Idleness as a part of education

Found- a thin booklet, the text of a lecture (‘oration’) on idleness delivered at the London School of Economics in December 1949 by A.H. Smith, the warden of new College Oxford. A.H. Smith (Alic) has a short entry at Wikipedia, his dates are 1883 to 1958. Not one of the famous New College wardens like Maurice Bowra or his predecessor the historian H.A.L. Fisher but known as a philosopher and also as the Vice Chancellor at Oxford. His lecture is on a subject that is still discussed, especially in these hectic, time-poor days. However he refers to his own time as one of fast change, restlessness and impending catastrophe.

In 1932 Bertrand Russell had written In Praise of Idleness advocating a three-day week and noting ‘.. immense harm is caused by the belief that work is virtuous’, earlier Kierkegaard had written’..far from idleness as being the root of all evil, it is rather the only true good.’ In our time the industrious Tom Hodgkinson published How to Be Idle: A Loafer’s Manifesto and founded (or revived) The Idler. Smith states that by idleness he does not mean being a total slacker or waster, also he does not mean playing lots of sport, joining multiple student societies and general not studying. He is an advocate of strenuous study but of knowing when to stop, not overdoing it ‘… when you close your books, close them with a bang, and abandon yourself to the enjoyment of idleness..’ Continue reading →

Illustrator E.J. Detmold’s religious books

440px-Edward_Julius_Detmold0 Found –Life (Dent, London 1921) an unillustrated book of aphorisms by the great illustrator E. J. Detmold (Edward Julius – the portrait is by his twin brother Charles Maurice and the rabbit is by E.J.). The book is the publisher’s own retained copy with their stamp on the fep reading ‘FILE’. Also a pencilled note by someone at Dent revealing that Detmold wrote 2 other similar philosophical/ religious works for Dent both published anonymously ‘Greater things, and a greater than things’ 1923 and ‘Selflessness’ 1922. WorldCat did not know these were by Detmold and we have added a note at their vast site All 3 books are scarce. His biographer Keith Nicholson notes:

“Life, his only unillustrated work, a book of aphorisms, was published by J. M. Dent in 1921. A key book to an understanding of Detmold’s mind, Life is an inauspicious-looking small volume printed on one side of the leaf only. In his preface the author writes: `The following words have come to the writer, over a period of many years, as the fruits of self-overcoming.’ From the curious, mystical text we learn that there are two ways of attainment: `The direct positive way – through progressive liberation – passing from the lesser realization of the body, to the greater realization of the mind, and therefrom to the realization of the infinite through the soul; and the direct negative way -through disillusionment – which comes of infatuation with things in themselves, and the inevitable passing thereof.’ In the event, ‘Life’ was Detmold’s farewell to the public world of books, and his testament. Resigned from the world, Detmold went to live in Montgomeryshire where, after a long retirement and almost totally forgotten, he died in July, 1957.”

Its a curious, deeply religious work, some of it written as if channelled from the unconscious, or beyond. Page 24 merely has these words:

“I am spirit

wherein alone, the souls of men,

meet in perfect oneness;

I am the root of true friendship.”

Page 16 has just these words at the top and bottom of the page:

” Dominion is life.

Subjection is death.”

In 50 pages, beautifully printed by Charles Whittingham and Griggs (Chiswick Press), there are less than 1500 words. It seems a shame that such a talented illustrator should stop drawing for the last 36 years of his life. There are many cases of this in art and literature, creative persons who suddenly stopped producing work, often for religious reasons – Alvin Langdon Coburn, Rosemary Tonks, Raduan Nassar come to mind. Please let us know of any others.

Edward_Julius_Detmold63

A Common-Place Book for the 21st Century

Most of the Common-Place books you find in auctions or second-hand bookshops date from the nineteenth century—usually before about 1860—and are dull, dull, dull! They invariably contain passages from history books, books of sermons, and extracts from poems by Felicia Hemans and Robert Southey. Often they are illustrated by amateurs who like to think they can draw. Occasionally there are exceptions to this rule, but these rarely surface. So it’s nice in this Age of the Internet to find a Common –Place book that contains some information that is not always easy to find using Google. Such is the volume that we at Jot HQ discovered in a box of ephemera the other day.

