More gleanings from Ian Fleming’s 1946 book catalogue

The catalogue issued in 1946 (previous Jot) by the directors of Elkin Mathews Ltd of Takeley, Elkin Matthews book catalogue 1946 001 near Bishops Stortford, probably contained descriptions of books and manuscripts by one of the directors, Ian Fleming, an avid book collector. It’s tempting to imagine the future creator of James Bond trawling through some of the items in the catalogue in search of likely material.

We don’t know what language skills his fellow directors, B. K. Muir and C. H. Muir had, but we know that before the Second World War Fleming attended universities in Munich and Geneva to work on his language skills and visited Moscow in 1933 while working for Reuters. It is likely that he was responsible for translating some, if not all, of the foreign language manuscripts being sold by Elkin Mathews.

First, he may have examined a letter from the disciple of Karl Marx and founder of the Social Democratic Party, A. Bebel (1840 – 1913), which was written in German in 1893.In it Bebel complains that ‘since the abolition of the ban very few intellectuals and university folk have joined the party, or if they have done so, have abandoned it later on, out of fear or for reasons of social ambition’. He attacks the evolutionary socialist Rodbertus, who was opposed to Marxism and the University- Socialists.

This letter of ‘great importance ‘ was priced at 9 guineas.

There is also a holograph MS of Maxim Gorki’s “From my Diary” consisting of 12 folio pages in Russian and priced at a bargain £40—more than a month’s salary for a British University lecturer in Russian in 1946.

You could also buy a letter from the Swedish Nobel prize winner Selma Lagerlof ( who she ?,Ed ) for £2 10s,a ‘ very fine letter ‘ from the Nazarene painter J.F.Overbeck dated 1852 for 10/- less and ( a real bargain, this) ten letters from the German impressionist painter Liebermann, a victim of Nazi prejudice, for £2 15s. A single letter from the gifted German draughtsman A. von Menzel, to which were attached ‘ ‘three fine pen-and-ink drawings’, could be yours for £20. Continue reading →

The Golden Urn

Found — all 3 issues of The Golden Urn the rare magazine produced at Fiesole by Bernard Berenson, Logan Pearsall Smith and his sister Mary Pearsall Smith (later Mary Berenson.) Of some value – we have catalogued it thus:

8vo. pp 151. Numbers 1, 2 and 3 complete – all published (1897-1898). Rebound in one volume. Number 1 contains ‘Orlando’ a ‘Self-appreciation’ by the then young Bertrand Russell ( a vaguely philosophical cri de coeur unattributed in the text). Rebound with original illustrated front wrappers, each with an urn design, bound in. Red buckram binning lettered gilt at the spine. Genuinely rare and seldom appearing in commerce. The introduction sets the mood–“The Golden Urn is published by certain people of leisure and curiosity, who thought it worth while to print for their own entertainment some impressions of art and life, some experiments in letters. Appreciation, untrammelled thought, scholarship, its editors will welcome… questions of aesthetics will be discussed… it will appear on unfixed dates and entirely at the pleasure of its editors; it is privately printed and will not be for sale. copies however will be sent – not without a feeling or, at least, an affectation of diffidence – to a few fastidious people.” The elegant fantasy piece in the third issue ‘Altamura’ was a collaboration between Pearsall Smith and Berenson and burlesques the life and ideals of an artists retreat not unlike their own circle at Fiesole. The last piece in the magazine is an amazing extensive list by Mary and Bernard Berenson of the greatest Italian Renaissance pictures in the world (Sacred Pictures) with their locations in every country, some in private hands in America and England – “..the study of them are regarded as acts of piety, and very helpful, though not exactly necessary, to Salvation.”

Berenson, of course, went on to become the 20th century’s most important art critic and art expert, Pearsall Smith’s became an important and admired anthologist whose Trivia books are still read and sought after.Each issue has his (and possibly the Berenson’s) favourite passages from Shakespeare and the Romantics. Berenson’s list of Italian paintings is referred to online as ‘famous’ — it is certainly a labour of love and the fruit of deep research and would have been very hard work in a pre-technology era.

Harold Murray—-the life of a jobbing journalist in the early twentieth century

Found in a pile of books here at Jot HQ a battered, library copy ( ‘ with all the stamps ‘, as the abebook dealers say ) from Exeter City Library of Kaleidoscope , an old journalist’s snapshots (Exeter, nd but c 1947) by Harold Murray. Printed in Exeter by W. Chudley & Son, it would seem to be self-published, but unlike most books of this type, it is actually worth reading.

