Over the years New Towns have received a bad press. They are regarded as too large and unwieldy in contrast to small, more intimate developments, such as Prince Charles’ Poundbury ( called by some Poundland) in Dorset and Cambourne in Cambridgshire. The last major New Town in England was probably Milton Keynes, which was begun in the sixties and took its inspiration from Stevenage New Town.
To the Mass Observation enthusiast George Hutchinson, the concept of building a New Town in the centre of the Hertfordshire countryside must have appeared distinctly exciting a year after the end of the Second World War. Clearly those who had been bombed out of such London suburbs as Walthamstow, Leyton, Edmonton and Tottenham needed to be properly re-housed in a part of rural England that was familiar to them. Instead of providing these Londoners with new housing in their locality, thus perpetuating the problem of insalubrious overcrowding and the overloading of urban transport systems (the car-owning generation was yet to develop), the planners envisaged new developments, close to old-established communities ,which were blessed with good existing transport systems, and with enough land that would provide for new industries, shops parks and houses with gardens. No longer would workers need to commute; everything would be provided within the boundaries of the New Town. Continue reading
Rescued from the archive of his son are some typed copies of short articles and reports by George Hutchinson ( 1921 – 1980), one time active member of that valuable organisation Mass Observation. Founded in 1937 by poet Charles Madge, journalist Tom Harrisson and film-maker Humphrey Jennings, Mass Observation was set up to record the opinions and observations of ordinary people on national as well as day-to-day events through the UK. It continued throughout the Second World War and folded in the fifties, though it was revived in the eighties.
A journalist by training, Hutchinson ( as a previous Jot noted ) began as a volunteer observer and later became a ‘ whole-time investigator’ while conscripted into the Navy during 1941. The Mass Observation Archive at the University of Sussex contains some of his wartime interviews and reports as well as evidence of his long association with Tom Harrisson. His time in the Navy gave him an opportunity to collect examples of naval language which he put to good use in two of the articles we found at Jot HQ—‘The Andrew’s the Navy’, which he submitted to Lilliputmagazine, and ‘Naval Language’, which he wrote in Bradford and which may have been submitted to The Yorkshire Post. Another piece, entitled ‘The Barrel Organ: will it survive a growing indifference ?’ was also written in Bradford and may also have been meant for the same newspaper. It has been said that Hutchinson worked for The Yorkshire Post,but his article entitled ‘ Stevenage: a new design for living’, which must date from c1946, is inscribed ‘ originally written for John Bull: not used ‘, which suggests that he wasn’t a staff member of the Postat this time.
The two articles on Naval Language will be considered in a later Jot. This particular Jot will look at his piece on the Barrel Organ. In it he attributes the decline in popularity of that distinctly old-fashioned street instrument partly to the ‘ increasingly popularity ‘of the radio, but mostly to the depredations of the Aliens Act of 1912, which discouraged mainly Italian immigrants from setting up as organ grinders in the UK. Interestingly, Hutchinson observes that the Act ‘accounts for a recent estimate that, of all the hundred barrel-organs remaining in London, all are pre-war models.’ Continue reading