This item in question is an orange, octavo sized HMSO indexed book containing entries in ink and biro and clippings from magazines, the latest of which dates from 2007 check. The writer may be someone called Michael Revett—because under ‘ Anagrams’ we find three offerings, namely Vertical Theme, Three Malt Vice and Three Claim Vet. There is a Michael C. Revett who in 1975 married the printmaker Eileen Revett in Suffolk, and he seems to be the only real candidate. This Revett is interested in computing and other aspects of science and technology, because one of the cuttings comes from the New Scientistand many of the Common-Place book entries have a scientific theme.

Here are some of the more entertaining facts in the book:

Some profound observations by Mr Yogi Berra, the famous American baseball player.

‘You’ve got to be very careful if you don’t know where you’re going, because you might not get there’

‘You can observe a lot by just looking’

‘There are some people, if they don’t already know, you can’t tell ‘em’.

‘You don’t hear much about born-again Buddhists’. Continue reading →

Alfred Charlemagne Lambart (1861-1943)

I am indebted to John Adlard’s book “Stenbock, Yeats and the Nineties” (Woolf 1969) for information on Lambart and any quotes emanate from him. Lambart was related to the Earls of Cavan and appears not to have followed any particular profession. He was “improvident, intelligent and amusing”. Apparently he thought he was rather like Byron. He seems to have spent most of his time abroad, he had friends in the literary and artistic world and he knew Max Beerbohm who drew a caricature of him. Max says he was always very correctly dressed and one surmises he was part of the Florence ex-pat community, a world depicted in Maugham’s Up at the Villa. This caricature can be seen in Hart-Davis’s “Letters of Max Beerbohm to Reggie Turner” (1964–opposite page 284.) He was married twice and divorced twice. His second marriage, to Lady Mexborough “seems merely to have been for his own maintenance”. It seems, in the end, that Lady Mexborough settled him in some comfort at her villa near Florence while she instituted costly divorce proceedings. It is known he was a friend of the decadent poet Count Eric Stenbock (1860-1895) who left him £200 in his will. I surmise, as they were both about the same age, that they were at Oxford together. However a preliminary search of Oxford records reveals no Lambart. Stenbock was up at Oxford in 1879 at the same time that Gerard Manley Hopkins was living there. Adlard says “we know that (Lambart) was a crony of Eric’s only from Eric’s will. He was a tireless correspondent and kept almost all his letters; but when he died his daughter burned the lot. It seems a very great pity.”

One wonders why his letters were burnt, although it was and still is a not uncommon practice. His connection with the 1890s decadents may have been deemed shameful. Even in the 1950s Oscar Wilde was spoken of in hushed tones. Any further information would be appreciated.

A final deep search revealed that Lambart was first married to one Constance Green in June 1897 and married again in June 1920 to Anne Belcher (Lady Mexborough) who died in 1943. He is also to be found at a website devoted to heirs of William the Conqueror and he was also, presumably, an heir of the Emperor Charlemagne.

Iris Murdoch as a book collector

Found – a receipt from the late booksellers Eric and Joan Stevens for books sold to the novelist Iris Murdoch in 1966. There is also a request in her hand for anything by, or on, Pushkin. Iris Murdoch was very keen on Russian literature, especially Dostoyevsky, but she did not write about Pushkin – although her husband John Bayley wrote Pushkin: A Comparative Commentary which was published in 1971. This request may have been for him.

Her order is certainly eclectic- some religious, even mystical work, (Radhakrishnan and Swedenborg), a geezerish prison memoir, not at all her style – Frank Norman’s Bang to Rights and a book on the Samurai (‘Bushido’). Peter’s My Sister, My Spouse is about Lou Andreas Salome ‘A Biography of the Woman Who Inspired Freud’ (also Nietzsche and Rilke) – an important and much loved writer and psychiatrist. Penn’s No Cross, No Crown is William Penn’s work on Primitive Christianity from 1669, probably not a first edition at 10 shillings, although the Stevens were always very reasonable in their pricing.

