The Ghost Man – a blurb from the 1930s

Found in the massive and unending Donald Rudd collection of detective fiction -a Gerald Verner thriller The Ghost Man (Wright and Brown, London 1936) in its sensational jacket. Gerald Verner was the pseudonym of John Robert Stuart Pringle. He had over 130 books published under four names during his lifetime and was hugely popular with his audience and a favourite of the Duke of Windsor, who was presented with an especially bound set of 15 of Verner's thrillers. He attempted to take over the mantle of the prolific (and wealthy) Edgar Wallace after his death in 1932. The jacket has elements of Wallace, even down to the style of the logo. The blurb on the inside flap reads:

Who was the man called Conner, bank robber and murderer, who was hanged at Wandsworth Prison? What connections did he have with the murderer of the Shabby Peddler in the garden of Janet Lacey's country cottage? Why did he search the place so thoroughly before he was killed? And what was the significance of the stanza from the Rubaiyat of Omar Khayyam? Mr Gerald Verner's new mystery is  so full of excitement, his plots so ingenious, mysterious, and so subtly unfolded that it will be impossible to put the book down until the last word has been read.

The book is not listed by Bleiler (Supernatural Fiction) or George Locke (Spectrum of Fantasy)which would indicate the ghost is rationally explained. It is, however, an Omar Khayyam item..

Oliver Madox Brown’s ‘Gabriel Denver’ – a rarity

Found - Oliver Madox Brown's novel Gabriel Denver (London: Smith, Elder 1873) - a late Victorian rarity with Pre Raphaelite Brotherhood connections. The binding was designed by the author's father, Ford Madox Brown and is said to be the only book cover he ever worked on. A loosely inserted catalogue clipping from about 1920 prices the book at 18/6 and states;

'...  a novel of great promise, the first and only production of the author, who died in his twentieth year. In A Birth Song Swinburne refers to him in the following lines:
"High hopes and hearts requickening in thy dawn,
Even theirs whose life-springs, child,
Filled thine with life and smiled,
But then wept blood for half their own withdrawn."

70 years late in 1992 a slight used copy turned up at Christies New York (from the collection of librarian and poet Kenneth A Lohf) and made $1210. The cataloguer described it thus:

Original tan cloth, pictorially blocked in black, lettered in gilt and black ..binder's ticket of Leighton Son and Hodge at inside rear cover, fraying at ends of spine, rear cover slightly soiled, cloth slipcase. FIRST EDITION, published when the author was eighteen years old (he died tragically the following year); this is the only book cover his artist father designed. Fredeman 47.1 and Plate VII for illustration of the front cover; Robert Lee Wolff, Strange Stories (Boston, 1971), pp. 37-43 and illustration of the front cover. "The death at nineteen of this brilliantly versatile and precocious artist and novelist, son of Ford Madox Brown, and brother-in-law of William Michael Rossetti and Francis Hueffer, deeply distressed the boy's father and all the brethren of the Pre-Raphaelite movement. Both [this and The Dwale Bluth in the next lot] his books are rare ... By 1883, [Gabriel Denver] was already a rarity. Only 300 copies were sold and the rest pulped. See also a remarkable passage in George Moore's Vale (Hail and Farewell, III, 1914, pp. 47-51) in which Moore describes his friendship with Brown formed at art school. During the model's rest periods Brown read aloud from a novel of his which must have been Gabriel Denver..."The model was so entranced, she let her robe slip from her and listened quite naked"--Wolff 881.

C.S. Lewis and women

Found in a slim volume of verse a letter by the poet Herbert Palmer about an evening spent with C.S.Lewis. The book was A Sword in the Desert: a Book of Poems and Verses for the Present Times (Harrap 1946.)

It is a signed presentation copy: 'With best Birthday wishes to Edgar from Bert August 1946.' Edgar is unknown (so far.) Tipped in at the front is a handwritten signed letter from the author to Edgar written on a Tuesday (probably 1946). It reads thus:

Dear Edgar. I think I have remembered your birthday to date this year.

I spent very exciting evening with Lewis (in) the middle of June.He is not the ascetic people think – but a convivial Irishman. Looks something between a jolly priest and a country publican with a dash of St Francis thrown in. A very good poet too. Which means he has his feet very firm on the ground. We sat up till midnight reading our poems to one another. He doesn't like women - says all the women he knows are either 'saints or devils, – chiefly devils.Hell. I presume from his standpoint, is chiefly populated by women.