Wikipedia, alas, has no information on Murray. He claimed to be of ‘ Scottish origin’, and was born in an ‘ old parsonage in the Fen country ‘ (possibly near Peterborough). As for his year of birth, recollections of having seen in 1884 a zoetrope at a bazaar and of being a cub reporter at the time of the Boer War, suggests that he first saw the light of day sometime in the eighteen-seventies. As for his published works, abebooks does feature Kaleidoscopealongside the author’s biographies of two nonconformist preachers, Dinsdale T.Young and Campbell Morgan, along with a collection of Murray’s stories for Boys’ Own Paperand a life of the famous evangelist preacher Rodney ‘Gypsy’ Smith (1860 – 1947). The ‘ by the same author ‘ panel in Kaleidoscope suggests that Murray ‘s main interest was religious evangelism, though this doesn’t come across strongly in Kaleidoscope, which is essentially a hotchpotch of anecdotes about all the many famous, and not so famous, people and places he had encountered in his rather hectic career as a jobbing journalist.

It isn’t easy to establish if Murray was attached to particular newspapers for any length of time, if he was a freelance for much of his life, or if he did other things when he wasn’t writing. He seems to have been enchanted by the idea of writing for a living from his earliest days. FromKaleidoscope it seems obvious that he wished to be seen as someone who was, in the words of Wyndham Lewis, ‘ not for sale ‘ and it doesn’t appear that he was ever troubled by the insecurity of the freelancer’s life. At one point he remarks that he liked writing about hotels because, until twenty years ago, he had spent so much of his life living in them. This might suggest that for a while he was married, with a house and perhaps a family, and that a divorce or separation obliged him to return to living in hotels and boarding houses. But it might equally suggest that Murray, like Gipsy Smith, preferred the life of a wanderer from place to place. He certainly got around.

All journalists need to have good memories, but Murray’s was more powerful than most. Kaleidoscopeis a wealth of wonderful anecdotes going back to the 1890s. In fact there are so many that one must be selective. The more interesting recollections from the point of view of the history of popular entertainment relate to music hall and early cinema: Continue reading →

A survey of homosexuality in the theatre

Encore magazine cover 001 Six years before homosexual acts between consenting adults were legalised Encore, the ‘little magazine’ devoted to contemporary theatre, published in Jan-Feb 1961, a perceptive item by ‘Roger Gellert’ entitled ‘A Survey of the Treatment of the Homosexual in some plays’. Gellert was the pseudonym of the one-time Third Programme announcer John Holmstrom, who left the BBC to become a playwright and theatre critic, only to return as an announcer on Radio Three and a contributor to Test Match Special.

Encorewas just the sort of publication that you might expect to find such a radical item. It advertised itself as ‘ the voice of vital theatre ‘ and was edited by Clive Goodwin (1932 – 78 ), who in the previous year had also published essays on Arden, Pinter, Arthur Miller, Ionesco, Wesker, Negro Theatre and ‘ Billy Liar’. Goodwin, incidentally, was an actor and writer who was married for a short while to the tragic pioneer of Pop art, Pauline Boty.

Gellert’s approach to a subject that was still a ‘ problem ‘ for theatregoers in Western culture was to emphasise that to the ‘ bisexual ‘ Shakespeare, to Marlowe and the Restoration dramatists, homosexuality was regarded as something to be accepted and laughed at, rather than condemned as immoral. Then, after two hundred or more years of ‘ silence’ on the subject, the whole issue, according to Gellert, was resurrected with the staging of Mordaunt Shairp’s play of 1933, The Green Bay Tree, in which the audience is invited to laugh once more, this time at the extraordinary camp utterances of the gay protagonist, Mr Dulcimer, a sort of aesthete of the Oscar Wilde type, who grooms an innocent boy for his own amusement , but is shot dead as punishment for his decadence.

As Gellert argues, The Green Bay Treeis a shallow ‘entertainment ‘rather than a serious comment on the plight of homosexuals in society. That more sympathetic attitude emerged in the post war years with such plays as William Douglas Home’s Now, Barabbas, in which a rather pathetic ex-schoolmaster serving time for sex crimes pesters a young prisoner. Gellert also credits Arthur Miller’s View from the Bridge,Philip King’s Serious Charge, Lilian Hellman’s The Children’s Hourand Robert Anderson’s Tea and Sympathy, for airing serious issues around homo sexuality, though he accuses the latter of doing so at a ‘ very shallow level’. Continue reading →

Edith Allonby—-the novelist who had to commit suicide to get published

‘I have found another way… ‘So wrote fantasy novelist Edith Allonby (1875 – 1905) in a note Edith Allonby photograph found on her lap following her suicide, aged just thirty, in December 1905. When discovered she was sitting in a comfortable chair dressed in a silk evening gown with fresh flowers in her hair. By her side was an empty bottle of phenol (carbolic acid), the poison of choice (bleach was another) for many suicides in the UK at that time, due to its availability and quick, but painful, action.