Other works ordered include a Baedeker for the Rhine, possibly for a holiday. It its still fun to visit Europe with an old Baedeker. Schopenhauer is dealt with fairly well in her later work Metaphysics as a Guide to Morals. Kropotkin fits in with her interest in Russian life and literature. Hale’s Famous Sea Fights is a mystery, possibly light reading or a present for a friend.

The Stevens’ had other famous writers as clients, including Anita Brookner and Geoffrey Hill, from whom they also bought many books. Iris Murdoch’s considerable library eventually went into the book trade, but not to Eric and Joan.

A letter from Geoffrey Grigson to Eric Stevens

Rescued from the Eric and Joan Stevens Archive is this letter to Eric dated April 9^th1981from the gifted poet and critic Geoffrey Grigson. The two knew one another, mainly, one supposes, from their mutual admiration for artists Samuel Palmer and James Smetham. In 1948 Grigson, of course, wrote that pioneering account of Palmer’s ‘ visionary years’, while Eric and Joan reprinted A. H. Palmer’s edition of his father’s letters in 1972. Grigson frequently wrote glowingly of Smetham as an artist, but probably, like his friend John Piper, admired him much more as a writer, especially as a letter writer, in which role he showed signs of real genius. Eric and Joan accepted for publication Morchard Bishop’s edition of a memoir of Smetham, written by his son, but were prevented from publishing it through the intervention of Smetham’s heirs.

Grigson’s letter to Eric Stevens invites him to visit Broad Town to disinter some ‘ manuscripts and oddments’, but whose manuscripts and oddments Grigson does not say. Perhaps Grigson wanted to sell some of the letters he had accrued over the years, which would explain why a letter to him from the poet E.J.Scovell and another from the novelist and BBC producer Eric Newby also form part of the Stevens Archive. Grigson also mentions some books ‘which have been piling up—perhaps a boot load’ at his home. Presumably, these too were to be sold. It is certainly true that at around this time he was selling a few of his MSS. Some ended up at the Harry Ranson Research Center in Austin, Texas, but by far the most interesting MS—a poetry notebook dating from the ‘thirties–was bought by the University of Birmingham, where it is available for study in the Heslop Room. Continue reading →

C.P.Snow’s Two Cultures & the Scientific Revolution revisited

Finding a copy of the June 1959 issue of Encounter among a pile of papers at Jot HQ your Jotter alighted on the first part of the Rede Lecture which novelist and government scientist C. P. Snow had delivered in Cambridge two weeks earlier. Entitled ‘The Two Cultures and the Scientific Revolution’, it was to unleash the most momentous cultural debate of the early sixties when F. R. Leavis delivered his riposte in the form of the Richmond Lecture in 1962.

Snow’s thesis in 1959—that the ‘two cultures’ of science on one hand and the ‘traditional’ culture of the humanities (though Snow doesn’t actually use this term) on the other don’t engage with one another seems a reasonable theory based on demonstrable facts. Snow’s famous example of this schism —that a literary critic would not be able to define the Second Law of Thermodynamics—is surely just as true in 2018 as it was in 1959—while his contention that a scientist would possibly have read Shakespeare or Dickens, or know the significance of Eliot and Yeats—is surely also true today. Snow’s main point– that though a scientist would be optimistic about the future based on their knowledge of the physical world, a spokesman for the traditional culture would not share this optimism, simply because they knew nothing of science and indeed were wary or even frightened of its destructive potential must also be equally true in 2018. Snow scores well by showing that non-scientists (he cites poets) often show this ignorance by their misuse of scientific terms in their work. This cultural divide is still more pronounced in England (Snow doesn’t use the terms Britain or UK as we tend to do nowadays), where early specialisation is encouraged in students, than in it is in the USA or Europe, where a much broader curriculum is taught.

