Catalogue chat / Time Slip

Poster for Tom's Midnight Garden
(Leeds Children's Theatre)

Found in the Peter Haining hoard a rare book catalogue from about 1990 with an introduction ('Chat Dept.') by the cataloguer. This was J. J. Rigden (Books) of Kent, dealing mostly in fantasy-- if still around he would be pushing 90. These 'chats' by dealers are much prized. A dealer once told me that when he omitted them sales went down and there were protests…this one is a classic of its kind:

The onset of autumn.. the approach of Christmas.. the inevitable rise in postal costs.. This leads us nicely on to a point we must make clear. We always despatch your parcels by the cheapest possible rate. Since we live in a mad world, this sometimes means first class letter rate, rather than a parcel rate.

Over a wet Bank Holiday weekend, we watched a children's fantasy on T.V. Time Slip always a popular subject, now incorporated with sci-fi. Many famous authors have written around this theme, both adult and children's. My first remembered introduction to it was listening in the 1930's to Saturday Night Theatre. The B.B.C drama players put on some wonderful plays J. M. Barrie's "Mary Rose" made a great impression on me. My first introduction to Barrie apart front eh magical Peter Pan of course. Another play that filled me with horror was W. W. Jacobs "The Monkey Paw". Two themes that occur over and over again in children's stories, time slip and three wishes. Always in the three wishes stories the last wish has to be used to 'undo' the first two! (Well, I say "always".. someone will come up with a three wishes story that proves me wrong!) If time slip is a theme that interests you, have you read Alison Uttley's 'Traveller in Time', Lucy's Boston's 'Green Knowe' stories, Jane Curry' s' The Daybreakers', 'Moondial'.. I think this was by Helen Cresswell, quite recent so to in the reference book). These are some of the lesser known titles on this theme. Tom's Midnight Garden everyone known about. Stories so much more believable than the film just shown.. 'Back to the Future'.

Continue reading →

The name is Bond…Sexton Bond

From the Peter Haining papers, this typed manuscript  by the great researcher and expert on British comics and periodicals W.O.G. ('Bill') Lofts (1923-1997). It is interesting that Fleming got even close to writing a Sexton Blake, a bit like J.K. Rowling deciding to do a new Secret Seven adventure (actually not a bad idea..)

Sexton Blake and James Bond

I must confess that I greatly enjoyed the James Bond novels by Ian Fleming. Alas, there were only about sixteen of them as he died a premature death in 1964. Since then a number of other writers have penned them, but never read as well as the creator.

The first in 1955 was entitled 'Casino Royal' when the author an ex-M.I.5 man, certainly was authentic in every detail. The films that commenced in 1963 with 'Dr. No'*. I also greatly enjoyed, especially those featuring Sean Connery. Roger Moore his successor was just as good, though even more suitable to the Saint character, with his type of humour.

Continue reading →

Jack Trevor Story / Sexton Blake

Two attractive British pulps from Jack Trevor Story. He wrote at least 20 Sexton Blakes -there are those who say he wasted his talent on them -having written the state of the nation novel Live Now Pay Later (1963) and also the story on which Alfred Hitchcock's black comedy The Trouble with Harry is based. The Nine O'Clock Shadow title from 1958 qualifies as a rock and roll novel and is quite early in the canon. The other novel belongs in the murder in the suburbs category and is set among the amateur dramatic community… The Jack Trevor Story website has much on this prolific writer and its main quotation from his works comes from a slightly later Sexton Blake Danger's Child (1961) --

There is a sadness which grows from the seeds of remembered happiness; there is a weariness which springs unrequested from the remembered fountains of youth; there is a nostalgia conjured from faraway places and gone people and moments which have long since ticked into the infinite fog.

Frank Podmore—the scandalous private life of a ghost hunter

In his autobiographical Everyman Remembers ( 1931), the litterateur Ernest Rhys recalls his friendship with Frank Podmore, one of the more colourful members of the late nineteenth century Spiritualist community, a co-founder of the Fabian Society and the author of a fat biography of the proto-socialist Robert Owen.

Like Anthony Trollope, the Oxford-educated Podmore, was a writer who held down a day job with the Post Office. But unlike the Victorian novelist, he was, to quote Rhys, ‘unimaginative’ and  ‘practical to a degree, but cultured and full of intellectual curiosity ‘—ideal qualities for a paranormal investigator. But although Rhys touches on his friend’s investigations, he seems more interested in the odd personal lives of Podmore and his wife Eleanor. Here, for instance is his impression of the odd couple in their Hampstead home:

They set up house in Well Walk, and furnished it with extreme taste and a touch of virtuosity.