For Allonby, a schoolmistress from Cartmel, Lancashire whose two previous works of ‘ satirical fantasy ‘, Jewel Sowers (1903) and Marigold
(1905), both set on the imaginary planet of Lucifram, had not sold well, there seemed little choice. In her suicide note she explained that after four years of labour on her latest book , a spiritual fantasy about life and death that she claimed had been given to her by God, her publisher Greening had rejected the manuscript, as had other publishers. ‘I have tried in vain ‘, she wrote,’ …yet shall The Fulfilment reach the people to whom I appeal, for I have found another way…’

That way was an act that would make her posthumous book a sensation at the time, for Greening did change their minds about its publication once the author was dead. It came out in a limited edition, which makes it and her previous two novels, scarce and valuable items today. It is possible that originally all the publishers to whom it was shown simply found the subject matter of The Fulfilmenttoo difficult to deal with. The author herself admitted that her book contained ‘either truth or page upon page of blasphemy ‘. Today, we are more open minded on spiritual matters. [R.M.Healey]

Edith Allonby The Fulfillment 1905 cover

Mad about Whistler

Blickling sutcliffe letter 001 That’s the English Rex rather than the American James McNeill. This covering letter, which was rescued from the archives of the booksellers Eric and Joan Stephens, was sent on 22 September 1968 from the National Trust property Blickling Hall, Norfolk, by the artist and Rex Whistler fan, John Sutcliffe. This letter bears a characteristic scraper board design by Whistler as a sort of letterhead. That’s how much Whistler meant to Sutcliffe.

The letter explains that despite owning ‘about 100 books either illustrated by R.W. or with illustrations of things of his or with dust wrappers by him’, Sutcliffe still needs a number of items to complete his collection. He also wants some post-war illustrations by John Minton and Keith Vaughan. The most coveted items on the wants list are marked with asterisks and include Mildred(1926), Lady Cynthia Asquith’s Treasure Ship(1926) and Edith Olivier’s As Far as Jane’s Grandmother’s(1928). Later priorities are the rare Edward James booklet Your Name is Lamia, which was printed by the author in 1933 in an edition of just thirty copies, and two books by Edith Olivier and Dorothy Wellesley, for which Whistler designed the dust jackets. Sutcliffe also asks Eric and Joan to look out for certain issues of periodicals—mainly from the thirties– devoted to design and decoration. These periodicals include The Architectural Review, The Artist, The Studio, The Connoisseur and Decoration. It is not explained whether or not Whistler contributed to these publications.

Little is known about John Sutcliffe, apart from the fact that he seems to have been a graphic designer who revised James Lees Milne’s original NT guide to Blickling Hall and wrote a ten-page pamphlet on the Hall’s Library in 1971. It may be that he worked at the Hall while writing these two works. He doesn’t appear to have lived there at any time. As an artist he co-exhibited at the 1967 Lynn Festival and there is at least one work by him among the art collection at the Hall. If he is the John Haddon Frowde Holman Sutcliffe who is listed as working for Read & Sutcliffe of King’s Lynn as an artist, then his name suggests that his parents were artists too, or at least art lovers. As we know, David Haddon and Holman Hunt were nineteenth century artists of some eminence.

But all this is less interesting to us at Jot HQ than the fact that John Sutcliffe was a fanatical collector of work by arguably the most gifted illustrator of the twentieth century. [RR]

A fascinating book catalogue of 1946

We found this rare and second hand book catalogue in our pile of ephemera the other day. It Elkin Matthews book catalogue 1946 001 was issued by the well-established book dealer Elkin Mathews Ltd in July 1946, just a year or so after the close of the Second World War.

