Fanny and Johnnie visit Quo Vadis, one of Ian Fleming’s favourite restaurants

(..thanks Flashbak)

We don’t know whether Fanny and Johnnie Cradock, aka ‘Bon Viveur’, were fans of James Bond’s creator Ian Fleming , but the three writers had one thing in common. They all liked dining at Quo Vadis in Dean Street, in the heart of London’s Soho.

Throughout the fifties, when Fleming was writing the Bond thrillers, he was dining and drinking regularly at a number of top London restaurants, particularly favouring L’Etoile, The Ivy, Overton’s, Pimms, Quo Vadis , the Ritz Grill, the Savoy Grill, Scott’s, the ‘ Big ‘ Wheelers and Wilton’s. Of these famous eateries Fanny and Johnnie only chose to write about Quo Vadis, the Ivy and ‘Big’ Wheeler’s in their 1955 Bon Viveur guide, possibly because they felt that the others didn’t need the publicity, or perhaps because the  food and wine they served was over priced 

Fleming had no such scruples. According to one source, he was particularly drawn to the rather rich French cuisine that many of his favourite eating places were happy to serve. He also drank heavily and smoked at a time when this unpleasant habit was permitted, and even encouraged in restaurants. No wonder he died at the age of 56.

If the dishes sampled by Fanny and Johnnie in the London restaurants they did cover in their guide, were any indication of their tastes, they and Fleming were equally drawn to continental cuisine. This is obvious in their entry on Quo Vadis:

Scarcely just a restaurant any more, but additionally an institution, a landmark, an integral part of Soho life. Signor Leoni’s restaurant, with the wall paintings and the air of having been there for ever, has nothing to envy in terms of famous clients from the most fashionable Mayfair restaurant squib exploded in a blare of phoney publicity . ‘Everyone’; goes to see Leoni, who exudes friendliness and enthusiasm and who can be passionately severe without the slightest effort if some part of his standard of cooking and service momentarily slips.

Leoni recommends ( and we, of course, concur) that you should try his Omelette Leoni ( 4s 6d) , his Pollo alla Yolanda ( with cheese and asparagus tips , 9s 6d. , his Calves Head Florio ( 4s 9d.), Artichokes in Hollandaise ( 6s 6d) , Lasagne Verde (3s 6d), and one of these two special house gateaux Gianella or Lorenzia. There are all provided a la carte . In addition, the table d’hote three course luncheons ( 8s 6d) and dinner ( 10s 6d) invariably includes such Italian favourites as Minestrone, Pollo Romana, Ravioli, Tagliatelli and Risotto.

Leoni will willingly help you make a happy marriage at the table with one of the many Italian wines he sells. He may evince a special partiality towards the white Sabioncella Leoni Reserve’47 ( 22s 6d per bottle, 11s per half-bottle) and the red, costing 23s. 6d per bottle, 12 6d. per half-bottle. And why not ?Both these wines come from Cannero, on Lago Maggiore, which is his birthplace. The event which has pleased the proprietor most this year in the winning by his team of chefs of no less than three gold nedals1st class and one Silver Medal at the International Catering Exhibition, Berne, 1954.

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Fanny and Johnny visit the Rex Whistler Room restaurant

In 1956, over sixty years before the Tate Gallery ethics committee decided to close it over criticisms of its ‘racist’ mural, Fanny and Johnny Cradock paid a visit to the famous Rex Whistler Room restaurant in the Tate Gallery. They were there to sample the menu brought in by its new owner, a Mrs Adams, to replace ‘railway sandwiches, canteen tea and dish-water soups ‘. In place of these the visitors found:

‘ palatable soups (9d), respectably-fried fillets of Dover Sole and properly-cooked chips (3s 9d) , adding for good measure grilled trout and turbot for 4s 6d, chicken,  ham and mushroom vol-au-vent garni for 6s, and a nice homely plate of braised beef and vegetables for 4s 9d. Fresh fruit salad with ice-cream and cream costs only 1s 9d. Chef makes a tour of the restaurant daily to ensure all is well with his clients.’

Rather bizarrely, no mention is made by Fanny and Johnny of the astonishing mural, ‘ ‘An Expedition in Pursuit of Rare Meats ‘ by the twenty-one year old wunderkind of British decorative art, Rex Whistler, which by now had been there for thirty years, possibly because the couple were there to discuss food, and anyway most cultivated diners-out in the metropolis would already have been aware of the art work. Fast-forward to 2020, when the restaurant was last open to the public. The mural was still there, but in place of fish and chips diners with large pockets could expect to find very fine dining indeed and a reputable wine cellar commensurate with a gallery containing the greatest of British art.