Continue reading →

The Vampire at Greyfriars

From the Peter Haining papers, this typed manuscript outline of a Billy Bunter vampire story by the great researcher and expert on British comics and periodicals W.O.G. Lofts (1923-1997). He wrote a book on the Bunter author Frank Richards and another on Charteris's The Saint. This story project appears not to have been taken up by The Magnet.…Count von Alucard sounds familiar…

To: The Editor (C. M. Down Esq)
The Magnet
Fleetway House
Farringdon Street

The Vampire at Greyfriars. - Rough Sypnosis.

A new boy arrives in the Remove from a titled family in Eastern Europe. He is strange looking with jet black hair in a windows peak, orange eyes, with large incisor teeth that gives him a wolfish look. Dressed in a long black cloak over his school uniform Count Von Alucard is indeed a very lone wolf. When Bunter tries to tap the new boy for a loan he gives him such an evil look that the Fat Owl of the Remove makes a hasty retreat. With his white drained face Alucard is a very strange fellow indeed to be sharing a study with Herbert Vernon-Smith and Redwing.

Continue reading →

Laughton Osborn

Found- a rare anonymous work by Laughton Osborn, an almost completely forgotten writer and one time friend of Poe - A Handbook of Young Artists and Amateurs in Oil Painting (Wiley and Putnam New York 1845.) The author is given as 'An American Artist' and the book demonstrates  a very thorough technical knowledge of the subject, particularly the making and mixing of colours. Very much a writer manqué, his entry in the American Dictionary of Biography ends on this pathetic note: 'His plays were obviously for the library, and not for the footlights, and a search of dramatic records fails disclose any mention of their production in New York or elsewhere.' An online search some 80 years later shows no mention of any performances or reviews of his plays but brings up one modern critic (David S Reynolds) writing that his plays '…have been  deservedly ignored because they sheepishly attempt to duplicate both the  the form and content of Shakespeare's plays.' As a friend (and correspondent) of the 'divine Edgar', surely the greatest of all American writers, he may be worthy of greater note. Poe writes about him fulsomely in The Literati of New York (1850) which is available at Wikisource. The shorter Allibone has this: 'Novelist. Author Confessions of a Poet, Sixty Years of the Life of Jeremy Levis,etc. A writer of some power, whose works have been criticised as of questionable morality.'

Here is his entry in the American Dictionary of Biography:

Continue reading →

Vampires in Literature 2

The second and last part of this extract from The Vampire in Literature: a Critical Bibliography (edited by Margaret L. Carter, Ann Arbor, Michigan, U.S.A.: Umi Research Press 1989.) The types of vampire literature are broken down into categories. An amazing and comprehensive work that will probably be much longer if they bring it up to date.

In - Inanimate object, e.g., a house or a car, acts as a a vampire.
Examples: Benson, Edward Frederic. 'The Room in the Tower'. 1912.
Bloch, Robert. 'The Hungry House'. 1951.

J - Juvenile fiction.
Examples: Schoder, J. 'The Bloody Suckers'. 1981.
Scott, R. C. 'Blood Sport'. 1984.

L - Character functions a s vampire while still living, without passing through any form of death.
Examples: Giles, Raymond. 'Night of the Vampire'. 1969.

MN - Movie novelization. I note this fact wherever I am aware of it.
Examples: Johnson, Ken. 'Hounds of Dracula'. 1977.
Burke, John. 'Dr. Terror's House of Horrors'. 1965.

Continue reading →

Vampires in Literature 1

Found in the extensive Peter Haining book and ephemera collection - a xerox of The Vampire in Literature: a Critical Bibliography (edited by Margaret L. Carter, Ann Arbor, Michigan, U.S.A.: Umi Research Press 1989.) Principally a bibliography of vampire fiction in English, but also covering drama, anthologies, nonfiction studies of vampires in literature, and including a checklist of non-English vampire stories readily available in translation. It follows Bleiler in using an alphabetical key to the different types of literature. The most disappointing is category H - '...Vampirism...explained away as a hoax, delusion, or misunderstanding.' Books with  'rationalised' plots are generally avoided by collectors of the supernatural. M.L. Carter does not seemed to have missed a trick, except possibly a genre that occurred more recently - the retelling of a classic story with vampires added…

Al - Vampire as member of a separate species, whether originating on Earth or not. Frequently the text leaves the point of origin unrevealed.
Examples: Baker, Scott. 'Nightchild'. 1983.
Dicks, Terrance. 'Doctor Who and the State of Decay'. 1981.