It is interesting in several respects—not least because it lists books from the libraries of ‘Stephen Hudson’, the novelist and patron of the arts whose real name was Sydney Schiff (1868 – 1944) ,the novelist and playwright John Galsworthy, the acclaimed thriller writer Coulson Kernahan ( 1858 – 1943), the fin de siecle writer Arthur Symons and Sir Hugh Walpole, the popular novelist and book collector. It is also revealing in that among the list of three directors published we find the name of Ian Fleming, who was to create James Bond a few years later. Fleming was a keen bibliophile, whose special interests included firsts of the most crucial works of modern civilisation (TV, atomic fission, birth control, motor cars and penicillin). One can imagine that before the list went out he would have selected several titles for his own collection.

Naturally, many of the items described in the catalogue are presentation copies from the authors and from friends and admirers; some contain pencilled annotations by the owners. For instance, at 4 guineas, a price which reflects the growing reputation of the author at this time, there is a copy of Betjeman’s exceedingly rare poetry pamphlet Sir John Piers (n.d.) with the poet’s corrections. Equally appealing and priced at 3 guineas is a first edition of Edward Dowson’s Decorations in Verse and Prose(1899) with a presentation inscription from Leonard Smithers to Arthur Symons: “ in memory of our friend the author “.

A number of the items listed had already been sold and this fact can be revealing.

For instance, an otherwise unremarkable copy of E. M. Forster’s Aspects of the Novel

(1927) was marked as sold, presumably because it came from the library of the popular philosopher C. E. M. Joad, at that time one of the most famous personalities on radio. He was, of course, much later on, prosecuted for fare evasion, an offence which effectively ended his career. Continue reading →

Book bargains in 1908

Before we report on the bargains available in May 1908 at Edward Baker’s Great Bookshop in John Bright Street, Birmingham (contrast it with Birmingham City Centre today, where there is not a single second hand bookshop ), let us examine what Mr Baker was prepared to give for top-end first editions in 1907 as advertised in The Bookman for May of that year.

For firsts of Keats’ Lamia and other poems (1820), Endymion (1818) and Poems (1817) Mr B. was prepared to shell out a measly £3 per item. We don’t know what his mark up was, but today Lamia would cost you £15,000 and Endymion£12,000. For Alice’s Adventures in Wonderland (1866) 25/- was offered. A good copy of that book today is priced at an eye watering £37,000 in abebooks. For Jane Austen’s Pride and Prejudice(1813) and Sense and Sensibility (1811) he’d give you 15/- per novel, which was 10/- less than he’d offer you for Andrew Lang’s Ballads and Lyrics of Old France (1872). Even second and thirds editions of the Austens would today cost you around £10,000 each. As for a first of Lyrical Ballads(1798), without doubt the most iconic item of Romanticism in English Literature, Mr Baker was prepared to offer a whole £2 !! That’s £1 less than he would give you for George Meredith’sPoems (1851). But there’s worse to come. For that most extraordinarily rare debut collection by William Blake, Poetical Sketches (1783), you’d receive a paltry 25/- , which was 10/- lessthan he’d give you for Swinburne’s Atalanta in Calydon(1865. This is sheer madness.

In relief we turn to some of the bargains that your great grandfather might have acquired in Mr Baker’s emporium had he visited it in 1908. We have omitted those titles that have appeared in previous Jots on Mr Baker’s bookshop.

All are first editions unless otherwise stated.

Oscar Wilde, Dorian Gray (privately printed 1890). 25/- Today £3,700

Charles Dickens, Joseph Grimaldi, two vols (1838) £3. 10/- Today £600

Aubrey Beardsley, The Story of Venus and Tannhauser(privately printed) 25/- Today £300

Malcolm’s History of Persia, 2 vols, large paper 1815 £3 3/- Today £3,500

Barrington’s New South Wales, 1803 30/- Today £2000

Farmer’s Twixt Two Worlds, 1886 15/- Today £350

M. Whistler, Ten O’clock, 25/- Today £450
B. Sheridan, The Rivals, £15 15s Today £850

Mrs Gatty, Book of Sundials, 25/- Today £285

Happy the grandson or granddaughter who might have inherited such books ! [RR]

Drug-induced mysticism

In a pile of magazines here in our archive at Jot HQ we found a copy dated Summer 1964 of the Tomorrow magazine cover 001 magazine Tomorrow, which was devoted to ‘parapsychology, cosmology and traditional studies’. In it a review of Aldous Huxley’s Doors of Perception, which had originally appeared in Asia ten years before, reopens the dispute as to whether an artificially induced state of transcendence is equivalent in quality to a similar state achieved through a religious experience.

