Two more alternative tourist destinations in 1947 London

Journalist Peter Browne was obviously drawn to the more singular attractions of post-war London. Having covered Limehouse in his survey of alternative sights for Today magazine, he then turned his attention to Chelsea and Speakers’ Corner.

Paris has Montmartre, New York has Greenwich Village—-and London has Chelsea. Passing through this paint-splashed suburb ina ‘bus, trippers stare with eyes a-pop. That strange young man with beard and green corduroys—an existentialist artist ? ( He’s an average adjuster from Peckham.) And that girl with the pudding-bowl haircut and jodhpurs—a model ? ( She’s senior bristle-chopper in a Tottenham toothbrush factory.)

As the ‘bus rolls down King’s Road, the passenger wonders, with vague memories of La Boheme, where the wildest orgies are to be found. Wild orgies ? Off the ‘bus, sir. Rap on that green door.

Here you are. A struggling artist. His name is Henry. Observe his sober gent’s suiting, neatly mown hair and blameless chin. Walk through his studio and regard the familiar three-piece suite. Look in vain for hashish; sniff in vain for incense. The only odour is the homely moth-ball .

Across the road lives his model, a City typist named Agatha. In her evenings she earns an honest penny by posing for Henry while solving the Times crossword puzzle.

But you still want a Bohemian orgy? Then the best we can offer you is the Chelsea Arts Ball, held, with unassailable logic, in Kensington . The public must get what it expects—-so once a year, feeling rather embarrassed, artist stage an orgy—-and another British Illusion is sustained. 

This is a rather weird article. First of all, let’s start with London’s famous arty district being described as a ‘suburb‘. No, Peter, Palmer’s Green is a suburb, Chelsea is very much an area of London, or what the French would call a ‘quartier’. Would you call Montmartre a suburb of Paris? Then there’s that young with a beard and green corduroys. Was he indeed an ‘existentialist artist ‘? At the time, young men with beards who dressed in anything that wasn’t pinstripe or tweed were usually seen as impoverished artists, political radicals or students, and to label any young man dressed unconventionally (yes, corduroy was unconventional dress) as an admirer of Sartre or Camus was pretty par for the course for a reader of Punch or The Daily Express.

The photograph accompanying this article is also rather bizarre. Headed ‘Chelsea’, this shows a group of young proto-beatniks (who were probably art students) of both sexes in various costumes spread-eagled on the floor. One is dressed as an Arab, another as a matador, while another male, much older than the rest and with long hair, is bare-chested and holds what appears to be a small axe. All seem to be stoned or high on something ( possibly hash) . These it would seem, were guests at the Chelsea Arts Ball ( photo at top) referred to by Browne. The Chelsea Arts Ball was an annual event founded by the Chelsea Arts Club in 1890 , it took place on New Year’s Eve/New Year’s Day at the Albert Hall. A raucous event that some journalists might regard as being close to an orgy, it gave London art students the opportunity to commingle with their peers, drink large amounts of alcohol and show off their skills in costume making. There were also floats, all of which had to be deliberately destroyed during the evening. Each Ball had a theme. In 1946/47 this was ‘The Renaissance’, which explains the dress of some of those students spread-eagled on the floor, notably the bare-chested male brandishing an axe, who had doubtless come as a Renaissance sculptor.

Over the years the Chelsea Arts Ball was well documented on film, particularly by Pathe News ( look online for examples) and there are also photos . One shows the future Labour politician Barbara Castle seated rather solemnly at a table with her husband Ted. 

Continue reading →

Lost London landmarks

1) The Kingsway Tram tunnel

The Kingsway, an unlovely London thoroughfare which was built in 1906 by London County Council to link High Holborn to another new thoroughfare dubbed Aldwych at the end of the Strand, smashed its way through one of the capital’s notorious slum districts, including Holywell Street, which for years had been the haunt of men looking for pornographic literature. The complete thoroughfare was three-quarters of a mile long and a hundred feet wide for most of its length.

At the same time the LCC also constructed in the centre of Kingsway a large tunnel running from the bottom of Southampton Row carrying trams from north London to the embankment and beyond. This tunnel, which opened in 1906 and was the only one of its kind in Britain, had stations at Holborn and Aldwych and proved very popular with Londoners. 

At first only single-decker trams used the tunnel, but in 1930 it was decided that double-deckers might significantly increase revenue and so the height of the tunnel was increased.       

In the April – May 1952 issue of Today ( Photo World) featured a photo showing packed trams at Holborn station on April 6th and crowds waving them  off on their way southwards on the last journey through the tunnel. The unnamed journalist, a frequent customer while a child on this particular tram recalled the experience:

The last of the North London trams has rumbled through the Kingsway for the last time , and the rest is silence. Rickety, shatteringly noisy, though they were, it is not hard to feel sentimental about the death of the tramway, with its peculiar smell of leather and varnish, and its air of gentle melancholy as of an old-timer who had known better days. But, once the kings of the road as they were, they have gone —-and only six routes ( all south of the river ) are left to mourn  the loss of their clanking colleagues of the dying Iron Road.