How could any reasonable commentator deny that all of this is true? But of course we are not dealing with a reasonable person. We are talking about F. R. Leavis—a man almost totally ignorant of science and technology , whose mission was to elevate the study of English Literature, and particularly a narrow group of ‘ life-enhancing ‘ writers, above all the other established disciplines in the humanities. Was Leavis one of those ‘ intellectuals ‘ described by Snow who gave

‘…a pitying chuckle at the news of scientists who have never read a major work of English literature ….’ Continue reading →

Freyya and Other Poems (1908)

This book was among thousands of books, all publisher’s file copies, bought from the publisher Orion, who in time had taken over Gollancz, Witherby and Dent. Dent was the publisher of this slimmish volume of poems Freyya and other Poems by E.C.N. (London 1908, 105 pp.) There is no knowing who E.C.N. was, possibly a man as there are several poems addressed to women (although that is by no means a clincher) and a gifted blank versifier fond of epic and portentous themes and alliteration ( ‘Blessing and blest, to the high heroes home..’) He, or she, owed something to Swinburne, possibly Milton and some of the poets of the time who were fond of grand sweeping historical themes (Newbolt, Watson, Stephen Phillips.)

Worldcat, Copac and Google give no hint as to the identity of E.C.N. The book itself is quite rare (as often with file copies.) Somewhere in the haul were very large publisher’s ledgers which can often reveal an author’s true name – as the publisher might have to send money at some point.

In the long title poem Freyya the poet makes much use of Norse mythology with mention of Asgard, Odur, Odin, Frigga and Vana – exploring fantastic realms that later inspired Marvel comics and Hollywood. There is also a poem on the Battle of Marathon – ‘the greatest deed the world has ever known..’ The opening lines of Freyya will give a flavour of ENC’s talents— if around today he could be working on a Python epic or Game of Thrones…

Fair as the dawn, fair as the opening rose,

Fair as the flash of sunlight after rain,

Fairest of all that earth of fairest holds

Was Freyya, daughter of the dancing Wind,

Continue reading →

Maintenant — Arthur Cravan

Arthur Cravan–poet, traveller, boxer, charlatan and possible forger published the proto-Dadaist magazine ‘Maintenant’ in Paris beteween 1912 and 1915. The 5 issues are now very scarce and can command over a thousand dollars each. The market for them is probably slim and collectors of this material tend not to have deep purses but the mystery of his life and death is still pretty potent..

.He was in the news in 2007 when someone turned up at the New York ABAA book fair with a bunch of Oscar Wilde manuscripts of intense value (if they had been right.) They were pronounced forgeries, and Cravan (or Fabian Lloyd as he was born) was mentioned as the possible source and maker of the fakes. Cravan was actually the son of Wilde’s brother in law and was born in Lausanne in 1887. He grew to 6 foot 6 inches and weighed 18 stone. At one point he became the boxing champion of Europe and even fought the World Champion Jack Johnson (poster above) in a rigged fight in Barcelona to get enough money to travel to New York to avoid the military call-up. A relentless world traveller, he wrote “I have twenty countries in my memory and trail in my soul the colors of one hundred cities.” He also wrote in Maintenant that “Every great artist has the sense of provocation” –the key to his style.

I was reminded of Cravan recently on hearing of the death of another poet and boxer Vernon Scannell. How many other boxers wrote poetry? Muhammad Ali made a pretty good fist of it (as it were) Roy Campbell was something of a bruiser, T.E. Hulme fought Wyndham Lewis in Soho Square, Marlowe died in a pub brawl – possibly there are more. With Cravan all you can collect are the five issues of Maintenant and two or three boxing posters, the one to the left can be bought in ‘limited edition’ facsimile for £200. The originals have got to be well into four figures sterling. Continue reading →

Clement Wood—the most prolific American writer ?

There are differences of opinion regarding who are the most prolific English writers—that is, who have written the most words. Some would argue that Charles Hamilton, the creator of Billy Bunter of Greyfriars School, tops the list. He is supposed to have produced around 100 million words in a writing life of over sixty years of contributing school and adventure stories for The Gem, The Magnet and many other magazines. Another contender—who is still very much alive—is the that extraordinary man from East Dereham, the Reverend Lionel Fanthorpe, who cut his teeth as a writer of pulp science fiction for’ Badger Books’ in his late ‘teens ( at one stage he was penning a book each fortnight ) and went on to write prolifically on the supernatural and paranormal—that is when he wasn’t presenting Fortean TV, gaining awards in swimming and judo , being a management consultant, and riding around the UK on his powerful motor bike with his wife. He certainly holds some sort of record for the number of titles he produced. I interviewed him twice—for Book and Magazine Collector and Mensa Magazine—and I can honestly say that of all the hundred or more people I have got on tape, he is by far the most unusual figure.