But all was to change following an online post by an activist group calling itself ‘ White Pube’. This called attention to the imagery employed by Whistler, which included stereotypes of Chinese people and, worst of all, the figure of an enslaved black child being kidnapped by traders, hauled along by a rope in front of its distressed mother. According to the post, the notion of dining in the presence of imagery that represented the worst examples of the racism inherent in colonial power was an affront to present day values of equality and diversity. The online response elicited by this attack strongly suggested to the Tate trustees that the issue required immediate action and so a committee containing the great and the good was formed to debate the issue. 

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Bon Viveur visits The Marquee, Egon Ronay’s restaurant near Harrods

Egon Ronay, along with Raymond Postgate, has become a byword for good food guides in the UK. But did you know that  the ‘ Bon Viveur ‘ double act of Phyllis ‘Fanny ‘ Cradock and wine expert husband ‘Johnnie ‘ reported on it with great enthusiasm in their 1955 guide to hotels and restaurants in London and the provinces ?

Here is their report:

‘London’s most food-perfect small restaurant. Two restaurants, in fact, for the price of one. By day this chic rendezvous draws women of international elegance who provide the restaurant with an ever-changing mannequin display as they nibble the now famous brioche toast and drink impeccable coffee in tall glasses. It is, in short, a baby Sacher’s ( from Vienna) , where Viennese and Swiss gateaux compete in popularity  with Hungarian Dobos. By night the counters of patisseries and cocktail snacks disappear. Padded banquettes, candlelight and pink tablecloths form  background to tranquil dining and the light flickers on climbing plants, the striped, canopied ceiling, the fruit baskets and the impeccable cheese board on the cold table. The Marquee is always filled with couples—romance thrives upon good food and wine. We single out for special commendation the luncheon-time Omelette du Chef with fresh crème and mushrooms (6s 6d) and the Poulet au Riz Sauce Supreme ( 6s. 6d ) plus an excellent table d’hote luncheon for 7s 6d.

In the afternoon the Savoury Gateaux, 2s per slice, is a superlative bonne bouche ; foie gras mousse , mousse of smoked salmon , egg puree and anchovy paste are layered with brioche bread and subtly garnished into gateaux form,

By night Bisque d’Homard (4s 6d) and a magnificent 9s 6d Bouillabaisse lead on to Quenelles de Brochet-the real Quenelles for 7s 6d., a delicate 7s 6d Sole Florentine, Rognons Bange (7s 6d.) with cream and wine, and occasionally a gateaux which is without equal in this town, rather ineptly christened Walnut Souffle Gateaux. But do not bother about its name. Taste it. It is made without any flour at all and is rich in cream and rum. The commendable wines include a light, clean steinwein to marry with fish dishes ( 27s 6d) , ’47 Haut Brion ( Chateau-bottled)  37s. 6d., ’45 Leoville Barton 29s. 6d, and ’49 Vosne Romanee 21s. Amusez-vous bien mes enfants!

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Dining on the north Norfolk coast before it was as trendy as it is today

Judging from their entries in their 1956 guide to good eating, Bon Viveur ( Fanny and Johnny Cradock ) had nice things to say about eateries in coastal Norfolk. Here are two of the restaurants they wrote about:

The Golden Lion Hotel, Hunstanton.

Nearest railway station: Hunstanton.

This is a place to take the family in summer for a seaside holiday. It is a solid hotel solidly set down at right angles to the sea and the golden sands. We can still remember a guinea fowl and an apricot pie  with fresh cream at astonishingly moderate fee and the samphire ( seaweed) which grows hereabouts and which chef serves among his hors d’oeuvre. His Norfolk Mussels Meuniere are likewise delectable.

Bed and breakfast 19s. 6d.

En pension from 35s.

Breakfast from 4s. 6d.

Luncheon 6s. 6d. to 7s. 6d.

Dinner –8s.6d. to 10s.6d.

Along the coast from here, at Snettisham, the pickling of samphire still goes on in the cottages. The old ’uns in the village will reminisce of mussel and Stewkey Blue cockle collecting which was done in those days in tiny carts drawn by St Bernard dogs. Inland, you must explore the stately homes of the county—Raynham Hall, seat of ‘Turnip’ Townsend, designed by Inigo Jones; Blickling Hall, Jacobean architectural jewel, and Holkham Hall, enshrined in Ilex Groves.

A recent visit in late May by your Jotter confirmed that Hunstanton on a hot summer’s day is still an attractive holiday spot for families , with its funfair, crazy golf  and  golden sands extending four miles down to Snettisham, where incidentally eight years before this entry was written the largest trove of Iron Age gold and silver in Europe was discovered in a field by a local ploughman, an event commemorated today in the name of the antiquarian bookshop in the village ( Torc Books). Some of the old cottages where samphire was pickled are doubtless  holiday homes, though samphire ( which is not botanically speaking a seaweed ) still grows on the mudflats in north Norfolk, although mussel and cockle collecting has long gone.