But, even more than the departure of the trams themselves, we mourn the delights of the Kingsway tunnel. There was something glorious and improbable about that headlong plunge though the roadway, that swaying cavalcade   past the subterranean stations along the link, the darkness and the light, which made such a journey unforgettable when once undertaken. Who, for instance could ever lose his sense of surprise at that sudden emergence from the murk of the tunnel into the sunlit sweep of the Embankment?

Certainly not the present wrier, who spent every available Saturday afternoon between the ages of six and eight shuttling up and down this magnificent, fairylike line, with its powerful suggestion of the transformation scene at the very best Christmas pantomimes.

Now, however, having served London whimsically ever since 1908, the Kingsway subway and its thundering vehicles have passed into the oblivion which waits so ungratefully for all the old—whether they be trams or men, and that is that….

Continue reading →

Mrs A. C. Dawson Scott and her Cornish writers’ retreats. ‘The  bungalow for a novel ‘.

Jot 101 Bungalow Richardson Odle picIt is in The Last of Spring, one of Rupert Croft-Cooke’s many autobiographical volumes that one finds an account of the author’s experience of renting one of the Cornish bungalows built for writers by the eccentric spiritual medium and author, Mrs A.C. Dawson Scott, in the early 1930s.

Croft-Cooke, armed with an advance of £20 from his publisher, Chapman Hall, following the success of his first novel was seeking a cottage in the country that would afford him the solitude and remoteness he needed to write a follow-up. He found one by answering an advert placed in a literary weekly by the novelist Dawson Scott, now better known as the founder of P.E.N. She herself lived in a holiday bungalow near Padstow and had had the idea of buying some land south of Trevose Head to build more bungalows which she would rent out to writers who needed a retreat.

The bungalows duly became a colony she called ‘ Constantine ‘, after the nearby ruins of a church and a Holy Well,  aimed at providing accommodation for those attending the Cornish Art and Literature Season in July and August, when she charged £5 a week to tenants. Luckily, Dawson Scott, nicknamed ‘ Sappho’ by her family, charged Croft Cooke the off-season rate of only £1 a week. Meeting his landlady in her London flat to arrange the tenancy was a daunting experience for the novelist. He found

‘ a forceful woman, decisive and grimly affable, obviously a born organizer. I never knew her in Cornwall, yet through vivid descriptions by Noel Coward, who was one of her early paying guests, and others, I see her in fancy in her Cornish setting, square, tanned, blatantly healthy, wearing a djibba, with the wet sand oozing up between her toes, and her hair undisciplined in the breeze, a woman with a purpose. ‘ Continue reading →

Ransome on review copies, book stalls and bookshops

Jot 101 Ransome on book reviews Wych Street 1901We have seen ( previous Jot) how, in his first book, Bohemia in London, the young Arthur Ransome was happy to confess his bibliophilia. He seemed to love second hand books more than brand new ones, but he hated the practice of selling unwanted books ( whether new or second hand, he doesn’t say) given as gifts ending up on bookseller’s shelves. Certain people feel no guilt about doing this; they assume, wrongly, that they will never be found out, but if the gift is inscribed there is a reasonable chance that the bibliophile who gifted the book will discover it in some bookshop or bookstall eventually.

 

What is far more reprehensible, however, is the sense of betrayal felt by someone who having taken into their home a friend, colleague or relation down on their luck, discovers that this lodger has been stealing books from their shelves to sell to book dealers. This wouldn’t have happened to the impoverished young Ransome, of course, but it did happen to the comparatively well-off Geoffrey Grigson while editor of New Verse.Grigson, like Ransome in his time, would’ve been sent dozens of books to review each week, most of which he would have sold to second hand booksellers. Other books for review he would have kept for his own collection, particularly those published by fellow poets he particularly admired, such as Auden, MacNeice and Wyndham Lewis. Grigson also held regular parties for his New Versecontributors at his home in Keats Grove, and it is more than likely that on these occasions he would have asked some of his guests to sign the review copies he had retained for his own use. It is equally, likely, of course, that a grateful guest would have presented a signed copy of his book to Grigson.