But then we have Clement Wood (1888 – 1950) who, according to his own publicity, may be the most prolific American wordsmith. This poet, erotic novelist, biographer, journalist, short-story and pulp-fiction writer, and compiler of multi-volume encyclopaedias, also gave talks on writing and it is in one of these talks– to the Writers Club of Gloversville, New York in June 1938– that he made the astonishing claim that he had written over 25 million words! Here is his claim. Continue reading →

Jeffrey Kwintner, Village Idiot ?

Here is a puzzle. Found among some ephemera at Jot HQ is this six-page photocopy of a typewritten squib entitled ‘My Life and Times, by an anonymous Jeffrey Kwintner’. The piece is obviously a satire on the business dealings of the real-life Jeffrey Kwintner, a well known entrepreneur of the Swinging Sixties who with John Simons co-founded the ‘Squire Shop ‘ in King’s Road, Chelsea and a string of sixteen menswear shops called ‘Village Gate’. He ended up founding the much admired Village Bookshop, Regent’s Street, which eventually went out of business.

The satire is written in the first person and is cast in the form of a psychedelic dream sequence, influenced partly by Dickens’ Christmas Carol. In it Kwintner leaves home for his office in King’s Road, where he has some strange encounters with a telephone caller who asks him if his name is Lucifer, a dancer with a debit book in his hand, a cashier who faints at the sight of him, and a shrouded figure who introduces himself as Jack the Jive, an alteration tailor Kwintner had once known from his early days in the fashion business, who suspects him of betraying a trade secret. Soon afterwards a mysterious telephone caller with an oriental voice asks him if he is Mao-Tse- Cohen; then an Irish worker in his warehouse calls him a ‘ heathen Managing Director ‘ and a ‘ Decadent Capitalist Renegade’. Kwintner runs out into the street and takes refuge in a shop called Cassidy One, where he proceeds to empty the till, the assistant crying ‘ Petty cash. God save Malcolm Muggeridge and all who sail in him.’ Continue reading →

The Case of the Wrong Carpenter

There were two 20^th century children’s writers called Frances Carpenter. On-line book sites rarely distinguish them. The “right” Carpenter was the real name of a busy USA educator. The “wrong” Carpenter was a pseudonym for one of the shadowy “men behind girl’s fiction” of the Thirties and beyond.

Frances Carpenter (UK) wrote two children’s books, A Rebel Schoolgirl and the lesser-known Sally of the Circus, both reprinted in the 1950s. Their author had been published earlier under his own name.

Horace Eli Boyten (21.8.1901 – 9.4.1986) was born in Bishop’s Stortford, Hertfordshire, being noted there in the 1911 census, and later is said to have lived in Highgate. In the 1920s he wrote some boy’s and girl’s fiction as H.E. Boyten, including the 1926 Chums serial Plot and Peril, an historical adventure published in book form the same year. About this time Boyten began a long career with the Amalgamated Press in editorial and writing capacities for their girl’s weekly papers such as Girl’s Crystal and School Friend. Most such Amalgamated writers were male and adopted female pseudonyms usually unrelated to their real names, although Boyten for some work became “Enid” Boyten just as Ernest McKeag became “Eileen”.

Boyten’s best-remembered characters were the “Silent Three” schoolgirls created with editor Stewart Pride. The three heroines wore masks and hooded robes to fight crime and injustice throughout numerous text and picture stories, illustrated initially by the talented Evelyn Flinders, a veteran of the schoolgirl “hooded secret society” genre. (A guide to the series, A Silent Three Companion, was privately published by Marion Waters in 1995, indicative of a continuing interest in the stories.)

In 1953 a feminine version of Boyten’s name came to the attention of solicitors acting for Enid Blyton. Perhaps an “Enid Boyten” lead story in several School Friend annuals had been a step too far. Horace Eli agreed to change his “Enid” to “Hilda Boyten”. However he seems to have continued writing as “Helen Crawford” without incident. In person he was described as “a very nice chap, quiet and modest”.

