Walter Jerrold as book collector

Autolycus of bookstalls 001We at Jot 101 had not imagined the travel writer and biographer Walter Jerrold ( 1865 – 1929 ) to be a frequenter of second-hand bookstalls, but there he is as an unabashed collector of ‘unconsidered trifles ‘ in  Autolycus of the Bookstalls (1902), a collection of articles on book-collecting that first appeared in The Pall Mall Gazette, Daily News, the New Age, and Londoner.

But as we already knew him as a biographer of Charles Lamb we should have known better, and indeed he mentions Lamb several times in his book. Jerrold’s range as a bibliophile was wider than Lamb’s, but he seems to have been particularly drawn to writers of the Romantic period. He wrote about collecting Thomas Hood, Cobbett, Coleridge, Southey, and Rev Sydney Smith, while also mentioning books on Oliver Cromwell and Ruskin. In addition, he appears to have rather liked association copies of all dates, and boasted that he had ‘snapped up ‘volumes bearing the signatures of Cardinal Manning, George Eliot, Sydney Smith and Thomas Noon Talfourd at ‘Metropolitan stalls’ in recent years. Jerrold was also tickled at the idea of buying books that had been displayed in the windows of very unliterary shops—in one particular instance an ‘ oil and colourman’s shop in the Seven Dials’, where a first of Ruskin’s Political Economy of Art and a Tennyson signed by George Eliot rubbed shoulders with ‘ soap, soda, pickles and jam ‘. Finding literary treasures in unlikely stores was probably more common in Jerrold’s time than it is now, although your Jotter does recall his first entry into collecting back in 1968, when he found an odd volume of the fifth edition of Johnson’s Dictionary and a battered early edition of Gay’s Fables, complete with nice copper plates, in the window of a car mechanic’s shop opposite Sketty Library in Swansea, along with spanners and a grease gun. After negotiating with the mechanic he secured the two tomes for just 2/6 ( 12p ).

Jerrold favoured ‘ Booksellers’ Row ( aka Holywell Street, off the Strand ), a disreputable  area cleared for the construction of Aldwych c 1900, from where he moved to ‘ that newer Booksellers’ Row which has sprung up in Charing Cross Road ‘, itself a product of slum clearance a little earlier. He also ( in passing ) mentions the stalls in Farringdon Street, for so many decades dominated by the Jeffrey family (see earlier blog in Bookride) , and Aldgate, in addition to the New Cut opposite Waterloo station. The two latter sites went many years ago and following the demise of George Jeffrey, the Farringdon bookstalls, where a lucky punter a few decades ago bought an early sixteenth century scribal copy of a work by Sir Thomas More for a few pounds, folded within a year or so. Today the only surviving ‘Booksellers’ Row ‘ is in Charing Cross Road. Continue reading →

Odd photos bought online 1

Bought for the price of a cup of tea at eBay – the infinite online flea market, a photo of a jumble sale*, in England and likely to date from the earlier part of the 1960s. It is stamped on the back Salisbury Journal with a phone number ‘Salisbury 6933.’ The women are mostly wearing rain bonnets probably  because it was raining outside and possibly because it might rain (a fairly good bet most of the year in England, especially Wiltshire) or it may have been a fashion. The younger woman to the left with a transparentjumble plastic bonnet would indicate recent rain and also dates the photo in the 1960s, the rest of the women could come from the 1950s if not earlier. The goods displayed on the table are fairly meagre– some very basic bookends, a thermos flask without its cup, a lamp without a shade, a glass fruit juicer, some glass and tin jelly moulds, a cut-glass vase and one slim book. Some sort of raffle or tombola was also being offered (‘every card wins a bottle’.) The woman in the middle is obviously a keen and seasoned jumble sale shopper- she has three objects she may be buying from a box (a ruler, a chopping board and a wool hat or tea-cosy) and three bags ready for stuffing with bargains. Possibly she is holding these objects in order to be able to see or deal with things further down in the box. The lady to her left is either a friend or someone waiting to dive in…The woman behind in hornrim specs anxiously waits her turn – it is probably the very beginning of the sale, the first rush. Jumble sales still go on with bargain hunters, also online traders sourcing their wares , and people trying to help out the charity that has organised the event.

  • A sale of a mixed collection of things that people no longer want, especially in order to make money for an organisation, usually a charity. UK and Australian usage. In USA and Canada they are known as rummage sales.

Etching of Farringdon Road bookstalls in the 1930s

Photographs exist of the famous bookstalls in Farringdon Road, dating from the nineteen forties and fifties, and the one by Moholy-Nagy that illustrates the excellent London Street Markets, was taken in the thirties. But as far as I know, the stalls were never the subject of an etching, of whatever date. Here, dated 1934, is an etching by the brilliantly talented Nathaniel Sparks (1880 – 1956), one of the most popular masters of this art, which of course became moribund almost overnight as a result of the Wall Street Crash.

During the American-led collecting craze, which began just before the First World War, Sparks produced a huge number of etchings, many of them of notable London landmarks such as Westminster Abbey and Tower Bridge, and it is surely a sign of its fame in the thirties that Sparks regarded Farringdon Road as a fit subject for an etching. At that time he was doubtless a customer at the stalls himself, and it is known that in his last sad months, when poverty and illness had him holed up as a lodger in Somerton, he comforted himself by collecting old books. It is also likely that in the last half of a largely peripatetic life, which saw him living with gypsies and farmers in Somerset and the New Forest, he was forced to jettison many of the books he had picked up over the years, in favour of his paints and paper.

Naturally shy, physically slight, and all too aware of the severe rhinophyma which disfigured his face, Sparks sometimes cut a pathetic figure. He could not help compare his ill luck with the fame and fortune that attended his much older cousin, Thomas Hardy, and recorded his resentment in an unpublished satire. Things came to a head in 1940 when an enemy bomb smashed his printing press and he was forced to abandon etching entirely and eke out a living producing pellucid watercolours of scenery in his beloved Somerset.

[R.M.Healey]

The author is grateful for the excellent Nathaniel Sparks Gallery for allowing him to reproduce the two etchings.

Now have proof positive that the etching is of Exmouth Market! (ed.)