The author, Whittall N. Perry, an authority on Eastern mysticism, argued that Huxley’s claim that the consumption of mescaline had enabled him to change his ordinary mode of consciousness and so know ‘ what the visionary, the medium, even the mystic were talking about ‘was an example of the sort of ‘specious logic’ that has persisted among Westerners over the years. Huxley claimed to have attained some sort of Platonic state, whereas Perry argues that he had broken with Platonic teaching on the issue of Being and Becoming by elevating the senses over reason and intelligence through the operation of a drug.

The error comes from confusing the Archetypal and principle realm of Platonic Ideas with the ‘mathematical abstractions’ of modern philosophy, and is what Rene Guenoncalls “ a complete inversion of the relationship between Principal and manifestation” Continue reading →

An intriguing letter from an unidentified friend of W.H.Davies to Ivor Brown

Found in a pile of papers around a year ago at Jot HQ is this draft of a barely decipherable ( hence the gaps and possible misreadings of words ) and incomplete letter written in pencil on the back of a typed Roneoed page headed ‘ The Association of British Chambers of Commerce/5^thOctober, 1942/Parliamentary Bulletin No 462A/Information by question and answer. The draft letter is addressed to ( Ivor ) Brown, author of A Word in your Ear( 1942), a book that explores the history of certain words. The writer cannot be identified from any clues in the letter , though what clues there are might open up paths for Jot fans who are familiar with Cheltenham and the Cotswolds. Any with information are welcome to write in.

Dear Mr Brown,

Allow one old Cheltonian some 15 years your senior to thank you for the pleasure I have got from A Word in your Ear in addition to the pleasure from many similar examples of lexical intercourse. There is much I should like to refer to, one; the fact that Nesh is a not uncommon word amongst the poor country people. As to clout too, my father, a Cotswolder from Daglingworth & like my son, an old Cheltonian , never spoke of Cleeve Hill, but always of Cleeve Court. I much enjoyed the quotation from Betjeman, but have never come across Silver ( ? ). Cheltenham has however produced one fellow poet ( ).Frederick Myers is much underrated for his poetry which is swamped by his Psychical fame. It should be remembered, if only for the lines originally on a grave at Grindelwald , but also on the memorial in Wasdale churchyard on the four men killed on Scafell Pinnacle some 30 years ago:-

On moment stood they as the angels stand

High in the stainless imminence of air;

The next they were not, to their fatherland

Translated unaware.

I do not see my book & my son’s as a classic to rank near him, being myself too ( ? ) in verse to be under any illusion. If you can spare a moment with them you may amused by my ( ? ) jingle & by The Dear Inn, which laments the closing of the great coaching inn above Naunton on the Cheltn. – Stow road, done, so it was said, by the squire of Guiting, who disliked his farm labourers frequenting it. My son’s little book was written originally as a Gunner before he got his commission in the R.A. He was my partner here & is now in Egypt. You may like my poem to our dear old friend W. H. Davies, the Welsh poet & ‘Super-tramp’. (I had to do most of his affairs & attended his cremation) as we saw him so often sitting surrounded by his beloved pictures– mainly portraits of himself & his magnificent Epstein hair.
Continue reading →

More good Edwardian jokes

For some reason, puns ( usually by Tim Vine ) often win the best gag contest at the Edinburgh Fringe. We at Jot 101 are at a loss to understand why this should be so. Truly witty people hardly ever use puns to get a laugh. In the following third helping of samples from a small bound collection of cuttings collected by a comedian around the year 1900 there are no puns, just witty, often sardonic, or even zany, asides. They are all the better for that.

Druggist: “ Yes, madam, I remember very well your buying a stamp.”

Lady: “ Well I put it on a very important letter and posted it. It has not been received. I want you to understand that I shall buy my stamps elsewhere if this occurs again.”

“ Excuse me, but it seems to me that I must have met you before. Are you not a brother or near relative of Major Jones ?”

“ No, I am Major Jones himself.”

“ Ah, indeed ! That explains the remarkable resemblance “.

A French lady once said to her husband, who was much given to gesticulation, “ Don’t talk so much, dear, you’ll tire your arms.”

Mr Howland: “I tell you, Maria, you’re worrying over nothing. I can stop smoking any time I want to.”

Mrs Howland: “Well, then, stop now.”