Continue reading →

Burgess the Grunter

In a follow-up to an earlier Jot on the inspiration behind the film ‘Quest for Fire’ we found a clipping from The Observerof 9^thNovember 1980 reporting on how novelist Anthony Burgess and zoologist Desmond ‘ Naked Ape’ Morris were called in by the producers of the film to advise on how Stone Age man might have communicated.

Morris was consulted on the non-verbal aspects of communication, while the ‘dialogue’, which consisted totally of grunts and shrieks, was the work of Burgess, who was probably chosen because of the fake language he had devised for the protagonists in A Clockwork Orange, which had been filmed using his screenplay. He seems to have found the task of creating grunts irksome: ‘Hell of a lot of work creating a language on basic principles’, he told the Observerreporter. He added that the original choice of Iceland for a location might have been better than Aviemore in Scotland, which was chosen in its place when the expense and logistic complications of shipping fourteen elephants to the island became an obstacle, along with the fact that an erupting volcano had destroyed the chosen location there. So Aviemore was felt to be a safer and cheaper alternative. However, Burgess still maintained that ‘The light’s good in ‘Iceland’.

On the Wednesday following the Observer report the whole 80 strong team, minus the elephants, who had been disguised as woolly mammoths, flew off to Kenya, where the remainder of the film was shot. The movie was eventually released to general acclaim. Excerpts can be seen online, so that viewers may judge the authenticity of Burgess’s grunts. [R.M.H. ]

Morchard Bishop and Arthur Machen

Gleaned from the archive of the publishers Joan and Eric Stevens are two letters to Eric from the novelist and biographer Oliver Stonor, aka Morchard Bishop (1903 – 1987), from his home in Morebath, on the Devon-Somerset border. The first letter, dated November 1979, mostly concerns the worth of the diarist Emily Shore, who Eric doesn’t consider a ‘ writer ‘, but who is stoutly defended by Stonor as being ‘ a very good writer indeed ‘. Stonor, however, does share Eric’s opinion that ‘people in University English departments ‘would be unlikely to know about her. Stonor also feels that the academic study of English is ‘an activity which can happily be carried out without the intervention of pastors and masters ‘. Stonor, it should be noted, did not attend University.

The second letter dates from September 1986 and is far more revealing about the author’s early literary activities. On mentioning to Eric his enjoyment of Wilfred Partington’s biography of the notorious bibliographer and forger Thomas J. Wise, he recalls his early friendship with the novelist and ghost-story writer Violet Hunt, who hosted literary salons to which Ezra Pound, Joseph Conrad, Wyndham Lewis, D. H. Lawrence and Henry James were invited. Hunt was the daughter of the Victorian artist Alfred William Hunt, who had Pre-Raphaelite friends. On one visit she declared to Stonor that “Tommy Wise, that old scoundrel, has just been here and carried off a lot of old rubbish with him!” Hunt supplied no further details, but as a committed modernist she would have viewed anything relating to Victorian art—especially Pre-Raphaelitism—as ‘rubbish’. Wise, on the other hand, had a scholarly interest in Robert Browning, John Ruskin and their correspondents, many of whom were artists. Wise was a dealer too. ‘She always had to haggle with him’, Stonor notes. Continue reading →

The London Illustrated Police Budget—an unrespectable scandal sheet

In the first few years of the Edwardian era, before soft porn was widely available to the masses, a lot of men bought for a penny the London Illustrated Police Budget. Here one could find, alongside church news and politics, pictures of attractive, tightly corseted, young ladies in various forms of peril. So if you were turned on by the sight of a maid being tied to a table by a powerful man, a wasp-waisted young lady being grabbed by the hair in a train carriage, a woman being pushed onto a railway line by an angry husband, a newly-wedded woman being yoked to a plough, or a ‘pretty girl ‘being violently assaulted in Peterborough, then this was the magazine for you.