 

Whatever the circumstances, Grigson must have assembled a decent collection of books, including ‘modern firsts’ at Keats Grove.  And it was at Keats Grove that Grigson and his American wife Frances first met the young Ruthven Todd, ‘an unemployable, persistent, rather squalid-looking tall, grey oddity ‘ who wrote poetry and  turned out to be a book thief. At one point he actually showed Grigson a copy of MacNeice’s Blind Fireworksinscribed by the poet to his wife. This could only have come from the library of MacNeice himself. Anyway, a few years later Grigson and his wife moved to Wildwood Terrace, not far from the Old Bush and Bush, and it was here that Todd turned up again, this time to take up the offer of bed and board for 10 shillings a week. Unfortunately, Todd couldn’t even afford this negligible sum, so he took to stealing from Grigson’s bookshelves.  The whole sorry story, as Grigson tells it in Recollections,is distinctly farcical:

 

‘…a bookseller whose shop I frequented in Cecil Court..…told me he had just bought ten shillings’ worth of books in one of which was a letter addressed to me. I was in that shop again some weeks later: the bookseller had bought more books—always ten shillings’ worth or thereabouts—from the same seller, in one of which this time was my signature, and the seller was—Ruthven Todd. Between us we kept the arrangement going for some time. Ruthven bought the books to Cecil Court, the bookseller paid him the required ten shillings. Ruthven with scrupulous regularity paid the ten shillings to me wife, and I went down to Cecil Court, and retrieved the books, for ten shillings… We never taxed the Innocent Thief with his theft, this generous creature who seldom came to see us without some present, paid for God knows how, for the children . Continue reading →

London’s lost Soho?

In his Tatler and Bystander column ‘Standing By’ for May 6th 1953, which we found in the Jot 101 Jot 101 Soho lost Shaftesbury avenue planarchive recently, journalist D. B. Wyndham Lewis declared:-

 

Soho died in 1886, somebody should whisper to a Sunday paper minx recently trying to lash herself into a colourful frenzy over “ London’s Montmartre “. Soho was killed and tossed on the refuse dumps at Barking Creek when they drove Shaftesbury Avenue bang through the heart of it, sweeping away all those shady, romantic little courts and by-ways, nooks and corners celebrated in the New Arabian Nights  and elsewhere; not to speak of the fabulous little foreign restaurants of the legendary shilling banquets, vin compris.

 

Out of sympathy for an American friend who came over not long especially to buy cigars in the Rupert Street shop formerly kept by Mr Godden, tobacconist, alias Prince Florizel of Bohemia, playboy (ret.) we pointed out the most likely site in the western half of this uninviting street, but without much conviction. Another historic house on our friend’s list, the one in Denmark Street where the duped and furious Casanova shook Miss Genevieve Charpillon “ like a bundle of rags”  ( see the Memoirs), was likewise drawn blank, together  with a few  ex-Embassies in Soho Square, and our friend was left marvelling at the mental processes of the L.L.C. and the capricious way it sticks up its blue memorial-plaques.

   So we took him to County Hall to see—and hear—the L.C.C.

 

This clipping raises several points. Are we to take seriously the assertion that the ancient bricks and mortar that comprised part of old Soho demolished around 1884 – 6 to make way for the new thoroughfares of Shaftesbury Avenue, Charing Cross Road and Piccadilly Circus, ended up as building waste at Barking Creek ? It is possible, of course, that this material was deemed unsuitable for re-use and instead carried by barges down the Thames to the Creek. But surely it is much more likely that the brick was crushed and used on-site to provide a substratum for the new roads, or used as ballast for new foundations nearby. Or failing that, transported to other sites, for instance in West Hampstead or Cricklewood, for the same purpose. There couldn’t have been a vast amount of building waste in any case. Soho is not a large district of London and only a smallish section was demolished. Continue reading →

Amber and Cameos in post-war London

The Good Time Guide to London is a book of surprises and delights. Earlier Jots have focussedmainly on its evocative descriptions of the now disappeared Docklands and the disreputable world of seedy nightclubs and ‘ dives ‘. But the book is also a handy guide to the world of old books and antiques in post war London. In one antiquarian bookshop ‘ near Davis Street ‘ a friend of the Guide writer picked up a book that interested him and asked the price, ‘thinking that a few guineas would be plenty to pay.” That will be £1,500 “, murmured the assistant, without turning a hair.

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Our friend put that volume down as if he had been shot.’ One wonders what that book could have been that cost the equivalent of a quarter of a million quid today. And which shop might charge such a sum? That incident occurred in Mayfair. Chelsea and Kensington were the places to go for antiques before the trade expanded. In 1951, before the serious antiques arrived in Portobello Road, you were more likely to find the serial killer John Christie ( of nearby Rillington Place ) strolling along in search of victims than a French ormolu clock or a Georgian wine glass.