AlH - Alien, humanoid.
Examples: Asprin, Robert Lynn. 'Myth-ing Persons'. 1984.
Baker, Clive. 'Human Remains'. 1984.

Continue reading →

Stephen Graham—a prince among Soho tramps

Just a few minutes walk from Leoni’s Quo Vadis is Frith Street, now famous as the home of Private Eye, but for a century or more  the haunt of Soho journalists, writers and other near- do- wells, including Stephen Graham, who from 1912 to his death in 1975, lived in a flat at no 60, a handsome Georgian town house. In the days before adventurers in dangerous lands were accompanied by a TV crew, Stephen Graham, who described himself as ‘tramp’ before that word had gained unsavoury associations, explored a number of exotic lands, including Russia, on which he became an expert, recording his impressions in books and articles, until he could no longer finance his expeditions.

The letter, which was discovered among a batch of other unrelated correspondence, belongs to his most productive period, is written from Frith Street and is dated 4th December 1926. In it he invites a Miss Morley to an after-dinner ‘mixed party of various acquaintances who will sit around the fire & talk.’ He also invites her to bring along her copy of his recently published London Nights for him to sign.

In his latter years Graham’s reputation fell into decline, and there is a depressing description of him in poverty and disarray in his flat. He died at an advanced age in comparative obscurity in 1975, but today, however, thanks possibly to the popularity of TV travelogues and cheap holidays to exotic lands, there is renewed interested in his work. Two major online sites are devoted to him, and Abebooks shows that his books are beginning to be collected once again. A biography by Michael Hughes has just been published Beyond Holy Russia: The Life and Times of Stephen Graham. [RMH]

D.H. Lawrence & Rananim – the lost plans

In our researches in the Glenavy papers in various books and online we came across  traces of D.H. Lawrence's plans for a Utopian community to be called Rananim. At one point it appears that Lady Glenavy had Lawrence's actual plans for the community…

Painting by D.H. Lawrence

22/1/17 Lawrence wrote to Baron Glenavy (Gordon Campbell):

I hope, in the long run, to find a place where one can live simply, apart from this civilisation, on the Pacific, and have a few other people who are also at peace and happy and live, and understand and be free…

A little later he wrote to Gordon Campbell :

You see for this thing which I stutter at so damnably I want us to form a league - you and Murry and me and perhaps Forster - and our women - and any one who will be added on to us…as long as we are centred around a core of reality, and carried on one impulse.

Earlier (1915) he had written to E.M. Forster:

…in my island I wanted people to come without class or money, sacrificing nothing, but each coming with all his desires,  yet knowing that his life is but a tiny section of a Whole : so that he shall fulfil his life in relation to the Whole. I wanted a real community, not built out of abstinence or equality, but out of many fulfilled individualities seeking greater fulfilment. But I can't find anybody. Each man is so bent on his own private fulfilment…'

Campbell's wife, Lady Beatrice Glenavy writes in her memoir Today We Will Only Gossip (Constable 1964):

About 1915..Lawrence  begin to formulate his ideas about  an Isle of the  Blest which he had named Rananim, a name which he got out of one of *Kot's Hebrew songs.  He had written out a long draft of the constitution of this island and given it to Gordon to study, hoping to get him interested and involved, believing him to have the organising capacity and the capital to work the scheme. Gordon put the papers away and they were forgotten till after Lawrence's death when Gordon met Aldous Huxley in London and they spoke of Lawrence and Gordon remembered the plans for the island which his practical mind had not taken seriously.  Huxley was very interested and said these papers were of great importance and interest. When Gordon returned home he looked for them in the place where he thought he had put them, but they were not there. We searched the house and we almost tore it to bits in an effort to find the document, which consisted of several sheets of paper covered with Lawrence's own beautifully careful writing. They were never found and their disappearance remains a mystery.

Kot = the writer S. S. Koteliansky a core member of the Bloomsbury group. This Hebrew musical version of the first verse of Psalm 33 ('Rejoice in the Lord, O ye Righteous') is preserved in his papers.