But in its defence, it cannot be said that the Police Budget was invariably misogynistic, though there was always a covert sexual element to most of the scenarios. Some of the incidents featured women hitting back (literally sometimes) at their tormentors. In one picture dated January 1903 a young American lady with connections to the boxing fraternity then based in Chipperfield, Herts, is depicted whipping the backside of her husband having first lassoed him to a tree, Wild West style. His crime—-the dastardly one of perhaps deliberately ‘missing‘ his last train home from Euston. In another scene a woman is shown violently hitting her husband with an umbrella in Boulogne, having made the journey from London to do so. It would seem that she suspected him of transferring his affections to a woman named Lucy. Another, more unusual assault by a female, also involved an umbrella. In 1900 this weapon was used in Regent’s Park by a certain Louisa Venables on a hapless retired army officer who she had seen ‘ interfering ‘ with children , on one occasion offering them money to ‘ tumble over ‘. In the absence of strong evidence against the alleged pedophile his assailant was convicted of assault and fined 20 shillings.

Continue reading →

The Devon hotel where Waugh wrote Brideshead Revisited

If you fancied a change of scene during WW2 there were problems that needed to be considered if you chose to stay in a hotel or B & B. In his wartime edition of Let’s Halt Awhile(1942) ‘ Ashley Courtenay ‘ offered this advice to the holidaymaker.

Book your accommodation well in advance. Do not assume “You will get in somewhere,”, it is very unlikely, and they do not encourage sleeping on the sands in war time.

If you want to get a meal en route, telephone ahead, or arrive very early. Pot luck means no luck and an empty pot.

Take your Ration Book with you AND your soap.

If you are lucky enough to have drinks of your own, there are few licensed hotels which would object to your bringing them with you. It would be polite to mention the matter, and invite the Proprietor to have one.

When traveling by long distance train, be on the platform half an hour before the train is due to start, that is to say if you want a seat. If there is a Restaurant Car on the train, get a ticket from the Attendant immediately you have fixed your seat.

If your Leave is unfortunately cancelled, have the courtesy to telegraph or telephone

the Proprietors at once. Someone else going on unexpected Leave might be glad of your room. Remember that British Hotels have limited single room accommodation, so share when you can.

Ashley Courtenay who, like the Good Food Guidefounder, Raymond Postgate (see previous Jots) who came later, compiled his accommodation guide both from personal visits and from the recommendations of others, had a lot of good things to say of the Easton Court Hotel, near Chagford, Devon. Continue reading →

Don’t!

Books on social etiquette have always proved popular. People are naturally curious about the manners of other ages. Such books also produce good talking points at parties or other social events. Don’t, a copy of which was recently discovered at Jot HQ, purports to deal ‘ frankly with mistakes and improprieties more or less common to all ‘, is no exception. Although undated, the dust jacket illustration and general design places it firmly in the early fifties, and an AA leaflet dated August 1953, which has been tucked into it, confirms this guess.

‘Censor’, the pseudonymous author of Don’tmakes no apologies for the book’s distinctly proscriptive tone. ‘ Manners maketh man ‘, he/she quotes, adding rather severely that if the rules appear ‘ over-nice’, ‘ everyone has the right to determine for himself at what point below the highest point he is content to let his social culture drop’. Ouch!

Reading certain parts of this book will make most people cry out in protest at an unreasonable ‘don’t’. For instance, why shouldn’t people wear jewellery that is ‘ solely ornamental’. What’s the point of jewellery unless it is ornamental ? Then there’s the request not to drink outside of meal times. Does this mean that one shouldn’t drink in pubs, hotels or at parties? Obviously absurd. ‘Censor’ is equally unreasonable concerning the shaking of hands: ‘Don’t …offer to shake hands with a lady. The initiative must always come from her. By the same principle DON’T offer your hands to a person older than yourself, or to anyone whose rank may be supposed to be higher than your own, unless he has extended his.’ Totally irrational. Then there is the faux gallantry: ‘Don’t forget that the lady sitting at your side has the first claim upon your attention. A lady at your side should not be neglected, whether you have been introduced to her or not.’ Even in 1953, this must have appeared preposterous, although another ‘don’t’—that men must not remaining sitting when a lady leaves the table —was still observed in some circles. Continue reading →

The 1930s bicycle craze

Found among a pile of newspaper clippings at Jot HQ is this substantial analysis in the 2 December 1935 issue of the Financial Timesof the thriving bicycle industry.

It was prompted by the large number of exhibits at the twentieth International Bicycle and Motor-Cycle Show, which had opened by Transport Minister Hore-Belisha at Olympia a few days before.

