In a recent Jot we looked at the way Sir Max Beerbohm ‘ improved ‘ certain books in his library by adding illustrations to them or altering their printed illustrations to make a point about the authors. Some of these books were inscribed to him by the authors, but that didn’t seem to bother Beerbohm. On occasion he would also add false inscriptions from famous people, such as Queen Victoria.
The source of information concerning these amusing interventions may have been the catalogue of ‘ The Library and Literary Manuscripts of the late Sir Max Beerbohm ‘that Sotheby & Co issued to accompany the sale of the author and artist’s library on 12 and 13thDecember 1960. Beerbohm had died in ( ) and his widow followed him on ( ).
Anyone wishing to obtain some idea of Beerbohm’s literary likes and dislikes could hardly do better than to study this catalogue, which is profusely illustrated. It is quite obvious that he didn’t take to Rudyard Kipling and the feeling was probably mutual.

Here is a description of Lot 136.
KIPLING ( RUDYARD) BARRACK-ROOM BALLADS and other verse; the illustration on the title-page altered by Max Beerbohm into a portrait of Kipling, blood dripping from his red fingernails; signature of Beerbohm and an inscription: ‘H.M.B. from F.H.H. on fly-leaves, original cloth. 8vo 1892
And here is Lot 137.
KIPLING (RUDYARD) A Diversity of Creatures , Max Beerbohm has introduced a pen-and-ink caricature portrait of Kipling, behind bars, into the design facing the title-page, and under the author’s name has written: ‘the Apocalypic (sic) Bounder who can do such fine things but mostly prefers to stand ( on tip-toe and stridently) for all that is cheap and nasty’; pen-scoring on last page, original limp red calf gilt 8vo Macmillan and Co., 1917
And Lot 139
Le Gallienne (Richard) RUDYARD KIPLING, A CRITICISM, inscribed on fly-leaf by the author : ‘ For Max from Dick. June 1900’, the portrait of Kipling altered by Max Beerbohm into a bitterly satiric caricature, and the title changed from ‘ Rudyard Kipling ‘ to ‘Rudyard Kipling’s soul’, original cloth, the leaf bearing the portrait detached and fore-edge frayed. 8vo 1900.
And lot 239
To the frontispiece of Frederick Whyte’s A Bachelor‘s London(1931), which features a drawing by Josephine Harrison entitled ‘ The House of the Light that Failed ‘, Beerbohm has added a pencil caricature of Kipling and four lines of verse parodying the poet:
Fred Whyte ‘e done me bloody proud,
So to Je’ovah Thunder-browed
Says I, “ O Jah, be with me yet,
Lest I forget, lest I forget.”
Continue reading







Open Head Press about 1980 at 50p. It came from the estate of the Dutch radical Simon Vinkenoog whose birthday (18th July) was the same day as this revolutionary (not to say crazy) speech was given. It has the full text of Earl Russell’s 1978 maiden speech to the House of Lords. 





‘Magdalen, both the most beautiful and the most intellectually diverse. Christ Church is an unreconstructed sanctuary of the worst in British snobbery; Balliol is like an American law school, full of politics and ambition. Magdalen has everything : class warfare on even terms, superb tutors, an immense spectrum of interests and tastes’. Other colleges are available…
We at Jot 101 had not imagined the travel writer and biographer Walter Jerrold ( 1865 – 1929 ) to be a frequenter of second-hand bookstalls, but there he is as an unabashed collector of ‘unconsidered trifles ‘ in Autolycus of the Bookstalls (1902), a collection of articles on book-collecting that first appeared in The Pall Mall Gazette, Daily News, the New Age, and Londoner.
f laughter after hearing that Charles II had been restored to the throne, and the editor of the short-lived magazine The Vole, a pioneering ecological magazine. Boston lived in the same village ( Aldworth ) as Richard Ingrams and was friendly with him. He was also a pal of the artist and writer John Piper ( though Frances Spalding’s biography neglects to mention this fact ) and it was Piper, who may have supported The Vole 