Interview with Robin Cook aka Derek Raymond

Found - loosely inserted in a copy of his novel A State of Denmark this typescript of an interview with Robin Cook aka Derek Raymond. At one point he says he is 60 which dates it at 1991. It does not appear to have been published. Many of the typos have been cleared up. It was probably transcribed from a tape recorded in a noisy pub with a break in a Chinese restaurant and back to the pub. Robin Cook, cult novelist and author of The Crust on Its Uppers was also known as Derek Raymond. He had to change his name as it was the same as the best selling author of schlock medical thrillers (Coma etc.,).

Dead man upright. Chap still walking around who really oughtnt to be.
Bit like your nameless policeman.
Yea, lots of policemmen like that esp the busted ones. All driving minicabs. What can you do after being a bent policeman? and you know London well what can you do next/
Dont do research with police. Had lunch once . Id rather do it from imagination. Better relations with French police. How to beat people up with a telephone book.
Known a lot of busted ones in my time, disciplinary reasons, sex casess, bisexual ones.
Back in West Hampstead. Been there a year until I finish the book.
Memoirs out next month
BBC series. Kenneth Trodd. Scriptwriter is a man called William Golding. The man in charge is Kenneth Trodd. First met him years agao back in 1962 when he wanted to make a film of Crust on its Uppers, used to have endless talks. He did singing tec with Dennis Potter. So its in as good hands as it could be. Three 50min episodes, they will draw on all 4 books.
Continue reading →

Some curious changes in book titles

Found - an article by Ellery Queen -Some curious changes in book titles in the omnibus Carrousel for bibliophiles, a treasury of tales, narratives, songs, epigrams and sundry curious studies relating to a noble theme by William Targ (Duschnes, New York 1947.) The book is a late example of one of those bibiophilic tomes that were published in such numbers at the end of the 19th century (Love Affairs of a Bibliomaniac, Autolycus of the Book-Stalls, Shadows of the Old Booksellers, The Souls of Books, Book Song, Behind my Library Door, The Romance of Book Collecting etc., etc.,) and are now almost unknown. Queen's article is about changes of title of British editions of (mostly) detective fiction when published in America.

Thomas Burke. The Pleasantries of Old Quong (Constable 1931) became A Tea-Shop in Limehouse (Little Brown 1931)

W. W. Jacobs. Sea Urchins (Methuen 1899) became More Cargoes (Copp, Clark 1899)

R.Austin Freeman. Dr. Thorndyke's Casebook (Hodder 1923) became The Blue Scarab (Dodd, Mead 1924)

Continue reading →

Pulp fiction art

This original artwork was one of three covers created for a number of 1940s pulp magazines published by a British company. The series was called the ‘Headline series’ because each story was built around a newspaper headline-- to be found sketchily depicted at the bottom left hand corner of each cover. The other two pieces of artwork were for Road to Nowhere and Road to Revenge—both stories by someone called Max Foster. There seem to have been at least 20 tales in this particular series.

In the ultimately futile three hundred year old debate that has raged regarding ‘high ‘ and ‘ low art’, such ‘ low’ art as these pulp fiction covers, is often derided for the poor quality of the  draughtsmanship, whereas the simple truth is that for pure draughtsmanship, as opposed to piercing originality or ‘ vision’, this art is often more impressive than that of many ‘ high’ artists. Next time you visit Tate Britain wander around the many rooms devoted to Turner and study the groups of figures that inhabit the foregrounds of his huge oil landscapes. You might be surprised at how inept our greatest painter could be at depicting the human figure.

Then return to the work of ‘low’ book illustrators and marvel at how well most of them could draw. [RMH]

Arthur Augustus Tilley francophile and academic

Found in a copy of The Romantic Movement in French Literature - Traced By a Series of Texts (C.U.P. 1924) this obituary of A.A. Tilley by his co-author H.F. Stewart - also a distinguished Cambridge academic and francophile, but so far rather neglected on the web. It appeared in The Cambridge Review 6/3/1943. It is a model of its kind and gives a glimpse into a vanished world..