Mr Howland: “But I don’t want to now.” Continue reading →

From Acacia Villa to Xanadu—-English House Names

English House Names, edited by Leslie Dunkling, was the first publication of the Names Society in 1971.The whole project was initiated by a class of mature students which Dunkling was teaching in a Northampton college in 1967. Suggestions were made as to what sort of project the students might like to undertake. House names was the popular choice and before long eager students were trawling the suburban streets of Northampton. This small-scale research topic soon grew into a national one thanks to a letter in the Timesand a feature on BBC and local radio. Academics joined in the hunt and within three years the Names Society, as the research group called itself, had assembled enough data to publish English House Names in 1971.

The first important point made by Leslie Dunkling is that rented homes are ‘almost never ‘ found with names. How true this is today, when there are more rented homes than at any other time in recent history, is open to debate. But back in 1971 it was probably the case. The naming of a house, or the renaming of it, was without doubt the action of a home-owner proud that they had joined the property-owning elite and were thus free to impose their imagination, or lack of it, on their new acquisition. Another interesting discovery by the researchers is that there is a much higher proportion of jokey names ( and I’m afraid there are an awful lot of variations on such hardy perennials as Thisldo, Dunroamin, and Bedside Manor) in the south of England than in any other region. No reason is offered for this. It is also revealing to discover that in 1971 French remained the most popular foreign language for house names, even though some house-owners couldn’t pronounce or even spell the names they had chosen. But in an era of foreign holidays in the sun Spanish was making rapid headway. However, Dunkling rather solemnly noted that ‘house names in German are noticeably few’, as are those in Old or Middle English. Generally, though, any working-class home-owner spurning their native language for a foreign one was regarded by others in their class (according to the research ) as ‘ showing off ‘. Dunkling rightly suggests that such social attitudes deserve further academic investigation. It is certainly worth discovering if attitudes have changed since 1971.

Dunkling assembles the usual suspects—house names that combine elements of the names of the owners, names that recall favourite holiday destinations, that remind the owners of happy incidents in their past, of the time of year in which they moved in, or how much the new home cost. All rather dull, and indeed solipsistic, it must be said. There are houses named after the nearness of certain features ( mainly trees, rivers, mountains ), favourite authors or works of literature ( Lorna Doone, Maigret , Innisfree. We learn, for instance, that Yehudi Menuin named his Swiss home ‘ Chalet Chankley Bore ‘ after one of Edward Lear’s poems. Continue reading →

A Nazi sympathizer on The Black Arts

Major-General J.F.C. Fuller (1878 – 1966) was a celebrated military tactician and theorist, an JFC_Fuller international expert on the use of tanks in warfare who was a strong influence on the German tactician Guderian, but also a Nazi sympathizer who met Hitler, and the only top-ranking officer in the British Army who in 1939 was not invited to join the fight against the Fuhrer. Nicknamed ‘ Boney ‘ by his peers presumably for his combative mien and brilliance as a strategist, and indeed height ( he was only 5’ 4”) Fuller was disliked by many for his high-handedness and argumentative nature. But some of this unpopularity may also have had its origin in his devotion to the occult, on which he wrote articles and books, including a study of Aleister Crowley. Indeed we at Jot 101 first came across his name in the April 1926 issue of The Occult Review, where he contributed a long article entitled ‘ The Black Arts ‘.

In the piece Fuller agued that throughout time people bewildered by the mysteries of life and death have sought meaning and comfort in spiritual systems. Many of the less curious, and less intelligent, he contended, have turned to conventional religions that encourage ‘ pauperization of thought ‘ while the more adventurous and intellectually inclined looked for answers in what others have regarded as evil forces allied to Satan. However, these occult resources, argued Fuller, were not reservoirs of evil at all, but were in the hands of practitioners like Friar Bacon. Paracelsus and Dr Dee, valid paths to enlightenment and truth. Even Isaac Newton and Copernicus, Fuller contends, can be regarded as ‘black magicians’.

And as the age of ‘ strange spells ‘ is succeeded by the ‘Black Age of the steam epoch ‘ the anarchist arises as a rebel against the materialism of Capital; then, according to Fuller, in opposition to the rationalism of a new priesthood of Science ‘ strange forms ‘ arise in opposition—‘ spiritualism, psychical research, theosophy and all the baby prattle of “ higher thought “ ‘. To the rationalist, Fuller argues, these too are ‘black children ‘, but children that will eventually grow into ; strapping boys and girls ‘. Continue reading →

The church in the station

If you were catching a train to or from Denmark Hill railway station in Camberwell, London, any time between 1920 and 1929 you might be surprised to find that one of the waiting rooms Denmark Hill station church waiting room there had been converted to a place of worship. But not any place of worship. Around 19
20 a disused waiting room on the first floor was let to one Mary Elizabeth Eagle Skinner for use as a temple dedicated to her Mystical Church of the Comforter, a religious foundation, which she claimed had ancient foundations, but which she had re-established in 1901.