The station at Hunstanton is now a huge car park, but the imposing Golden Lion Hotel, the oldest building in the town( 1846) is still there, though  a double room without breakfast will now set you back £120. The restaurant  still serves samphire as a starter , but guinea fowl, mussels and apricot tart  have been replaced by steaks, the inevitable sea bass and vegetarian options.

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London restaurants in Fanny and Jonnie Cradock’s Bon Viveur (1956) that are still open today

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1) The Ivy

‘A classic name in the restaurant world and one most significant to the men and women of the theatre, the Ivy has at last changed hands. Since its inception until, last year it was under the administration of M. Abel, who so many will think of in his present-day retirement with affection and respect.

Now an entirely new ‘ character’ takes over—a big, boisterous, gentle, tough, kindly Edwardian fish king with a tremendous laugh, and a fair measure of that divine inheritance which is cockney humour. Waving a vast paw, he tells you, ‘I’m in fish, m’ father was in fish, I know fish, and yet I still put vinegar on my oysters because I like ‘em that way. It’s the fish lark that has given me four restaurants in London.’ Here he is apt to pause and reflect—the four restaurants seem both to astonish and tickle him. In a world overrun with meagre men Bernard Walsh stands out, nor alone for his height and build—nor for his silver side-whiskers and fancy weskits, but for his overall rumbustious largeness. Thirty-eight pancakes is his normal portion. ‘I like pancakes’, he explains. He probably has more friends among the press than any other restaurateur in London, and that speaks as loud and hearty as his laugh.

As he also likes meat, and Bernard, we say ‘gets what he wants’, the meat and the fish are quite excellent at the Ivy. Oysters are opened at the table ( the Bill of Fare states this), gives the prices—12s. No 2 Natives, 15s. No 1 Natives, 21s. Colchester—and Bernard adds as we twinkle at each other, ‘ I take the boast, ‘natives’ off my menu, when every fish-boy knows the town has run out of ‘em—which is more than some restaurants do.’ He is correct.

Correct, too, and good value are his Moules Mariniere ( 6s 6d), superb lobsters ( the scene on one occasion when these were cooked in the morning for evening service instead of in the afternoon!), served Cardinal, Newburg, Mornay and Thermidor for 11s. 6d.; his entrecotes( 7s. 6d.), mixed grill ( 10s. 6d.) , chops ( 7s.6d.) and lamb cutlets ( 7s.6d.).

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Great Restaurants of the World


Jot 101 Colony cover

 

No 3: The Colony, New York City

In the days before Michelin starred restaurants there were places where the well heeled went to eat —not only for the food, which was obviously excellent, but perhaps not always the most innovative—and of these the Colony, at the intersection of Madison Avenue and Sixty-First Street in Manhattan, became by 1948, when a biography of it was published by Iles Brody–  arguably the best known in the world. Indeed, the owners of the Colony called their eating place ‘the greatest restaurant in the world.’

 

The Colony began in 1920 as a small and rather seedy and ‘disreputable ‘ bistro that served good food to customers of the night club above it, many of who were men who brought their mistresses. Then in 1922 its two chefs, Glen Cavallero and Hartmann, plus Head Waiter, Cerutti,  brought out the owner, one Joe Pani, for $25,000 and set about making the new Colony a swanky resort of the rich and famous. Despite the quality of the food, takings were poor for the first few months. The Colony could not shake off its reputation as a ‘ cat house ‘. However, before too long, without any help from Gordon Ramsay, things began to look up thanks to the presence at one of the tables of famous society hostess Mrs Vanderbilt. The multi-millionaire Vanderbilt,  encouraged by his wife, came to see what the fuss was about and later brought his sixteen-year old daughter. Word got about and before too long the Colony became a regular haunt of New York Society. Within three months the daily takings grew from one hundred dollars to ten times that amount. By 1927 – 8 the restaurant cleared over half a million dollars yearly. By this time the Colony had moved to the more ‘ aristocratic ‘ Sixty-first Street, just around the corner.

 

There were problems though for a high-class restaurant that sold ‘ liquor’ at a time of Prohibition, but the chief barman had a cunning ruse. He kept his wines and spirits in an elevator  and when he was alerted to the imminent arrival of Federal agents he simply ran the elevator car to the top story. And when agents disguised as customers enquired pf the liquor that was being served at table they were informed that it was brandy, but of superior quality to the stuff that was habitually confiscated. A few tots freely donated to the same agents convinced them to keep their mouths shut regarding this blatant violation of Federal law. Continue reading

The Best of British More choices from The Best (1974)

 

Wilton's restaurantIt’s instructive to get an American view of some British institutions. So here are Peter Passell and Leonard Ross on ‘The Best London Restaurant’.

