In 1956, while staying with a friend in Coulsdon, near Croydon, she left the house to ‘ explore’ and on her way to the nearby Coulsdon South station she wandered aimlessly over the tracks, was hit by a speeding train and killed instantly. She was 86. What the grizzly bears and below zero temperatures of Labrador had failed to do, a British Railways commuter train had completed. [RMH]
Found - a slim volume of poetry called Annotations (London: Humphrey Milford, 1922) by 'Susan Miles'' (i.e. Ursula Wyie Roberts 1887-1975 feminist, suffragist and poet). She wrote a pamphlet in 1912 The Cause of Purity and Women's Suffrage. This copy is signed in 1960 to Russell and Letitia Sedgwick. The poem's title is taken from the famous tube station (and later the humorous improvisational radio game) Mornington Crescent. It is slightly reminiscent in sentiment and setting of Ezra Pound's earlier imagist haiku of 1919 In a Station of the Metro - 'The apparition of these faces in the crowd;/ Petals on a wet, black bough.' Persephone recently republished Susan Miles's Lettice Delmer, a novel in verse, which had first appeared in 1958. ‘Its simplicities are at a profound level. The theme is a great one and the characters are superb,’ wrote Storm Jameson. Her poetry was also anthologised in the 1920s by poetaster Harold Monro, said to be a hard man to please when it came to poetry...
Found-- this intriguing bookplate. It can be seen in many books deaccessioned from the club's library. Until I researched the Forum Club I thought it had some occult or theosophical connection, as the women look like priestesses witnessing some sort of vision or apparition. In fact it was a normal London club, but solely for women, with 1,600 members.
It was founded in 1919 as The London Centre for Women's Institute Members, and lasted into the early 1950s. A number of suffragettes and early feminists were members, including Elizabeth Robins, Mary Sophia Allen and Sybil Thomas and Viscountess Rhondda. As well as accommodation for members (and their maids), the club contained a dining room, a lounge, a photographic darkroom, a salon which could by hired for exhibitions, a bridge room, a billiard room, a library and a hairdresing room. Formerly it had been the residence of of Sir Henry Campbell-Bannerman, who was Prime Minister from 1905 to 1908. A blue plaque commemorates his residency. During World War I it was The Princess Christian's Hospital for Officers - a convalescent home with 35 beds, affiliated to Queen Alexandra's Military Hospital in Millbank. A website in 2012 reported it was now boarded up but it will probably re-emerge as an oligarch's palace or a hotel.