Little is known about Mary
Skinner ( 1875 – 1929) apart from the fact that she was a Rosicrucian of the Ymir Temple, was married to a schoolteacher, called herself ‘The Messenger ‘, but was popularly known as ‘ mother ‘. Her full-page advert in the April 1926 issue of The Occult Reviewwhich we found at Jot HQ recently , tells us a little more about the teachings of her Church, which were no doubt laid down by herself, she being to all intents and purposes a one-woman band.

One curious newspaper reporter in 1926 described the Temple thus:

One end of the room had been transformed into an altar, painted white and surrounded by the seven colours of the rainbow. Seven steps lead up to the altar, and at the side are two pillars representing Beauty and Strength. Everything is done by symbols, and the badge worn by members is a dove standing in the circle with a seven-leaved branch in its beak’ Continue reading →

Some favourite urban legends

The thing about urban legends ( or urban myths, if you prefer) is whether you can believe that the events actually happened. Some of the occurrences are so astonishing that most people would love to believe that they are true. But there again, it must be easy enough to invent an urban legend. Make up your mind about the following ‘ stories ‘ that are adapted from Rodney Dale’s book It’s True…It happened to a friend(1984). We at Jot HQ are inclined to believe that most are true.

No such thing as a free ticket.

A Surrey couple had their car stolen from their front drive. Four days later when it reappeared, the owners found two theatre tickets on the front seat and a note which read: ‘ Sorry. We had to take your car in an emergency. Please accept the tickets with our apologies.’ A few days later they used the tickets and returned to find their home stripped, even to the curtains.

This is surely a familiar trope. Conan Doyle used elements of it in two Sherlock Holmes stories, notably ‘The Red Headed League’. More recently, sports stars, usually footballers, are often burgled when the criminals are certain that they will be away from their homes on award-ceremony evenings.

Get rich quick

A man advertised ex-government trousers at a ridiculously low price. The orders rolled in, the man became wealthy, but did nothing. He still did nothing when those who had ordered trousers complained. Only when solicitors became involved did the man buy a pair of trousers and forward them to the customer. Most who had sent him money did not bother to pursue the matter. The low cost of the trousers meant it was not worth their while to go after the fraudster, who became very rich.

Ponzi scheme ?

Placebo effect

A hospital in Edinburgh used its ECT machine for over two years, reporting beneficial effects, before discovering that there was something wrong with the power supply and the machine had never worked.

Do as you are done by.

Rodney Dale

The owner of a stately home not open to the public was somewhat annoyed when he saw a car and caravan turn into his drive, park on the verge, and disgorge a family, which proceeded to unpack all the apparatus necessary for preparing a meal. He did not complain but instead took the number of the car and somehow managed to obtain the address of the offenders. Months later he loaded his car with his own equipment and family, drove to the suburban home of the transgressors, and held a pic–nic on their tiny drive. Lord Montague of Beaulieu tells a similar story. Continue reading →

Movie trivia

Anthony Perkins was not on the set when the famous shower scene was filmed in Psycho. The director, Alfred Hitchcock, went into the shower to deal the fatal blow.

Peter Sellers produced a film at a cost of £6,000 starring Britt Ekland, Lord Snowdon and Princess Margaret ( as Queen Victoria) and presented it to the Queen on her thirty-ninth birthday in 1965.

C. Fields once sold a story line which he had written on the back of an envelope for $25,000.

The first public appearance of a movie was at the ‘Koster and Bials’ Music Hall in New York on 23 April 1896.

The first animated film was Gertie the Dinosaur(1909), drawn by Winsor McCay.

Robert Mitchum could read and write by the age of three.

Warren Beatty was once a rat-catcher

Dirk Bogarde’s father was art correspondent for The Times.

In Emma Hamilton, a film set in 1804, Big Ben manages to strike, although it wasn’t built for another fifty years.

The first person to appear naked on the screen was Hedy Lamarr

The first film with a story was The Great Train Robberyin 1903. Continue reading →

Charles Morgan to Arthur Bryant

Found –an interesting signed presentation from Charles Morgan to the historian, Arthur Bryant. It reads – “Arthur Bryant, more about the froggies from his old friend & admirer, Charles Morgan 7.7.49.” It was in a copy of his 1949 book The River Line.