The trouble with eating in London is that it is like eating in New York. There are vast hordes longing to dine well and dozens of exciting new restaurants longing to fill the void. Yet somehow nothing seems to work out. Perhaps it is only a scarcity of talent—-running a restaurant well demands more than one chef imported from the Continent. More likely it’s incentives. There aren’t enough people who both know good food and are willing to pay for it. Restaurants are made or broken by who shows up, not by what is served. The few establishments that start out with standards find little reason to maintain them. No guidebook inspector will turn the decline into headlines; no army of food pedants will organize a boycott.

Of course, there are a few bright spots. Robert Carrier’s relentless pursuit of the nouveau may irritate the snob, but the fixed menus frequently work well. Inigo Jones’s lovely room can make up for an occasional error in service. The fish is very fresh ( and very expensive) at Wilton’s. The new Capital Hotel dining room produces the best rack of lamb north of Paris. Marynka demonstrates that Polish food is no joke.

But for our money we’ll take London’s Indian/Pakistani restaurants. They tend to be much more sophisticated than the North American version and not nearly so lacking in grace. The best of them, Sri Lanka, is in fact not Indian but Ceylonese, a variant on the national cuisines of the subcontinent. This pretty little restaurant near Earl’s Court ( an unsocial twenty-minute taxi ride west from Mayfair) prepares the predictable curries, flavored rices, and breads as well as well as any other in London and adds a dozen distinguished  Ceylonese specialties. Among them, a super-hot tomato broth ( perhaps really a puree of chili peppers), the pleasure of which comes in the vibration of subtler spices in the aftertaste; delicate rice-flour crepes served with fried eggs; chewy fried breads stuffed with egg, vegetables , or meat, and far superior to the usual Indian paratha; a steamed rice-flour cake drowned in coconut milk. With a couple of German lagers, the bill comes to two pounds per person.

Today, the eating scene in London has changed incredibly. Here you can eat around the globe, from Brazil to Russia and Indonesia to California, often from street stalls in Brick Lane and Portobello Road, a development that Passell and Ross could hardly have imagined. The Indian/Pakistani restaurants are still there, of course, and are proliferating day by day. It is odd that our Americans fail to mention the curry houses centered on Brick Lane, and further east, in and around Whitechapel High Street, where the best of them offer high-class ‘ home-cooking ‘ of the kind described by the authors. But it is true that Sri Lankan restaurants are not as common, but are becoming more so and those that flourish today serve some of the dishes described by Passell and Ross. The restaurant selected out for special praise, however, appears to have gone.

As for the other top restaurants mentioned, Wilton’s is still there and is still very expensive. The restaurant at the Capital Hotel is flourishing and is probably still offering its rack of lamb. Unfortunately, the Marynka near Earl’s Court appears to have disappeared, but there are other Polish eateries in the capital, including the rather dowdy Daquise, near the V & A, which seems to have been around since the First World War.[R.M.Healey]

 

 

 

 

The ‘’Best’ in 1974, according to two Americans, one of whom had been a child prodigy

 

The best Champagne

‘,…Short of the best—which some may find an extravagance at eight pounds—it doesn’t make sense to buy champagne. The five pound variety is rarely worth the price. Since competitive alternatives can be had for half as much. From France, the dry sparkling wines of Seyssel are often the equal of medium-priced champagne. California “ champagne” ( the long arm of the French labelling law does not reach across the Atlantic ) can also be quite decent; the best are Korbel Natural and Hans Kornell.

The best college at Oxford

Screen Shot 2020-12-12 at 12.06.52 PM‘Magdalen, both the most beautiful and the most intellectually diverse. Christ Church is an unreconstructed sanctuary of the worst in British snobbery; Balliol is like an American law school, full of politics and ambition. Magdalen has everything : class warfare on even terms, superb tutors, an immense spectrum of interests and tastes’.      Other colleges are available…

The best diet

‘The crashing bore of it all. Everyone knows what the best diet is…Lean meat, cottage cheese. Skim milk, an occasional slice of bread or a baked potato, fresh fruit and veggies; no skipping breakfast, apples and carrot sticks for snacks, plenty of leafy greens to prevent the inevitable…The only thing wrong with the diet—besides the fact that no one in his right mind would stick to it –is that calorie recommendations are too generous, even for the intended audience… Continue reading

The Good Food Guide is launched

Good Food Guide Leader mag pic 001Last year we featured some Jots based on entries taken from the 1960 -1 edition of the Good Food Guide. Recently we were lucky to find among a run of the entertaining Leader magazine dated 20 May 1950 an article by the Guide’s founder, social historian Raymond Postgate, announcing the launching of ‘The Good Food Club’, as it was then known.