Love to Mary & Winifred, Bert.'

On the verso of the letter is a signed typed note from Lewis to Palmer written from Magdalen College, Oxford and dated 9th May 1946  consisting of about 20 words in which he confirms the day they are to meet. Palmer has CROSSED OUT the signature and the typing in ink, although they are still very legible. In about 1945-46 Palmer was responsible for introducing Lewis to Ruth Pitter, of whom Lewis said that if he was the kind of man who got married, he would have wanted to marry her. The book's printed dedication is to Robert Gathorne-Hardy, poet and botanist.

Tales from the Second Hand Book Trade 2

A bookseller specialist buys a large academic collection from an old professor--mostly sexology, sexual politics,folklore censorship and moral studies. He gets them for a reasonable sum, but part of the deal is that he takes 10,000 porno paperbacks stored in the outhouse. Reluctantly he hauls them all out and takes the paperbacks to the recycling where they are pulped. Pulp to pulp.

Painstakingly he lists the scholarly works and offers them to a University library that he has ties with. They reply that, sadly, they have most of these books and what they really need is actual porn paperback fiction, 'we have all the books on censorship' the librarian says 'what we need to work on is the material that was being censored - we need thousands of them, but I'm afraid we can only pay $10 each.'

An indignant Susan Hill answers her critics

A cri de coeur from the 18 year old debut novelist Susan Hill on the perils of sensationalist journalism and pre-publication hype can be found in the Autumn 1960 issue of the Coventry-based arts magazine Umbrella. On first reading 'A Sudden Smash of Fame' this seems an  unusually vehement complaint  for a teenaged first time author to make, but perhaps not when we consider that 1960 was the year of the ‘Lady Chatterley Trial’.

Hutchinson had accepted Hill’s debut novel The Enclosure while she was still an eighteen year old pupil at Carr’s Hill School in Coventry. Somehow the papers had sniffed out the story and all hell broke loose. The Daily Mail (quelle surprise) was the worst offender. The young author was accused of having written a ‘sex-ridden sensational novel’ ‘(Hill’s words) and the press generally was condemned for  exploiting a teenager’s naïf responses to questions from hard-bitten reporters anxious for a salacious story, and of making things up. For instance, from an innocent refusal of a cigarette one reporter had written that Hill disliked smoking. When, in reply to a question on whether she liked the novels of Francoise Sagan, Hill had replied ‘I like her style very much, but not her themes ‘, this appeared as ‘I think her themes are trite---she is finished’.

Continue reading →

The wrong Winston Churchill

Winston Churchill - the novelist

The British prime minister, historian and wartime leader Winston Churchill became Winston S. Churchill to distinguish himself from the now forgotten and somewhat unsaleable U.S. novelist Winston Churchill (no relation.) His friendly and diplomatic letter on the subject  is a model of its kind and has been preserved.**

Pretty decent thing to do, but at the time (1899) the American novelist was well known and his books selling very well. To add to the confusion the novelist Winston was also a passable painter. Also our own Churchill wrote one novel, Savrola, in 1900. The American Churchill wrote many novels mostly with titles beginning with C - The Celebrity, The Crisis, The Crossing, Coniston etc., They occasional show up on eBay being sold as if by the great politician ( the American Churchill also dabbled in politics). Wikipedia says "...the two are still occasionally confused, mostly by sellers of second-hand books…" - slightly  dismissive, but possibly not untrue.  They are known to have met at least once and also to have corresponded; a signed letter from WSC to WC would be quite a valuable item!

A good WSC oil painting now goes for several hundred thousand pounds, the American Churchill (who appears to have been more than a Sunday painter) cannot be in this league. Must check an art price site…

Continue reading →

Barbara Taylor Bradford – the early works

The best-selling English novelist Barbara Taylor Bradford's early works were mainly  about interior decoration and 'homemaking.'  They include Decorating to Please Him (How to be the Perfect Wife Series) and Etiquette to Please Him (How to be the Perfect Wife Series). They appeared between 1968 and 1969. BTB's 'perfect wife' paperbacks seem to be aimed at the Stepford Wife archetype and they came out when The Female Eunuch and The Feminine Mystique were on the best seller lists. Nowadays they have a distinct vintage flavour and some dealers even try to get big bucks for them at Amazon. Generally BTB collectable prices for her novels are on the low side, romantic fiction being one of the least collected genres. The Marie Corelli of our age* she is said to be worth £150 million+. Sadly the story about her heating the water in the lake on her estate, so that her pet swans might paddle about in comfort during the winter months, may not be true - BTB says the previous owners of the property had installed it.