Reading it one recalls the similar rise in the popularity of cycling that followed the spectacular success of the Team Britain cyclists at the 2012 Olympics in London. The sales of bikes of all kinds—from mountain bikes to state of the art racing machines was something that had not been seen since, perhaps the thirties. Suddenly, quiet country lanes were thronged each weekend with lycra-clad twenty-somethings careering down hills. Parents were seen cycling with their children in leafy suburbs. And six years on, the craze for cycling doesn’t appear to have waned.

Back in 1935 the rise in popularity was measured in share prices and output. The Financial Times—ever alert to trends in the market—published a fascinating analysis of bicycle companies and their rising profits over a three year period. The trend, it seems, was for companies who had hitherto focussed on turning out cars and motorcycles, to take on cycle manufacture or to increase their production. One of these ( and positioned at the top of the list )was the Birmingham Small Arms Company (BSA), which back then was perhaps better known for its motor-bikes. Others were Matchless Motor Cycles, New Imperial Motors, Humber and Triumph. The sales figures of Raleigh, the specialist cycle manufacturer, which had been founded in 1886, weren’t quite so impressive. Perhaps they had become complacent in the face of new competition. Continue reading →

Mr Mosbacher says no again. Twice.

Gustav Meyrink

As we have noted in a previous Jot, Eric Mosbacher, journalist, critic and acclaimed translator, was a hard man to please. When asked by the Souvenir Press to recommend a foreign language text for translation into English his judgement was invariably that he was unable to do so. We have already seen in a previous Jot that his failure to see the merits of ‘ The Quest for Fire ‘, probably cost the Souvenir Press oodles of money when the film adapted from another translation made many millions at the Box Office. The discovery of two further reports by Mosbacher dating from the same period show the failings of his critical judgement. He rejected Jean Ray’s horror story ‘Malpertius’ (1943) on the grounds that it had failed to make his flesh creep and was, in any case, badly put together. In 1973 this too had been made into a film starring Orson Welles and Susan Hampshire, which had been adapted from the original Flemish production of 1971. Doubtless the Souvenir Press wished to cash in on its success, but Eric said no, and that was that.

In 1979 Gustav Meyrink’s bizarre tale of 1916, ‘Das Grune Gesicht’ (The Green Face) had also got a thumbs down from Mosbacher, who was baffled by its’ uncanny mixture of the grotesque, the mystical, the surrealist-before-its-time.’ He couldn’t recommend a book that, in spite of all his efforts, he had not understood. Eric’s rather sardonic summary of its plot reflects his lack of enthusiasm: Continue reading →

Mary Weston and O A Merritt-Hawkes – a Dilemma of Identity?

Mary Weston wrote three books in the 1940s: a successful travel book informing wartime Britons about the homeland of their American allies; a novel about a woman gaining wisdom from experience; and a memoir of her early life entitled One American Child.

Only the last of these revealed that she had written three previous books under the name of O.A. Merritt-Hawkes, which was almost her real name.

Onèra Amelia Merritt was born on February 15^th 1877 in New York City. Throughout her childhood the family’s financial circumstances seesawed between owning a string of ponies and scrubbing floors for a living. As a child she was tomboyish and need-to-know bookish, unlike her sisters, and at about 13 was packed off to boarding school near London. Clearly the experience was formative; she settled in England.

Early dreams of being a great actress were abandoned in favour of science. She attended Fabian lectures in London, gained a B.Sc. and M.Sc. in Zoology, and married a Birmingham dental surgeon. In fact she married Richard John James Hawkes twice, once at a civil ceremony in Birmingham (1901) and again in a London church (1904). Three children followed.

Sometimes she used her legal surname Hawkes, but most of her zoological research papers were published as by O.A. Merritt Hawkes, with or without a hyphen. Under this name she also gave lectures for the Eugenics Education Society, wrote popular articles, broadcast some talks over BBC local radio, and produced three books about life and travel in Staffordshire, Persia and Mexico. In the first book she described her family’s country-cottage retreat from weekday Birmingham, writing pleasantly of the Kinver area and her neighbours who included England’s last cave-dwellers. However she gave very few details about her own life; this was to be typical of all her books, even her childhood memoir from which her real name is absent and in which her father’s name is not the one on her marriage certificates.

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