The tone of the article is a refreshing mixture of enthusiasm for the future of British eating-out and a denunciation of hospitality practices present and past. ‘We have been extremely patient ‘, Postgate complains, ‘but now the last excuses have ceased to be valid, Food is ill-cooked in hotels and restaurants, or it is insufficient, or it is badly and rudely served up—or all three ‘.

By 1950 much of the rationing to which much home produce had been subjected for ten years was gone, as had the 5s ( 25p) meal limit imposed by the Ministry of Food ( see a previous Jot). So, in Postgate’s opinion, hotels and restaurants now had no excuses not to serve up generous portions of good quality food with courtesy. But as Leonard P Thompson demonstrated in his account of poor hospitality in 1948 ( see recent jot) such experiences were the rule rather than the exception.

The article brings up some revealing points. We had no idea that back then drinks could not normally be served in hotels after 10 o’clock at night. That rule seems absurd today. However, we were aware that sixty odd years ago the Basil Fawlty style of hotelier cited by Postgate was more common than today—the reason possibly being that Cleese’s character acted as a corrective to poor service. It is also interesting to discover that in 1950 ‘ English law does not allow you to tell unkind truths about hotels and cafes, unless you are very rich and don’t care about libel actions ‘. Today, thanks to the excellent Trip Advisor, the angry recipient of poor accommodation and disgusting food can do just that with no fear of a letter from Messrs Sue, Grabbit and Runne landing on the doormat. Which is how it should be. Continue reading

Over tipping

A few brief notes on tipping. Tipping is a controversial business – in some cultures it is deemed insulting, in others almost obligatory. Are wealthy people  expected to give larger tips? I spoke to a taxi driver who drove Ringo to Liverpool from London in the 1970s and the great drummer gave him a £100 tip, the best he had ever had. There is the story of the rich man who was so impressed by the service of a waiter that he bought the restaurant and gave it as a tip – in some versions of this tale the waiter is said to be the hotelier Cesar Ritz. In  one of  John Le Carré’s novels  a character suggests that people (like him) who over-tip are held in contempt by waiters etc., The idea is that the over-tipper is a sad, inadequate person trying to be liked, or at very least, showing off his wealth..

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Francis King wrote of  his time escorting  extremely wealthy fellow author Somerset Maugham around Japan is the early 1960s – “..in a restaurant he gave a vast tip to two charming and attentive waitresses. Seeing that I was astonished he told me: ‘Never believe the idiots  who tell you that people despise those who overtip. That’s a fiction put about by the miserly. On the contrary, people are always delighted if you give them more than they expect.’

One wonders whether Henry James was an over-tipper. His advice  was: ‘Three things in human life are important: the first is to be kind; the second is to be kind; and the third is to be kind.’

A Flight of Fancy: Lee-on-Solent’s Swordfish Hotel

Swordfish hotelAlas, good eating places, whether pubs, hotels or restaurants, often come to sticky ends. They close down and when they re-open are often a shadow of their former selves. They frequently burn down, either deliberately to claim insurance, or by accident when a deep fat fryer goes up in flames.

Destruction by fire was the fate of one of the more unusual eating places in the 1961 Good Food Guide. The Swordfish Hotel, on Crofton Cliffs in Lee – on- Solent was a much-loved attraction on the Hampshire coast, between Gosport and Southampton. It boasted a superb view of the Solent, had its own beach, and in 1961 was serving weird starters, such as fried silk worms and roasted caterpillars. More significantly, its chef was trained, in the words of Raymond Postgate ‘at that nursery of good cooks, the Westminster Technical College ’. Continue reading

The Authors’ Good Food Guide for 1961 – 1962

Nigel-Lawson-in-1985-008Some of the celebs who ‘approved’ restaurants and inns in The Good Food Guide of 1961 – 62 were poets, journalists, novelists and literary translators. Two of them—Keidrych Rhys (1915 – 87), the Welsh poet and veteran editor of the literary magazine Wales, and Michael Meyer, the prize-winning translator and biographer of Ibsen and Strindberg, and a friend of Raymond Postgate—feature prominently in the London section of the Guide.