Of course many best selling writers wrote very ordinary, forgotten books before they struck gold - Neil Gaiman's rare and valuable book on the boy band Duran Duran, Arthur Bryant's Unfinished Victory (it showed Nazi sympathies in 1940 -he tried to destroy most copies, hence the book's rarity.) Dan Brown's 187 Men to Avoid: A Survival Guide for the Romantically Frustrated Woman (written with his wife in 1995) and Dean Koontz porn paperback from the 1960s Hung! Not forgetting the great thriller writer Ernest Bramah's 1894 debut English farming and why I turned it up. [Suggested  by JK - for which much thanks]

* Her earliest works were of a religious bent like those of Marie Corelli  - in 1968 she wrote Children's Stories of the Bible from the Old and New Testaments.

The Ghosts of Glamis

Found -  The Ghosts of Glamis - a typescript, apparently unpublished, from around the 1960s. Glamis is the seat of the Queen Mother's family, the Bowes-Lyons, and is said to be the most haunted castle in Britain. There is the Grey Lady who haunts the chapel, a tongueless woman haunting the grounds, a young black servant boy haunts the seat by the door to the Queen's bedroom, also the ghost of the gambler and hell raiser Earl Beardie has free range of the house (he lost his soul to the devil in a card game). There are more. The castle is also mentioned in Shakespeare's MacBeth, and the murder of King Malcolm the II is supposed to have taken place in one of the rooms.This seems unlikely as the castle dates from the 14th century and the murder from the 11th century. The typescript is of unknown provenance but seems to have been written for publication...

Continue reading →

A.N.L. Munby book collector, academic and ghost story writer

Found - a scarce pamphlet outlining the life of Alan Noel Latimer ('Tim') Munby (1913 - 1974). He was born on Christmas Day, hence the unused name 'Noel.' The Victorian diarist and poet Arthur Munby ('Man of Two Worlds' of Derek Hudson's book) who 'adored the roughest working-girls' and was for years secretly married to his kitchen-maid was his great-uncle. As a schoolboy and as an undergraduate (at King's College, 1932-35) he collected books; for a brief period after graduation he worked at Quaritch's bookshop. During the war he joined the Territorials (Queen Victoria Rifles); he was captured at Calais in 1940 and held as a prisoner of war in Germany for 5 years. On his return to England he worked at Sotheby's, then in 1947 was appointed College Librarian at King's. He is best known for an excellent collection of ghost stories The Alabaster Hand. Ghost fiction watchers Boucher and McComas praised the stories in The Alabaster Hand as 'quietly terrifying modernizations of the M.R. James tradition.' M.R. James was also a Cambridge academic and Cambridge produced several other writers of fantastic fiction.. The pamphlet is typical of the slim memorial papers  turned out at the great universities when a distinguished or well known colleague had died.

Continue reading →

Horror in the Night by Richard Macgregor (aka MacGregor Urquhart )

A local dealer has this graphic artist's illustration for a lurid book cover. He thinks he may have bought it from someone selling a quantity of book cover illustrations on card (gouache, watercolour etc.,) by the railings on Bayswater Road about 30 years ago. Art (now mostly kitsch and worse) is still sold there every Sunday. Often these illustrations  have lettering so you can see the title, but not in this case, and no artist had signed either.

By sheer chance he found the actual book that had used the illustration - in a box of SF, fantasy and horror paperbacks.  The book was Horror in the Night, a short story collection by Richard Macgregor published by Digit in London in 1963. Not a lot is known about Macgregor, these were 5 short horror stories and he seems to have written 5 other books between 1963 and 1964 for Digit. Titles like The Deadly Sun, Creeping Plague, The Day a Village Died --- a category that came to be known as Doom Watch fiction, possibly post apocalyptic in content. A further book Taste of the Temptress came out in Sydney in the mid 1960s published by Eclipse, so he could have been Australian -this was also published by Digit so possibly not (also it seems he was from Essex - see the excellent Bear Alley.) As for the artist it could be one R.A. Osborne (1923 - 1973) art director of Digit at the time and responsible for many of their covers including Macgregor's Day a Village Died, the story of a village plagued by killer ants.