 

Unsurprisingly, two at least of the dealers mentioned in the Guide have now disappeared. One is a shop in Bond Street selling ‘ rare old amber ‘. This was the premises of S.J. Phillips, who  boasted ( I seem to recall ) that it was the only shop devoted to amber in Britain. Your Jotter must have passed it twenty or more times, but did not go in, which he now regrets. The family that owned it produced the famous and very eccentric pure mathematician Dr Simon P. Norton, subject of that fascinating book, The Genius in My Basement. He lived in Cambridge, and until his death of a heart attack in 2019, was a campaigner against cars and a veteran champion of local transport systems. Wedded to a diet consisting of little else but pasta and oily fish, he worked on huge numbers, having earlier in his life achieved perfect scores in two Maths Olympiads. S.J. Phillips moved a few years ago to smaller premises in Bruton Street, just around the corner from their former Bond Street site, which is now occupied ( I think)  by  yet another posh frock shop. Continue reading →

The Good Time Guide to London (1951) — a post-war perspective

Jot 101 London 1951 pic 001

 

Francis Aldor, author of a book on Hitler, and also a publisher, considered compiling his  unusual guide to the lesser sights  of London after meeting an American tourist from Los Angeles in Venice. When asked if he had visited the city’s ghetto, where Shakespeare’s Shylock was supposed to have lived, the American confessed that he had not. Alas, there was no time for Aldor to show him, as the American’s plane was due to leave the following morning, but the encounter did give Aldor the idea of a book on London, one of the cities he knew most intimately, that would uncover a city whose ‘attractions are innumerable, but notably shy and elusive’. Another reason to publish such a book in 1951, although Aldor doesn’t admit it, was, of course, to cash in on ‘The Festival of Britain’.

Aldor gathered together some talented writers to help him lift the lid on the metropolis– people like navy expert Commander Trevor Blore, K. Kay, G. de Semley, Lee-Howard, Sheila Bridgeman, and Michael Pechel, among others. More extraordinary is the list of artists Aldor and the art editor Imre Hofbauer (1905 – 89), a Serbian immigrant whose brilliant expressionist vignettes had been published in many magazines, called upon to provide the text illustrations—including book illustrator Edward Ardizonne, Terence Bowles, M and V. Bulkely-Johnson, Ray Evans, the caricaturist Fougasse, art critic William Gaunt, Peter Jackson, the gifted painter Fortunino Martania, Francis Marshall, Feliks Topolski, Vertes and some of the best artists of the Grosvenor school of lino cutters. Many of the drawings had already appeared in other books or magazines on London, but their reappearance in this new guide was a stroke of genius.

Many followers of Jot 101 over the age of 75 might recognise some of the aspects of London described in the guide, but for much younger Jotters Aldor’s London of 1951 seems another world away. Take the description of the Dockland district. Aldor is quick to dispel the colourful and somewhat sensational   image of Chinatown painted by Thomas Burke in his Limehouse Nights (1916), the Fu Manchu novels of Sax Rohmer and films of the time:

‘Sinister Chinese slinking silently through luminescent fog, with the moan of foghorns in the background; shoreside sharks and tough dames skinning poor sailors home from the sea; ruthless smugglers shooting their way out of police traps; East End dives where” master-minds “ plan commando raids of crime and send out their swarthy plug-uglies to get the Crown Jewels. Continue reading →

 A wartime diary of a Norfolk schoolboy

 

Jot 101 Wartime schoolboy diary pic 001 Found among the papers of the academic and occasional writer Patrick O’Donoghue is this tiny diary covering the first four months of 1944, when, from the style of handwriting and the details of his leisure hours activity, he appears to have been around ten years old.   The document is interesting in several respects. Although the entries are often brief and record rather dull events (  I went on a walk’,  ‘ Libraries today’ ) they paint a vivid picture of the life of an ordinary schoolboy in wartime, both in the country and in London. But there are puzzles in this split existence. Although he lived near Ayslsham, north of Norwich,  over the Christmas holidays of 1943/44, he ‘went back’ on January 8th to school in London, where he visited Foyles bookshop and viewed  the bomb damage done to homes in Thorpedale Road, Crouch Hill ( presumably near to where he lived ). Patrick also recorded an air  raid  for January 21st.

 