Along with drama and good conversation , the greatest passion of Meyer (1921 – 2000), according to a friend, was food. He writes about his passion for it in his autobiography, Not Prince Hamlet (1985), and doubtless he was instrumental in recommending good eating places to his friend Raymond Postgate. Certainly, he is one of the more frequent ‘approvers‘ to appear in the Guide and at one point was expected to succeed as its editor. Eclectic in his tastes and apparently prepared to trawl London for good places to eat, one of his favourite restaurants was Fiddlers Three in Beauchamp Place, Kensington, very close to the trendy Parkes ( see earlier Jot). Appropriately for such a fan of European culture, the food seems to have had a pronounced East European flavour; dishes included ‘ goulash, boiled silverside and dumplings, whole small pigeon, stuffed baby marrows, prune and orange jelly, home-made soups, kedgeree with cheese sauce, and home-made cream cheese’. Translation work often pays well, which explains why Meyer was also able to afford Chelsea’s La Carafe, a branch of the famous fish restaurant Wheeler’s, where lobster Cardinal ( 15/-) and 32 varieties of sole were on the menu. Continue reading

Parkes’ Restaurant—eating place of the swinging sixties

Beauchamp_Place_In his Good Food Guide of 1961-62 Raymond Postgate describes the trendy Parkes’ Restaurant at Beauchamp Place (above) in Kensington as ‘ a personal restaurant, dependent upon Mr Ray Parkes, the chef and owner, who offers in his basement at high prices what is claimed to be , and up to date is, haute cuisine.’

Postgate then complains of the ‘ exasperating whimsicality ‘ of such named dishes as ‘ Mr Goldstein’s Prawns’ (15/6), ‘Ugly Duckling’ (25/-), ‘Sweet Mysteries of Life’ (21/-). However, Postgate admires the fact that the ‘very inventive ‘ Parkes was always creating new dishes and provided such large helpings that ‘ the place isn’t quite as dear as it sounds’. Some Jot readers who dined at Parkes’ might recall what these whimsically named dishes actually were.

Parkes is credited with being a pioneer of the nouvelle cuisine revolution that properly began in the seventies, but the conventionally named dishes cited by Postgate, including ‘fillet of beef en croute’ and ‘duck and truffle pate’ don’t sound particularly ‘ nouvelle’. Nevertheless, in his time Ray Parkes was rightly considered an ‘original genius ‘. Egon Ronay described him as ‘ absolutely unique ‘, and the author of British Gastronomy, Gregory Houston Bowden, wrote: ‘ Many experts rate him almost on a par with the chef that he himself admired most, Ferdnand Point of the ‘Restaurant de la Pyramide’ in Vienne.

In addition to his eccentricy as a chef, Parkes was also unusual in that he had no licence. Diners were invited to bring their own wine. Another attraction for the many show-biz clientele that tended to eat at Parkes’ was the fact that it might be open until 2.30 in the morning. [R.M.Healey]

Dining out at a time of rationing

Rationing at the Ritz 001When William Bently Capper, an acknowledged authority on hotel management, and incidentally brother of the famous suffragette Maude Capper, published his booklet Dining Out? in 1948, the War had only finished less than three years before. Rationing was still a problem, particularly for diners out. What was likely to be offered at a good West-end restaurant? Was it worth the expense and effort to eat out there?

The whole aim of Dining Out? was to assure gourmets that there was little to fear. Restaurants were not exempt from rationing, but as long as diners recognised that certain rules instituted in 1942 by the Ministry of Food’s supremo, Lord Woolton (promoter of the infamous Woolton Pie), applied to eating places, a pleasant meal with wine could be had almost as easily as in the pre-war era. In his chapter entitled ‘Utility meals for Austerity Times’ Capper outlines what problems gourmets were likely to encounter.

Every meal served in a public restaurant, breakfast, luncheon, tea and dinner, is limited and regulated by a four-page document known officially as the Meals in Establishments Order…Public meals are restricted to three courses—but that is not the half of it. Certainly, the restaurateur must not serve you more than three courses, but he is also restricted by law as to what he serves in those three courses. You may not have, for instance, more than one main dish; that is, a dish containing more than 25 per cent of its total weight in meat, poultry or game. You may not have more than two subsidiary dishes: dishes containing less than 25 per cent of the foods specified. If you have a main dish, you may have only one subsidiary dish in addition.

Thus, you may have hors d’oeuvres ( a subsidiary dish), followed by meat or chicken, and then a sweet or cheese. Instead of hors d’oeuvres, you may have white fish ( but not fresh water fish!), or soup or, if you forego the sweet, you may have soup, fish and a main dish. Continue reading

Dining with the famous in the early 1960s (2)

Hampshire


The high-flying Oxford graduate Robert Fearnley-Whittingstall visited Burley Manor in the New Forest a few months before he married gardening writer Jane in 1962. Three years later, celebrity chef Hugh, of River Cottage fame, was born. According to those who approved the hotel, the owners used their own ‘vegetables, cream, poultry and pigs ‘. So doubtless, the merits of locally sourced produce were passed onto the River Cottage presenter. However, it is unlikely that Hugh’s cooking skills were inherited from his Dad, because, according to Jane, the only dish her husband could cook for the young ladies he entertained as a bachelor was devilled kidneys!John Arlott pic

John ‘the Voice of Cricket’ Arlott, who started his career as a policeman in Basingstoke before being discovered by poet and BBC producer Geoffrey Grigson, was a oenophile and gastronome who enjoyed great hospitality at the White Horse Inn, Droxford, which just happens to be a few miles from the ‘Bat and Ball ‘pub in Hambledon, where cricket began in the eighteenth century.