This piece first appeared at our old site Bookride and since then new information has come to light via dealer Cold Tonnage and the IMDB database. It seems that his real name was MacGregor Urquhart. IMDB's short biography says he 'was a writer and actor, known for The Powder Monkey (1951), John of the Fair (1951) and The Malory Secret (1951). He died on March 17, 1967.' His first work of fiction appeared in the early 1960s  so it seems that his writing career followed his spell in movies. Further investigation shows he was also a playwright with at least one published play Investigation. A Pay in Three Acts (Evans, London 1958.)

A flier for The War of the Worlds (1897/1898)

"...across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us."

Found - a review slip or pre-publication publicity (a flier) in a first edition of H.G. Wells The War of the Worlds (Heinemann, London 1898) one of the greatest Science Fiction novels of all time.  The novel had previously appeared in serialized form in 1897, published simultaneously in Pearson's Magazine in the UK and Cosmopolitan magazine in the US. The reviews are from magazines and newspapers of the time including one from a French paper Mercure de France which says that Wells surpasses Jules Verne.

Continue reading →

An Ear for Murder

Found - a rare and sensational Australian pulp mystery/ thriller from the late 1940s. Unknown to online malls and the great bibliography of crime fiction by Allen J Hubin, although he lists other titles by Max Afford. It is titled An Ear for Murder (Frank Johnson, Sydney, no date). The inside cover reads:

This is a Magpie novel - read it now it will hold you to the end.
What manner of creature was this, to whom the slaying of his victim was not enough? What manner of foul beast was it whose bloody fingers must perform the further savagery of mutilation? What strange secrets lay behind the locked doors of the mysterious, corpse-guarded study? These are the questions answered by world-famous criminologist Jeffery Blackburn in this punch-packed story of murder on the loose. With thrills on every page, this grand story of crime and detection is a "must" for murder-fiction fans. You won't be able to put it down until you've turned the last page.

The book appears intelligent and well written , the sleuth's day job being a professor of higher mathematics. The claim on the cover 'No crime could be more horrifying in its ferocity' may be something of an exaggeration..the plot involves a crazed novelist, a millenarian sect and a titled British millionaire stockbroker. There are as many as 100 books in the Magpie series, not all thrillers or even fiction.


Vulcan 2

The second part, from the fascinating forgotten work Oddities: A Book of Unexplained Facts (Allan, London 1928) by R.T. Gould, on the non-existent planet Vulcan. The first part can be found here.

Vulcan Landscape (from Star Trek, the Motion Picture)
 Leverrier, once convinced as to the real character of Lescarbault's discovery, lost no time in performing the necessary calculations which that worthy had found so baffling. He obtained, for the new planet's mean distance from the sun, about 13,000,000 miles, and for its period of revolution 19 days 17 hours. Lescarbault, who had seen Mercury in transit over the sun with the same telescope, and the same magnifying power, on May 8, 1845, considered that the new planet (which he decided to name "Vulcan") had a disc rather less than a quarter as large. Accordingly, Leverrier calculated that Vulcan's volume was probably about one seventeenth that of Mercury. It did not escape him that, supposing its mass to be in anything like the same proportion, Vulcan could not be held responsible for more than a small fraction of the disturbances observed to be taking place in Mercury's orbit.

   He also calculated that Vulcan ought to be in transit on the sun's face on or about April 3rd and October 6th of every year, at which times it should, of course, be visible in the same manner as it had been to Lescarbault. He did not hold out much hope of its being seen at other times, since he computed that its lustre would be so feeble that it might easily remain unseen, even during a total eclipse of the sun.*

   * Proctor has questioned this statement. By his calculations, Vulcan and Mercury, seen during eclipse at their greatest angular distance from the sun, would appear about equally bright.

 Continue reading →

R.T. Gould and The Planet Vulcan 1

T.T. Gould & his wife Muriel
Found - a fascinating forgotten  work Oddities: A Book of Unexplained Facts (Allan, London 1928) by R.T. Gould. Rupert Thomas Gould (1890 – 1948), was a lieutenant Commander in the British Royal Navy noted for his contributions to horology. While in the navy in WW1 he suffered a nervous breakdown. During long recuperation, he was stationed at the Hydrographer's Department at the Admiralty, where he became an expert on various aspects of naval history, cartography, and expeditions of the polar regions. He gained permission in 1920 to restore the marine chronometers of John Harrison, and this work was completed in 1933. Jeremy Irons played him in Longitude, a dramatisation of Dava Sobel's book about John Harrison Longitude: The True Story of a Lone Genius Who Solved the Greatest Scientific Problem of His Time, which recounted in part Gould's work in restoring the chronometers.