London seems to have offered far more entertainment for Patrick than rural Norfolk had ever done. There were films to be seen, and one he particularly anticipated was ‘The Phantom of the Opera ‘ starring Claude Rains and Nelson Eddy (1943), which had eventually reached London by February 11th, which is when  Nora ( possibly his elder sister) saw it with Seymour ( possibly her boyfriend) . The previous evening the couple had seen ‘The Girls he Left Behind’. It is likely that Patrick, as a juvenile was barred from seeing both this ‘ romance ‘ as well as the horror film, though he did see‘ Behind the Rising Sun ‘ at the Astoria. One of the films he intended to see was shown at the library. One wonders if this, like ‘The Battle of Britain ‘, which he was to see in Norfolk in March, was a government propaganda film — actually directed by Frank Capra and made in the USA–of which there were quite a few during the War.  There were other forms of entertainment, besides films.  On January 29thPatrick recorded that ‘ Uncle Jim brought a huge load of comics today. I bought 3 comics too. We know that he favoured The Dandy, which had only been published for a few years. And of course, there were books available from the library. Those he borrowed were the usual adventure stories and thrillers ( The City of the Sorcerer and Scouts of the Sky) and T. C. Bridge’s Adventure Omnibus.   Then on February 22nd he ‘came home’ to Norfolk. Here he bought two books in Norwich and on the 23rd listened to the Charlie McCarthy comedy show on radio. Rather alarmingly, he and a friend or two on the following Saturday afternoon made a ‘ bomb ‘, as doubtless many boys did at the time. For every day of the following week he seems to have had a ‘good time‘, with or without his friend Derek.  Continue reading →

 Cotswold lawyer and poet revisited

W.H.Davies

W. H. Davies

A few weeks ago we were puzzling over a fragment discovered in the archive of Jot HQ. This was a draft in pencil of one page of a letter written in reply to literary journalist Ivor Brown around 1943. The hand was very hard to read at times, but persistence paid off and eventually I produced a decent stab at the letter. From its contents I deduced that the writer was probably an elderly lawyer from the Cotswold region of the UK who had been friendly with tramp poet W. H. Davies, enjoyed the poems of John Betjeman, Clare and Blunden and had published a slim volume of verse himself, as had his son, a former army officer.

Further research revealed that this apparently obscure amateur poet was the rather famous ‘ friend to  the poets ‘ John Wilton Haines, from Hucclecote, near Gloucester, who over nearly five decades befriended , not only Davies, but a number of  twentieth century literary figures, including Edmund Blunden, John Masefield, W. H. Hudson, J. C. Squire, Seigfried Sassoon,  Eleanor Farjeon, J. Gould Fletcher, Sir Edward Marsh, Walter de la Mare, C. Day Lewis, Lascelles Ambercrombie, Gordon Bottomley, Ivor Gurney, Robert Frost, Wilfred Gibson, James Elroy Flecker and Edward Thomas. He also communicated with some eminent musicians and composers, notably Ralph Vaughan Williams, Gerald Finzi and Herbert Howells.

Born in 1875 to a lady from India and a Gloucester solicitor whose family had practised law for generations, Haines trained as a solicitor after leaving school and then joined the family firm. Always passionate about classical and modern literature, and a dedicated book collector, Haines made it his business to seek out local authors and  poets, notably those ‘ Georgian ‘ poets who had settled in and around Dymock, on the edge of the Forest of Dean. He made friends with them and offered them financial help and legal advice. In return many sent him their latest work for his opinion. In 1921 Haines himself had a collection of his own poetry privately printed. On his death in 1960, Haines’ son Robin ( b 1913), whose own slim volume, Somewhere, Somehowhad come out in 1942, inherited his father’s literary archive, which eventually passed to his widow. It was she who donated the papers to the Gloucestershire Archives, where they can be examined today.  [RMH]

 

The Aquarian Guide to Occult, Mystical, Religious, Magical London

Occult list London 001The MacGregor Mathers Society.

This is one of the more exclusive societies listed in Ms Strachan’s book. According to the entry it was founded by ‘ two writers in the occult field during the course of  a cream tea at the Daquise Restaurant, South Kensington, and its object is to commemorate  the memory of S .L. Macgregor Mathers, Comte de Glenstrae’.

Apparently, the Society was a dining club whose exclusive male membership was limited to ‘twelve English members and four honorary corresponding members’. It had neither Constitution nor rules except ‘insofar as the Founders invent ( and then forget) them as the occasion demands’. Several important dates are listed on which the members met to dine. These included Mathers’ birthday ( January 8th), his wedding day ( June 21st) and the anniversary of his ‘ famous ‘ manifesto to the R.R. et A.C. ( October 29th).These dinners only took place two or three times a year. It goes without saying that membership of the Society was by invitation only.

So who was  MacGregor Mathers?  It turns out that this celebrated occultist ( full name Samuel Liddell MacGregor Mathers)  was born in Hackney in 1854, and after working as a clerk in Bournemouth, became a Freemason and a Rosicrucian in London and was head of the Hermetic Order of the Golden Dawn for years before he was drummed out in 1900 for financial irregularities. He married the lovely Mina Bergson, sister of Henri Bergson, the philosopher, became a vegetarian (and possibly a vegan) at a time when such people were thin on the ground, and had among his enemies Aleister Crowley. A polyglot, whose languages included French, Latin, Greek, Hebrew, Gaelic and Coptic, he was well placed to translate various mystical and occult texts.