In the early sixties ‘motels ‘ were becoming popular, although one doesn’t expect to find many in the Good Food Guide. However, there are at least two, one of which, ‘The Royal Oak Motel’ at Newington, near Hythe, offered, according to the approvers a delicious, though expensive selection of continental and English dishes, including escalope in Marsala ( 14/-) and frog’s legs ( 10s 6d). It is not known whether one of the approvers, Geoffrey Finsberg, a Tory councillor at just 24, who became a senior government minister in the seventies, dined here on expenses. Continue reading

Dining with the famous in the early 1960s

Norman Painting diningA copy of Raymond Postgate’s pioneering Good Food Guide for 1961 – 62 is a real eye-opener for the 21st century foodie. Forget steak, mushrooms and chips followed by Black Forest Gateau at the nearest Berni Inn—- here were restaurants where high quality and innovative dishes were served. Postgate asked those who were members of the Good Food Club to fill in the report page at the end of each guide, ‘approving’ a particular restaurant. If he liked the comments the names of the ‘approvers’ were added to the end of the restaurant entry. Most of these approvers were just ordinary people who liked good food, but a number turned out to be amongst the great and the good of the time, including writers, academics and showbiz types. It is likely that Postgate recognised these names and deliberately selected them out as a way of attracting diners who also recognised these ‘ celebs’. Here are some examples.

London

Eternal bachelor Norman Painting, who played the patriarch of long-running radio series’ The Archers’ for a record number of years after leaving an academic career at Oxford, where he fell out with his B.Litt tutor, the lazy and apathetic Lord David Cecil, was an enthusiastic diner at Bertorelli’s in Shepherds Bush, just round the corner from the BBC. He also enjoyed the food at several other good restaurants scattered over the country. A serious gastronome, it seems.

Antiquarian book legend Anthony Rota, a great diner-out, appears to have enjoyed Mediterranean cuisine at the Tavana restaurant in Heddon Court Parade, Cockfosters. He also approved the cheap ’n’ cheerful Romano Santi bistro in Greek Street, Soho, and the more traditional Foxley Hotel in Bishop’s Stortford. Continue reading

Wonder Wall—Second World War murals in restaurants and canteens

Murals Bawden 001It is a sad fact that most of the best mural paintings executed in canteens, cafes and restaurants in the UK no longer exist. Unlike those executed for some public buildings, those in private premises are subject to the taste of those who take over the property. By far the most notorious example was, of course, the murals executed around 1913 on the walls of Rudolf Stulik’s Restaurant de la Tour Eiffel in Percy Street, just off Tottenham Court Road, by Wyndham Lewis, which were later painted over.

The prevalence of the post-war obsession of interior decorators with the ‘ white wall ‘ was a possible explanation for the disappearance of most the Second World War murals that feature in an article by the architect Oliver Hill in the November 1943 issue of The Studio magazine. Working within the tradition of thirteen centuries of mural painting in English churches, and using the contemporary iconography of posters, notably those of McKnight Kauffer, many of the muralists commissioned during the Second World War were asked to address what was essentially a captive audience –diners at many British restaurants, staff dining rooms and government canteens. Muralists saw these projects as an opportunity to introduce otherwise unappreciative diners to good public art. To the architect Hill, the mural was not the equivalent of a large framed representational painting that focussed the attention of the viewer on itself, but was part of the building on which it was painted. As such, rather than realistic representation, a ‘good mural ‘ should, according to Hill, ‘ fire the imagination and, by its effect and phantasy, allow the mind of the observer to escape beyond the confines of the room, without, of course, forcibly obtruding itself upon him ‘. Continue reading

A Georgian Giles Coren (concluded)

Georgian eateries117Virginia, Newman’s Court, Cornhill.

This house is much frequented by ship carpenters, and ship brokers. Dinners are very well served up at 15d a head. Rural city merchants, that is, those who sleep in the country, generally dine here. The entertainment is good, and the charge moderate. As to the mistress at the bar, she is very obliging; she is as prolific in curtseys as a Frenchwoman, and as prolific in issue as a rabbit.1)

Mill’s, Gerrard Street, Soho

This house is remarkable for good red port, and good spirits. They dress dinners and suppers in style —and the breakfast are very comfortable. Several intelligent gentlemen, stricken in years, are it’s constant guests, and the conversation is both pleasing and instructive. The charges are indeed very reasonable, and the attention prompt and agreeable. It is celebrated for being the very first house that reduced the prices of wines and spirits, after the commencement of the French treaty. 2)

Batson’s Coffee House, near ‘Change.