Something of a polymath, he wrote an eclectic series of books on topics ranging from horology to the Loch Ness Monster. He was a member of the Sette of Odd Volumes (Brother Hydrographer) and the book Oddities is dedicated to the club. He was a science educator, giving a series of talks for the BBC's Children's Hour starting in January 1934 under the name "The Stargazer", and these collected talks were later published. He was a member of the BBC radio panel Brains Trust. He umpired tennis matches on the Centre Court at Wimbledon on many occasions during the 1930s. This is the first part of the chapter on the planet Vulcan (more to follow)-

 Continue reading →

Ruscovitch – forger and criminal apologist

Found in a thriller from  the Donald Rudd collection of detective fiction, this preface to The Poison and the Root (Jarrolds, UK 1950) by Richard Savage. It is a sort of apologia or plea for the criminal by one G. Ruscovitch, 'professional forger'. I had thought this person was fictitious or possibly a character in the book (which is not about forgery) but in fact there was a forger of this name. He is mentioned by Havelock Ellis in The Criminal (1890) and appears to have flourished in the mid 19th Century. He may also have been a murderer but Ellis describes him thus:

'...a prince among forgers, the accomplished student of science, the perfect master of half-a-dozen languages..' He then quotes the same piece as Savage. Possibly this was spoken from the dock in mitigation:

Too often it is forgotten that criminals are members of society. These bodies, sometimes abandoned by all except the satellites charged to guard them, are not all opaque; some of them are diaphanous and transparent. The vulgar sand that you tread underfoot becomes crystal when it has passed through the furnace. The dregs may become useful if you know how to employ them; to tread them underfoot with indifference and without thought is to undermine the foundations of society and fill it with volcanoes. The man who has not visited the caverns, can he know the mountains well? The lower strata, for being situated deeper and farther from the light, are less important than the external crust? There are deformities and diseases among us to make one shudder; but since when has horror forbidden study, and the disease driven away the physician?

Crime Fiction by Setting

Hubin's Comprehensive Bibliography of Crime Fiction 1749-1990 lists crime novels by their 'setting' in its second volume. This is mostly places, countries, states and towns with a few other settings like the past, the future, aircraft and academia. Naturally there is an emphasis on America  e.g. under 'Massachusetts' Hubin lists 200 thrillers but at the next entry 'Mauritius' just one - J.C. Shill's Murder in Paradise. The section on the Canary Islands is of interest with just these 5:

P. Attlee. Silken Baroness.

R. Harding. Appointment in Tenerife.

R. MacLeod. Legacy from Tenerife.

D. Serafin. Port of Light. 

J.M. Walsh. Danger Zone.

Madeira has these:

M. Farnsworth. Castle that Whispered.

E. Ferrars. Skeleton Staff.

E. Ferrars. Witness Before the Fact. 

R. Goddard. Past Caring.

Alicen White. Watching Eye.

The sparsely populated Azores throw up just one novel:

Denis Wheatley. They Found Atlantis.

Locked Room Murders – 20 Solutions

From Robert Adey's Locked Room Murders (Ferret Fantasy, London 1979)

Major discussions on the subject of locked room murders are to be found in Carr's The Hollow Man, Rawson's Death from a Top Hat and Holmes' Nine by Nine.

There appear to be some 20 different ways in which a locked room can be breached.

Analysis of solutions

1 Accident.

2 Suicide.

3 Remote control – poison gas or impelled to do so with his own hands.

4 Mechanical and other devices.

5 Animal.

6 Outside the agency made to look like inside agency. E.g. dagger fired through window.

7 Victim killed earlier but made to appear alive later.

8 Presumed dead but not killed until later, e.g., by the first person to enter the room.

9 Victim wounded outside, dies inside.

10 Turning key, bolt, catch, etc, from outside with pliers, string, etc

11 Unhinging and rehinging door or window.

12 Taking out and replacing windowpane.

13 Acrobatic manoeuvre,.

14 Door locked or wedged on outside. Key replaced or bolt thrown after re-entrance.

15 Door locked on outside. Key returned before re-entrance.

16 Other methods of gimmicking doors, windows etc.,

17 Secret passages, sliding panels, etc.,

18 Murderer still in room when entrance forced.

19 Alibi provided while murder committed in an apparently  
guarded area.
  
20 Other impersonation stunts

  A further mystery is the price and rarity of the much enlarged edition from Crossover Press 1992. A copy on Canadian Amazon (often a home for awesome prices) at $10000 seems to have now vanished...

