John Lane, the London publisher of Eudora Welty’s classic story-collection The Golden Apples, decided in 1952 that sales had slackened too much to justify keeping the work in print. According to Noel Polk’s Eudora Welty – a bibliography of her work (1994), “1175 unbound sheets were sold to “Bear Hudson[?].” How very odd. Perhaps across the world there are copies of John Lane’s edition of The Golden Apples in unusually basic binding.
Did Bear Hudson do that kind of thing often? Apparently, yes. Or at least, it did in 1952. The Reading University literary archives include records from publishers George Allen & Unwin Ltd; in 1952 there was correspondence with “Bear Hudson Ltd who buy remainders from A&U”. Interesting.
A year later, though, Bear Hudson made one last attempt at an orthodox publishing venture.
The Hudson House Classics
After the gap, in 1953-54 there materialised the “Hudson House Classics”. These were five hardcover books reprinting safely out-of-copyright children’s stories such as Treasure Island.
Despite the statement “Published by Hudson House, London” these were clearly Bear Hudson productions. The 1953 dust-jacket spine of Kidnapped carries the familiar logo of the reading bear, and the books were printed by Technical Suppliers Ltd., known to be located at 63, Goldhawk Road, as was Bear Hudson Ltd. itself.
Not all Hudson House Classics were dated (or indeed showed the bear anywhere). I found a 1954 date for Treasure Island hiding behind the frontispiece, inexplicably avoiding the title and back-of-title pages. Some books may have been reprinted or only bound-up intermittently; their boards can be either red or green.
Then, after these five, nothing. (More Hudson House Classics were said to be forthcoming, but naturally I can’t find any, not even Little Women despite the HHC Good Wives being its sequel.) So there are still questions.
What was Bear Hudson doing after the Forties? Who were the people behind it?
I looked for the people first. Continue reading