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The Diary of A Dining-Out Man

From Virtual Victorian

From a volume of Bentley's Miscellany (London, 1841)- this piece by Albany Poyntz (i.e. Catherine Gore) other contributors to this volume included Ainsworth, Crowquill, Ingoldsby & Longfellow. She also wrote A World of Wonders (Richard Bentley, London 1845) - a polymathic work refuting popular superstitions with  chapters on Pope Joan, Wild Women, Sybils, Monstrous Births and Ventriloquism etc.,. The full text can be found at Project Gutenberg.

Catherine Gore (1799 - 1861) is best known for her many "silver-fork" novels, which depicted fashionable high society. In 1830, she published her first silver-fork novel, Women As They Are, or Manners of the Day, and then went on to write many more books in this popular genre that provided her with a considerable income. There is much on her at The Corvey Novels Project (Nebraska) She was known as a bright conversationalist, an attribute that also displayed itself in the dialogue in her novels. Her writing is often compared to Jane Austen's, particularly her descriptions of the "heartless society mother" in various novels. In this piece The Diary of A Dining-Out Man, which she writes as 'Albany Poyntz' the extreme worldliness of tone prefigures Saki. It is a world she would have known - she was herself at one time very rich but was swindled out of £20,000, and had to write several more society novels to recoup.

DIARY OF A DINING-OUT MAN.
BY ALBANY POYNTZ.

  So, here we are in the season again. — Goodness  be praised ! — Those country houses take too much  out of a man, in return for what he extracts from them. It is well enough in those where one has  the ear of the house, as well as the run of the house, — remaining a fixture, while successive parties of guests appear and disappear; for the  same bon-mots and good stories serve to amuse his  Grace on Friday, which were tried upon the country-neighbour party with success, the preceding Monday, — as inoculation was attempted upon criminals, before the royal family were submitted to the prick of the lancet. More particularly when the whole set has been renovated. It is a bore to have some single gentleman, or stationary souffre douleur cousin, on the watch for the point of every well-worn anecdote,–like people at a pantomime, familiar beforehand with the tricks.    Still, even when one makes a hit, the wear and tear of the thing is prodigious. One goes through  the work of three dinners per diem ; — to wit, breakfast, luncheon, and dinner, — and all without refreshment ! In town, one has the chance of the clubs and morning visits to brighten one. But in a country house, where one can only rub up per aid of the new works and periodicals lying on the table, or visits shared in common with the rest of the party, one must fall back on one's own resources, — and the effort is prodigious.

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The Arts and the Café Royal

Between 29 June and 29 July 1956 the National Book League (whatever happened to this?) staged an exhibition entitled ‘London after Dark’ on the first floor of the famous Café Royal in Lower Regent Street. The exhibition was designed to tell the story, in books, manuscripts and pictures, of London night life between 1866, when the Café Royal opened its doors, and the present day, when Soho was still a vibrant bohemian quarter .It was this exhibition that three Soho habitués, Daniel Farson, Lucian Freud and Francis Bacon visited one day in June or July, 1956. Many of the pictures on display were by, or depicted, celebrities connected to the Café Royal, and one example caught Freud’s attention. Farson takes up the story:

Lucian looked at the label on the back and reported ‘Sickert’. This set me wondering as we continued our circuit, and as we passed it again I rashly broke my silence, for I had not dared to venture an opinion before. 'If that’s by Sickert', I declared, 'he could never have painted a great picture.’ The two of  them looked at me with irritation, so with the hope of proving my point I bent down and looked at the back for myself, emerging triumphantly with the tactless cry---‘It’s not by Sickert, it’s of Sickert, by Nina Hamnett!’ They were not amused. Daniel Farson, Soho in the Fifties (1987)

Soho has changed, even in the last thirty years, as post punk singer Marc Almond complained recently on TV. But the Café Royal has perhaps changed most dramatically.  Around 2007 I paid a visit to its menu board outside with a view to getting a meal paid for by Rare Book Review as part of my ‘research’ for an article on its famous literary associations. It was, it seemed, still functioning, though probably on its last legs. A few months later I revisited it and found that this haunt of Wilde, Whistler, Sickert and Augustus John had closed its door to diners in preparation for a refit. A sly peep into what had been the Grill Room revealed little that would distinguish it from any other West End restaurant of a certain vintage. The tables and chairs had been removed. It looked sad and tired. I don’t know what the old Café Royal is now. And I don’t really care. [R.M.Healey]