100 year old con man – the Yellow Kid

Found in a sensational crime paperback The Big Con (Pocket Books, NY 1949) a press cutting dated 1975 - the obituary of an amazing conman/ hustler/grifter Joseph Weil (1875-1975). He seems to have been the first to put forth the idea (often mentioned in the TV series Hustle) that 'you can't con an honest man.' It is possible that their  character Albert Stroller (Robert Vaughn) the elderly 'roper' responsible for ensnaring potential marks, is based on Weil. There is an exhaustive profile of Stroller at Wikipedia with no mention of any influences but useful info such as '...he cannot go to Indonesia as he sold the air force some fighter jets in the '70s, and they still haven't arrived.' Weil's comments on bankers are especially prescient..

Joseph (Yellow Kid) Weil, 100, Leading U. S. Trickster in '20s. From Wire Dispatches Chicago, Feb 27- 1975.

 Joseph (Yellow Kid) Weil, 100, the 1920s confidence artist whose con schemes netted him an estimated $8 million, died yesterday in a convalescent home.
 For nearly three years, the fragile little man had been a welfare patient, living out his life on the memories of his heyday, when his canary-yellow gloves, cravats and suits, yellow calling cards and autos, yellowish red hair and golden whiskers made him an international figure.
"If I had to do it all over again, I would be foolish if I didn't," Weil told an interviewer last summer on his 100th birthday
. "I don't feel a day over 70. I still like to look at the ladies and take a sip of wine. I like to listen to the radio, but I'll be damned if I'll play bingo with the rest round here. It's a ripoff."

Continue reading →

Hope Mirrlees The Counterplot (1925)

Found in the Donald Rudd collection of detective fiction at the back of Death of a Millionaire (Collins 1925) amongst the publishers announcements of forthcoming books this summary of the plot of the very rare Hope Mirrlees novel The Counterplot. These publishers advertisements  are useful to dealers, scholars, collectors etc., as they are able to ascertain what a book is about without the tedium of reading it. Also they are particularly useful for collectors of fantasy to see whether there is any supernatural content. Hope Mirrlees did write one fantasy Lud-in-the Mist published by Collins in 1926. This novel was described by Neil Gaiman as 'one of the greatest fantasy novels ever written.' Her novel The Counterplot contains within it a 100 page play. Hope is also celebrated for her ultra modernist long poem Paris (Hogarth Press 1919).

The Counterplot

The Counterplot is  a study of the literary temperament. Teresa Lane, watching the slow movement of life manifesting itself in the changing interrelations of the family, is teased by the complexity of the spectacle, and comes to realise that her mind will never know peace till, by transposing the problem into art, she has reduced it to its permanent essential factors. So, from the texture of the words, the emotions, the interactions of the life going on around her, she weaves a play , the setting of which is a Spanish convent in the 14th century, and this play performs for her the function that Freud ascribes to dreams, for by it she is enabled to express subconscious desires, to vent repressed irritation, to say things that she is too proud and civilised ever to have said in any other way.

Kenny Everett on the Ouija Board

From a paperback called I've Seen a Ghost - True Stories from Show Business by Richard Davis (Granada, London 1979). A series of mostly tall, real ghost stories from British stars of the time -Jon Pertwee, Roy Hudd, Pat Phoenix, Vincent Price, Bob Monkhouse, Rula Lenska etc.. There are the usual actor's superstitions and tales of ghosts seen in old theatres...the one from Kenny Everett could be filed under 'more things in heaven and earth' or Kenny was simply blagging - which seems unlikely as there is no joke or punchline. Also it is worth noting that this was before the time of proper mobile phones...

It happened when we were staying at Pete Asher's house in Surrey, near Rosper. It looks rather like a Chinese house – all made of paper walls and bits of stick. And it was by a lake, an 8 acre lake with two islands on it. All very deserted, it was.

We had a cameraman and his assistant staying with us, and we decided to have a go with the Ouija board.  Well, the cameraman got a message through from his girlfriend; he said "that's odd - she's not dead". And she said by means of the Ouija board that she'd died that day. She'd taken a load of pills and she was in Bicester Mortuary. He couldn't believe this. He thought we were messing around, though I don't think any of us would have been quite as cruel as that. So he rang her dad, and her dad picked up the phone and he was in tears, because she had just taken a load of pills and he had taken her to the mortuary. The cameraman had been with us for two days; the phone hadn't rung and there was no way he could have known.