Anyone recall that classic episode of Father Ted in which Ted is accused of racism after he is unwittingly caught making fun of the small Chinese community on Craggy Island? Only a decade or so earlier it had been acceptable to call the Chinese ‘chinks ‘ or ‘slitty-eyed’ and remark on their skin colour and droopy moustaches. Further back still, Sax Rohmer became a best-selling author with his tales of the criminal Dr Fu Manchu and Music hall artistes made jokes about opium dens, Chinese laundries and the white slave trade.
One of these artistes was Billy Bennett, who worked the halls from 1919 until his death in 1942. One of his specialities was to recite ‘ burlesque monologues ‘ –not only on the stage but also on radio—and some of the texts of these were published in booklet form for use, presumably, to keep up morale during the early years of the Second World War. These monologues were liberally laden with double entendre and barely disguised racist slurs that would prevent them from being performed today. Continue reading