Morgan had been awarded the French Legion of Honour in 1936 and was elected a member of the Institut de France in 1949. In his time Morgan enjoyed an ‘immense’ (Wikipedia) reputation during his lifetime, particularly in France.

The River Line became a play but was originally written as a novel in 1949 and concerned the activities of escaped British prisoners of war in France during World War II.

The inscription is interesting given Morgan’s high standing in France and his professed love for the French. He is still admired there but has become a slow seller in Britain. The inscription possibly panders to Bryant’s tastes and views, notably to the right. Bryant had written a book in 1940 which he had to rapidly repress (see Bookride) due to its failure to condemn Hitler.

Advice to Theology students

This comes from a piece of paper I’ve never been able to throw out, as it intrigued, even shocked me so much (‘classics not worth the paper they are printed on’ indeed). If this becomes a jot, hooray! I shall be able to dispose of the paper, at least. It is online advice to Theology students, which I printed off for myself. I thought it revealed an interesting (to say the least) attitude of the theologian to what might be called popular (normal, even?) religious feeling, response or attitudes. By searching on ‘Childs Martin Danker’ for the acceptable books, lo and behold I came across the whole document I had excerpted from here dated 2009 and entitled ‘Theological Statements Guide’. However, no bibliographic details for Childs etc. are given there. So I can’t be much wiser.

“N.B. Popular and devotional literature and most works written for laypersons are not acceptable for this assignment. Many popular commentaries are written by nonspecialists who may be articulate speakers or well-known in other fields, but whose exegesis and comments are often technically uninformed. This applies to the material in the “Exposition” section of the old version of The Interpreter’s Bible. Many reprints of older works are useful, if used carefully, but many of the so-called classics are not worth the paper they are printed on. A discussion of acceptable older and more recent works are found in the bibliographic resource guides by Childs, Martin, Danker, etc. The student is responsible for finding and using suitable resources. If in doubt the student is encouraged to ask the professor, who can be reached at…

Laurence Olivier’s Stage Fright

Laurence_Olivier_with_Joan_Plowright_1960

Laurence Olivier_with Joan_Plowright in ‘The Entertainer’

Sorting papers recently I found an EPCA Newsletter (European Personal Constructs Association - PC Psychology deals with personality and attitude change) from 1998. It had a book review quoting Laurence Olivier on his stage fright.

"With each succeeding minute, it became less possible to resist the terror. My cue came, and I went in to that stage where I knew with grim certainty I would not be capable of remaining more than a few minutes ...".

The book itself The Person Behind the Mask: a Guide to Performing Arts Psychology (London, Ablex 1997) was written by Linda H. Hamilton. She had been a ballet dancer from age 8 to 26, then became a Clinical Psychologist. Her book cites research conducted over one year at the University of California's Health Program for Performing Artists, when 25% of patients had psychological problems including "severe anxiety and/or depression, personality disorders somataform disorders, psychoses and suicidal behaviour (p84)". The reviewer goes on to say that the book "deals in some detail with the characteristic problems of public self-display e.g. unrealistic weight requirements, debilitating injuries which hamper performance or prevent it altogether, and stage fright and points out that it is time the professions themselves woke up to the need to pay attention to their own occupational realities".

Some lesser known quotations

Dorothy Baker

After over fifty years of varied reading the Liberal party leader Viscount Samuel (1870 -1963) collected around a thousand quotations for his own use. In 1947 the Cresset Press decided to publish about half of these arranged under several heads. We at Jot HQ were sufficiently impressed by the noble lord’s wide reading and discernment to select what we feel were some of the most perceptive of these pieces of wisdom.

It seems to me that we all look at nature too much, and live with her too little.
OSCAR WILDE

The question of common-sense is always “ What is it good for?”—-a question which would abolish the rose and be answered triumphantly by the cabbage.
J.R.LOWELL

Keats is an example of literature untouched by science
A.N.WHITEHEAD

It is just when ideas are lacking that a phrase is most welcome
GOETHE

Of what use is freedom of thought if it will not produce freedom of action?
JONATHAN SWIFT

Absence of occupation is not rest.
WILLIAM COWPER

Great learning and great shallowness go together very well under one hat.
F.W.NIETZSCHE

The depths of the fathomless loyalty that is in the heart of the dog.
LORD DUNSANY

Crime is the anti-social form of the struggle for existence
ENRICO FERRI

No, Sir; we had talk enough, but no conversation; there was nothing
discussed.
Dr SAMUEL JOHNSON Continue reading →