Ms Strachan doesn’t reveal what the letters R.R. stood for ( A.C was presumably Aleister Crowley), who the two founders of the Society devoted to the memory of Mr Mathers were, why they thought so highly of him, or why they were consuming a cream tea in a restaurant specialising in Polish food. Never mind. The elitist nature of the Society doesn’t make it an attractive proposition. In fact, it no longer exists. Luckily, the Daquise Restaurant is still there, looking as it might have done fifty years ago, though it no longer serves cream teas. Continue reading →

Occult London circa 1970

Occult list London 001Edited by the specialist in such books, Francoise Strachan, and published in 1970 by the Aquarian Press, the Aquarian Guide to Occult, Mystical, Religious, Magical London and Aroundis a handy paperback directory of practices, beliefs, individual practitioners, groups, national and international societies in the metropolis and its environs together with various short features on spells and associated esoteric matters.

For someone fascinated by the Occult at this fag end of the hippy movement, this was probably the most definitive guide on the market. Certainly we at Jot HQ haven’t come across anything like it. The most interesting aspect of the book is the chapter listing the esoteric societies that were flourishing in the UK in this period. Some have disappeared without trace over the past 48 years; others are still going strong. In the spirit of discovery we thought it would be instructive to mention a few of the more prominent and outlandish outfits around in 1970.

The Order of the Cubic Stone

This was run by ‘ Wardens’ and had its HQ at the ‘ Lodge’ in Penn, near Wolverhampton, a rather dreary village on the edge of the Black Country and one of the last places you would expect to find such an outfit. Its aim was to ‘ train its students in the group’s approach to Ceremonial Magic’ and their system was based on the Qabalah and The Golden Dawn. The Order also had its own system of ‘Enochian Magic’. I wonder if this was anything to do with Enoch Powell, who was a prominent figure at the time and who lived just a few miles from Penn. Today, its leading light is  Mr David F. Edwards, who has his own website, where you can read a little prayer he has composed just for you.

The Institute of Pyramidology.

Founded in London in 1940 by Adam Rutherford, who in 1967 moved the HQ to his   modest Victorian villa in Station Road, Harpenden. The building is still there but Rutherford died in 1974. Apart from Eric Morecambe, who I don’t think was at all interested in the symbolism of pyramids, the only other notable figure associated with Harpenden was the brilliant gay artist and poet  Ralph Chubb  (see Bookride ), who was born there. Continue reading →

The London Illustrated Police Budget—an unrespectable scandal sheet

police budget pic 001In the first few years of the Edwardian era, before soft porn was widely available to the masses, a lot of men bought for a penny the London Illustrated Police Budget. Here one could find, alongside church news and politics, pictures of attractive, tightly corseted, young ladies in various forms of peril. So if you were turned on by the sight of a maid being tied to a table by a powerful man, a wasp-waisted young lady being grabbed by the hair in a train carriage, a woman being pushed onto a railway line by an angry husband, a newly-wedded woman being yoked to a plough, or a ‘pretty girl ‘being violently assaulted in Peterborough, then this was the magazine for you.

But in its defence, it cannot be said that the Police Budget was invariably misogynistic, though there was always a covert sexual element to most of the scenarios. Some of the incidents featured women hitting back (literally sometimes) at their tormentors. In one picture dated January 1903 a young American lady with connections to the boxing fraternity then based in  Chipperfield, Herts, is depicted whipping the backside of her husband having first lassoed him to a tree, Wild West style. His crime—-the dastardly one of perhaps deliberately ‘missing‘  his last train home from Euston. In another scene a woman is shown violently hitting her husband with an umbrella in Boulogne, having made the journey from London to do so. It would seem that she suspected him of transferring his affections to a woman named Lucy. Another, more unusual assault by a female, also involved an umbrella. In 1900 this weapon was used in Regent’s Park by a certain Louisa Venables on a hapless retired army officer who she had seen ‘ interfering ‘ with children , on one occasion offering them money to  ‘ tumble over ‘. In the absence of strong evidence against the alleged pedophile his assailant was convicted of assault and fined 20 shillings.

Continue reading →

The Great British Tea

Found in Old Inns of Suffolk, an often consulted work by local historian 440px-Customers_enjoying_afternoon_tea_at_Lyon's_Corner_House_on_Coventry_Street,_London,_1942._D6573Leonard P Thompson, is a complaint about the ‘catchpenny ‘afternoon teas served up by typical road houses and other mediocre eating places.

Writing in 1948,Thompson argues that excellent and value for money teas can still be found in Britain, but that the ones offered by hotels and similar outfits are invariably unimaginative, mean and ridiculously expensive.

Thompson begins his complaint with a eulogy to a tea he once had at The Fleece, Boxford, near Sudbury, once the home village of the late Peter Haining, the doyen of paste and scissors anthologists, from whose archive ( now owned by Jot 101) Old Inns of Suffolk may have come.