Obituary

Arthur Augustus Tilley - December 1, 1851 - December 4, 1942.No one who visited Arthur Tilley in the evening of his long life but must have felt himself standing on hallowed ground, in the presence of a veteran who, having fulfilled his course, was quietly, serenely, awaiting his call. "Le vent de l'éternité le frappait au front." Not that there was anything pietistic about his conversation. He would speak with grave simplicity of things deep and high, and pass easily to current events upon which he commented with shrewdness and vigour, or to the sometimes affectionate, sometimes caustic, review of men and their doings in the past. And what a range, and how varied, his memory covered! He was the favourite nephew of Anthony Trollope, whom as a boy he adored and as a mature critic he greatly admired. He had known everyone worth knowing i the University for 70 years, and his recollections were sometimes starling. A propos of a picture card of the Puy de Dôme he said to me the last time I saw him, "I took Bradshaw up there; I shouldn't have done so if I had known his heart was bad."

Continue reading →

Eric Parker, Country Writer, Bird Lover & Sportsman

This press-cutting of an obituary was loosely inserted in a copy of Highways and Byways in Surrey (Macmillan, London 1919). It is dated 14/2/55 and was probably cut from The Times. He is so far unknown to the all knowing Wikipedia despite having written many books. A recent article about him  in The Guildford Dragon News is headlined Eric Parker, Who He? In the second hand book world however he is not forgotten on account of his many books, still mostly quite saleable...

Writer on Sport and Countryside

Mr. Eric Parker, a well-known writer on field sports and the countryside and an active campaigner for the protection of wild birds, died at his home near Godalming yesterday at the age of 84. He was editor of the Lonsdale Library and a former editor-in-chief of the 'Field'.

Continue reading →

A flyer from the Platonist Press

Found - a publisher's flyer loosely inserted in a copy of Kenneth Sylvan Guthrie's  Mithraic Mysteries (Platonist Press, Alpine, N.J 1925.) The Platonist Press seems to have flourished between 1900 and 1930 publishing books on philosophy, occult speculation, mysticism and the occasional work of fantasy fiction (including Guthrie's Bleiler listed A Romance Of Two Centuries. A Tale of the Year 2025 which appeared in 1919.) This flyer is eccentric, oddly surreal and now politically slightly  dubious. It was probably the work of Guthrie. There is little on the Platonist Press and some of these works may be 'ghosts' (i.e they were never published.) They appear to have moved from Alpine, New Jersey to North Yonkers, NY -which puts this advert some time in the 1920s...

SPICY SITUATIONS, and Dr Kenneth Guthrie's REMEDIES
The Board of Education's Examiner had Just turned down the blushing Miss Teacher Candidate. Weeping, she wailed, Is there no hope at all for me? Oh yes; purred he. Try again next year! What could I study in the meanwhile? Dr Guthrie's TEACHERS' PROBLEMS & HOW TO SOLVE THEM, $1.25; 'Value and Limits of the History of Education,' and 'The Mother-Tongue Method of Teaching Modern Languages,' each 30 cents. Will that pass me? Really, Miss, you are too pretty to teach school. Get his Progressive Complete Eduction, or Marriage as the Supreme School of Life, $1.25. And if I pass examination on it? Then I will marry you, Thanks, kind sir!
Continue reading →

Angus Wilson and Evelyn Waugh – the tweed connection

Found - this enigmatic pair of pictures in a 1980s Japanese book on English literature. The book was in a box of foreign language books from the estate  of the novelist Angus Wilson. The inscription in Japanese is probably to him from an academic that he had met on one of his lecture tours to Japan in the 1960s. He had befriended Yukio Mishima while there and the great samurai stayed with him at his Suffolk cottage on a trip to England.

The notable item in the photo is that Evelyn Waugh and Angus Wilson appear to be wearing the same brand of tweed...it is possible that at the time in Japan it was assumed that all English novelists wore nothing but tweed..The connection between the two men,however, is slightly  deeper. Waugh was a great admirer of Wilson, especially his novel The Old Men at the Zoo which he vigorously defended in a long letter from his country pile Combe Florey to The Spectator in 1961, after it was attacked by their critic John Mortimer. Which novelist wore the tweed first is (so far) unknown.

The Ghost Man – a blurb from the 1930s

Found in the massive and unending Donald Rudd collection of detective fiction -a Gerald Verner thriller The Ghost Man (Wright and Brown, London 1936) in its sensational jacket. Gerald Verner was the pseudonym of John Robert Stuart Pringle. He had over 130 books published under four names during his lifetime and was hugely popular with his audience and a favourite of the Duke of Windsor, who was presented with an especially bound set of 15 of Verner's thrillers. He attempted to take over the mantle of the prolific (and wealthy) Edgar Wallace after his death in 1932. The jacket has elements of Wallace, even down to the style of the logo. The blurb on the inside flap reads:

Who was the man called Conner, bank robber and murderer, who was hanged at Wandsworth Prison? What connections did he have with the murderer of the Shabby Peddler in the garden of Janet Lacey's country cottage? Why did he search the place so thoroughly before he was killed? And what was the significance of the stanza from the Rubaiyat of Omar Khayyam? Mr Gerald Verner's new mystery is  so full of excitement, his plots so ingenious, mysterious, and so subtly unfolded that it will be impossible to put the book down until the last word has been read.