‘It was a Tea of an essentially home-made order. There was plenty of bread-and-butter. There was potted meat and home-made jam. There were biscuits, there was cake. And there was a pot of refreshing, honest to-goodness tea. The price was extraordinarily reasonable. And it all pointed to this moral: if one country inn can observe the ancient traditions of its proud place in England’s social history, so can others. Some, indeed, do, but they are all too few; and of that few, the majority are completely unimaginative. Hotel Teas display the least imagination; two or three wafers of rather dry bread, lightly smeared with a mixture of margarine and butter; perhaps a couple of diminutive sandwiches of indefinable and often dubious content; a piece of dry cake, or an equally dry and hideously plain bun. Such is the usual composition of the average Hotel Tea . Continue reading →

Visiting London to see the cars

In London recently buying a small collection of books near Palace Gate I spotted three Bentley Bentaygas parked casually along the neighborhood streets. The one pictured can reach 190 mph and will leave little change from £150K. The ultimate SUV, 4 by 4,  ‘Chelsea tractor.’ On showing this photo to a colleague, something of a ‘petrol head’,IMG_4096he informed me that there were certain areas of London that (young) tourists visit just to see rare and expensive supercars in the flesh – Mayfair, Chelsea, Belgravia mainly. He said that the visitors sometimes encourage the owners, often young Middle Eastern guys, to rev them up. In one instance the driver forgot he was in gear and shot forward into another supercar wrecking both. I blame Jeremy Clarkson..

A Flight of Fancy: Lee-on-Solent’s Swordfish Hotel

Swordfish hotelAlas, good eating places, whether pubs, hotels or restaurants, often come to sticky ends. They close down and when they re-open are often a shadow of their former selves. They frequently burn down, either deliberately to claim insurance, or by accident when a deep fat fryer goes up in flames.

Destruction by fire was the fate of one of the more unusual eating places in the 1961 Good Food Guide. The Swordfish Hotel, on Crofton Cliffs in Lee – on- Solent was a much-loved attraction on the Hampshire coast, between Gosport and Southampton. It boasted a superb view of the Solent, had its own beach, and in 1961 was serving weird starters, such as fried silk worms and roasted caterpillars. More significantly, its chef was trained, in the words of Raymond Postgate ‘at that nursery of good cooks, the Westminster Technical College ’. Continue reading →

Parkes’ Restaurant—eating place of the swinging sixties

Beauchamp_Place_In his Good Food Guide of 1961-62 Raymond Postgate describes the trendy Parkes’ Restaurant at Beauchamp Place (above) in Kensington as ‘ a personal restaurant, dependent upon Mr Ray Parkes, the chef and owner, who offers in his basement at high prices what is claimed to be , and up to date is, haute cuisine.’

Postgate then complains of the ‘ exasperating whimsicality ‘ of such named dishes as ‘ Mr Goldstein’s Prawns’ (15/6), ‘Ugly Duckling’ (25/-), ‘Sweet Mysteries of Life’ (21/-). However, Postgate admires the fact that the ‘very inventive ‘ Parkes was always creating new dishes and provided such large helpings that ‘ the place isn’t quite as dear as it sounds’. Some Jot readers who dined at Parkes’ might recall what these whimsically named dishes actually were.

Parkes is credited with being a pioneer of the nouvelle cuisine revolution that properly began in the seventies, but the conventionally named dishes cited by Postgate, including ‘fillet of beef en croute’ and ‘duck and truffle pate’ don’t sound particularly ‘ nouvelle’. Nevertheless, in his time Ray Parkes was rightly considered an ‘original genius ‘. Egon Ronay described him as ‘ absolutely unique ‘, and the author of British Gastronomy, Gregory Houston Bowden, wrote: ‘ Many experts rate him almost on a par with the chef that he himself admired most, Ferdnand Point of the ‘Restaurant de la Pyramide’ in Vienne.

In addition to his eccentricy as a chef, Parkes was also unusual in that he had no licence. Diners were invited to bring their own wine. Another attraction for the many show-biz clientele that tended to eat at Parkes’ was the fact that it might be open until 2.30 in the morning. [R.M.Healey]

An artist among the Charing Cross Road bookshops

IMG_3272Found in the art instruction magazine The Artist (London, November 1934) an interview with the artist and art therapist Adrian Hill about his recent oil painting ‘In Charing Cross Road.’ Here are a few extracts -most of Hill’s talk is about  technique, but there are some insights on the choice of subject:

… there were some who questioned the impulse behind the work, and wondered whether the scene was worth the skill and discernment that the artist had brought to the task

I admit that I shared a little of this feeling. Charing Cross Road is a central and important thoroughfare, but it must rank in the C3 class amongst London highways. Indeed, there is so little of the beautiful or the picturesque about the neighbourhood that I asked Adrian Hill if the idea of sitting down to paint it came to him suddenly, or if he had deliberately hunted for such a subject.

“No, I wasn’t looking for it,” he said. “It came to me. It was a gift from the London traffic. I was waiting to cross the road when I suddenly found it in front of me, complete in design and detail, asking to be painted.”

“As far as size is concerned, did you see it as a 24″by 20″?”

“No, I thought at first of making it bigger – about 40″ by 30″ – but it was an experiment in the ay of subject, and I decided to go modest. If ever I do a similar scene, I shan’t hesitate to paint it on a grander scale!”

“You had no misgivings about tackling it inside the studio?”

“None at all. I believe I should have painted it mush less spontaneously and confidently if I had had the subject in front of me. The details would have been so insistent that I should have been led into making a still life study of books instead of an impression of a bookshop, which was what I was after.”

“But I suppose you had to use a model for the books?” Continue reading →

Cabaret, Chinese food and national anthems in Yorkshire’s most eccentric pub

Showers John StanhopeAn entry in the 1961- 62 edition of The Good Food Guide describes the exuberant John Showers and his’ inn’, the Stanhope in Calverley Lane, Rodley, south east of Leeds, thus:

‘He fills out the nightly menus with his own essays, and he has written two books about it. Foreign visitors, of which there are many, are liable to be welcomed in their own tongue (Mr Showers’circular green notepaper has Cheerio on it in thirty languages) and escorted to their tables to the sound of their own national anthem. There is a nightly cabaret, by no means undistinguished and not ‘blue’ for which he sometimes writes the script. The dining-room is very small, and serves some English dishes but ignore them ( except for no. 80 ’curried octopus’—so English, don’t you think?) and go for the Chinese food. Try, divided among a party, the Sea Salad (9/-), inkfish with bean sprouts (8/-), Stanhope Special ( based on chicken , pork and water-chestnuts, 8/ 6) or ask for some advice…

Reading the two books in question one will discover that before he opened The Stanhope, the Essex-born Showers was, among other things, a male manikin, bus conductor, and a banana planter. In 1937, inspired by the example of the new king and his consort playing darts publicly he installed a board in his saloon, hoping to attract the upper middle class. Alas, only the local proletariat came to play, and eventually the board was relocated to the tap-room. All of which recalls Basil Fawlty’s disastrous ‘gourmet night’ ! Continue reading →

Havelock Ellis on British geniuses

 

Havelock Ellis picFound in a album of cuttings from various East Anglian newspapers in the early twentieth century is a review that appeared in The Leader, December 24th, 1906 of A Study of British Genius by the pioneer sexologist Havelock Ellis. The reviewer gleefully notes that East Anglia seems to have produced a high proportion of geniuses. To make his point he lists in order of greatness those English counties that have contributed most to the making of English men of genius. These were:

Norfolk

Suffolk

Hertfordshire

Warwickshire

Worcestershire

Herefordshire

Buckinghamshire

Cornwall

Dorsetshire

Oxfordshire

Shropshire

Ellis looked at the genius’s place of origin—that is, the district to which his four grandparents belonged. London as a birthplace was ignored altogether. This was because, where information was available, it was nearly always found that the parents had migrated to London. It rarely occurred that ‘even one grandparent belonged to London ‘. Continue reading →

Going to the Sales in 1906

olivias-shopping-001Now that the January sales appear to be in full swing it might be valuable to take the advice of the pseudonymous ‘ Olivia ‘, a copy of whose ‘ prejudiced guide to the London shops ‘of 1906 cropped up in a pile of books. This chatty and opinionated, and possibly American-born, veteran of West End emporia, took retail therapy to new heights in her search for quality, elegance and good value. Here’s what she has to say about the vexed matter of sales.

The magic word that stocks our wardrobes, deletes our purses, disorganizes our routine, fascinates us, repels us, delights us, disappoints us twice a year regularly in London—for how much is it not answerable?

The ethics of sales are so disturbing, one time so morally and clearly good, the next minute so conspicuously disappointing and bad, that no woman, I believe is quite settled in her mind regarding them. 

Personally, I find it a delightful thing to buy a pretty piece of stuff ‘marked down ‘.Even when I can buy the same thing fresh and by the yard, and at the identical price, it never thrills as does that remnant with the wrong amount of yards, the torn edge, and the marked down price. There is no doubt we all love a bargain, even when it is only on paper.

This trait in our feminine character is fully appreciated by the shopkeeper. Therefore, there are sometimes disappointments to be encountered at sales. On the other hand, some of us attempt to remain level-headed in the matter, and are not to be won over. Continue reading →