The book is not listed by Bleiler (Supernatural Fiction) or George Locke (Spectrum of Fantasy)which would indicate the ghost is rationally explained. It is, however, an Omar Khayyam item..

Oliver Madox Brown’s ‘Gabriel Denver’ – a rarity

Found - Oliver Madox Brown's novel Gabriel Denver (London: Smith, Elder 1873) - a late Victorian rarity with Pre Raphaelite Brotherhood connections. The binding was designed by the author's father, Ford Madox Brown and is said to be the only book cover he ever worked on. A loosely inserted catalogue clipping from about 1920 prices the book at 18/6 and states;

'...  a novel of great promise, the first and only production of the author, who died in his twentieth year. In A Birth Song Swinburne refers to him in the following lines:
"High hopes and hearts requickening in thy dawn,
Even theirs whose life-springs, child,
Filled thine with life and smiled,
But then wept blood for half their own withdrawn."

70 years late in 1992 a slight used copy turned up at Christies New York (from the collection of librarian and poet Kenneth A Lohf) and made $1210. The cataloguer described it thus:

Original tan cloth, pictorially blocked in black, lettered in gilt and black ..binder's ticket of Leighton Son and Hodge at inside rear cover, fraying at ends of spine, rear cover slightly soiled, cloth slipcase. FIRST EDITION, published when the author was eighteen years old (he died tragically the following year); this is the only book cover his artist father designed. Fredeman 47.1 and Plate VII for illustration of the front cover; Robert Lee Wolff, Strange Stories (Boston, 1971), pp. 37-43 and illustration of the front cover. "The death at nineteen of this brilliantly versatile and precocious artist and novelist, son of Ford Madox Brown, and brother-in-law of William Michael Rossetti and Francis Hueffer, deeply distressed the boy's father and all the brethren of the Pre-Raphaelite movement. Both [this and The Dwale Bluth in the next lot] his books are rare ... By 1883, [Gabriel Denver] was already a rarity. Only 300 copies were sold and the rest pulped. See also a remarkable passage in George Moore's Vale (Hail and Farewell, III, 1914, pp. 47-51) in which Moore describes his friendship with Brown formed at art school. During the model's rest periods Brown read aloud from a novel of his which must have been Gabriel Denver..."The model was so entranced, she let her robe slip from her and listened quite naked"--Wolff 881.

C.S. Lewis and women

Found in a slim volume of verse a letter by the poet Herbert Palmer about an evening spent with C.S.Lewis. The book was A Sword in the Desert: a Book of Poems and Verses for the Present Times (Harrap 1946.)

It is a signed presentation copy: 'With best Birthday wishes to Edgar from Bert August 1946.' Edgar is unknown (so far.) Tipped in at the front is a handwritten signed letter from the author to Edgar written on a Tuesday (probably 1946). It reads thus:

Dear Edgar. I think I have remembered your birthday to date this year.

I spent very exciting evening with Lewis (in) the middle of June.He is not the ascetic people think – but a convivial Irishman. Looks something between a jolly priest and a country publican with a dash of St Francis thrown in. A very good poet too. Which means he has his feet very firm on the ground. We sat up till midnight reading our poems to one another. He doesn't like women - says all the women he knows are either 'saints or devils, – chiefly devils.Hell. I presume from his standpoint, is chiefly populated by women.

Love to Mary & Winifred, Bert.'

On the verso of the letter is a signed typed note from Lewis to Palmer written from Magdalen College, Oxford and dated 9th May 1946  consisting of about 20 words in which he confirms the day they are to meet. Palmer has CROSSED OUT the signature and the typing in ink, although they are still very legible. In about 1945-46 Palmer was responsible for introducing Lewis to Ruth Pitter, of whom Lewis said that if he was the kind of man who got married, he would have wanted to marry her. The book's printed dedication is to Robert Gathorne-Hardy, poet and botanist.