‘Eddie’ – tributes to Sir Edward Marsh

Found in a book* of tributes to Sir Edward Marsh, these two pieces unknown to the web - the foreword by Winston Churchill and the 'Tailpiece' by Max Beerbohm. Wikipedia (who regard him as a polymath) has this on him. Very clever, amusing, retiring, gay, one of the 'great and the good' and a patron of the arts - it is hard to think of a modern equivalent. Churchill, whom he served as Private Secretary for many years, attended his memorial and here contributes a touching piece on 'Eddie.' Beerbohm, who regarded him as 'not unalarming' also recognised him as 'one of the ornaments of his time.'

Foreword

Winston Churchill 

The friendship of Eddie Marsh is a memory which I put high among my treasures. We began working together at the Colonial Office in 1905 and from then onwards out association remained intimate and happy for nearly fifty years. He was not only an admirable Civil Servant, on whose judgement, loyalty, and competence I could always count, but he was a master of literature and scholarship, a deeply instructed champion of the arts, and a man for whom the esteem of his friends could not fail to be combined with their deepest affection. His serenity in all things made his companionship a pleasure; and his noble and generous nature made him an unfailing joy to men and woman of all generations who were so fortunate as to walk with him along the road. 


Tailpiece

Max Beerbohm

Eddie 

I do not remember having anywhere at any time heard him spoken of by anyone as Edward Marsh. And yet, with his tufted eyebrows and his monocle, and his sharply chiselled features, and his laconic mode of speech, he was not, one would have thought, unalarming. Or at any rate one would have thought so if his great kindness of heart had not somehow shone through the rather frigid surface of his social form. He was immensely more interested in other people than in himself - though he must have known that he was undeniably one of the ornaments of his time. 



*Sketches for a composite literary portrait of Sir Edward Marsh. C. Hassall and D. Mathews. London: Lund Humphries for the Contemporary Art Society, 1953.

Dattatreya Rama Rao Parvatikar

Found among the papers of Leslie Shepard this article on the Indian holy man and musician Dattatreya Rama Rao Parvatikar (1916 - 1990). Shepard refers to him as Sri Ramdatta Parvatikar. The article appears not to have been published. For more on Shepard follow this link to an earlier piece of his on Charles Fort.

SRI SWAMI RAMDATTA PARVATIKAR

A Portrait of an Indian Musician

by LESLIE SHEPARD

  It is twilight in the Himalayas, by the side of the sacred river Ganges, a magic moment when the forms of the visible world tremble as night falls. The dark outline of the hills with a shaggy growth of jungle might be a giant's head. Across the water comes the cry of rooks and the call of a boatman. The white domes of temples become unreal in the fading pink glow of the half-light. The sound of rushing water is like the music of dreams.
  From the old Sri Shatrughana Temple comes another music - the notes of a Rudra-Vina, a traditional instrument, played by a master hand. On the temple steps is a picturesque figure with a small group of devotees. Sri Swami Parvatikar Maharaj has the long uncut hair of a sadhu plaited and twisted round the top of his head. He has a majestic beard and keen eyes. He wears a tattered red cloak, and sits in padmasana, the lotus posture, as he plays his instrument in the service of the Lord. A cow stumbles past noisily, but nobody takes any notice, entranced by the subtle and powerful vibrations that pour from the strings of the Rudra-Vina like the swift current of the Ganges.
  Sri Swami Parvatikar is a commanding figure, with an extraordinary dignity and power. He is a sadhu - a wandering monk - but he is also a Bachelor of Science, a radio artist, and one of India's greatest religious musicians. With all his contradictions, the man is inseparably connected with his background...
  The scene is part of a timeless India. Day by day in the big cities, men are struggling with the hard economics of five-years plans, with the new threat of enemies on the border, but here, at Rishikesh, one man is preserving an ancient way of life for the benefit of a modern world.

Continue reading

Dail Ambler

A letter from the Peter Haining collection unsigned but certainly from Steve Holland, a fellow British pulp enthusiast who wrote a definitive book on the subject - The Mushroom Jungle and later a book on pulp writer Dail Ambler The Lady Holds a Gun! Both books can be bought at Amazon, the latter only as a Kindle download…Among many works written under pseudonyms Dail Ambler (a.k.a.Danny Spade) also wrote the screenplay for the cult film Beat Girl (1960) starring the amazing Gillian Hills.

Dear Peter,
 Many thanks for your letter, and for the offer of some Janson's on loan...
THE MUSHROOM JUNGLE: well, you've certainly come to the right person to ask, as this is the working title of my book on the fifties publishers! I dreamed up the title years ago when I started, a sort of play on The Asphalt Jungle, with mushrooms chucked in because of how these publishers seemed to pop up overnight. The bulk of the bibliography (which runs to 250 pages} is written, but I'm adding to it all the time…

Continue reading

The ‘Belfast of Canada’

Anyone with even slight Catholic sympathies would probably not have got on well in Toronto during the late nineteenth century, when it had become a hotbed of Protestant ascendancy. By the turn of the century, the power of the Orange Order, who returned twenty of the twenty three mayors in fifty years, got it nicknamed 'the Belfast of Canada'.
Even by the 1940s this legacy had not waned sufficiently for the artist and writer Wyndham Lewis who, forced by circumstances to spend several years there during the War, was constantly frustrated and angered by the philistinism and religious bigotry of its leading lights.

The prevalence of militant Protestantism in mid nineteenth century Toronto is well illustrated by this scarce flier of c 1869 from Maclear and Co, the dominant publisher in Canada for many years. In advertising the forthcoming reprint of The Siege of Derry, originally published in 1823 by  the Rev John Graham, a clergyman from Ulster , it combined blatant propaganda on behalf of ‘ the heroes of the Irish struggle in 1688 – 90 with a nifty aside aimed at backsliding Anglo-Catholics:

'When men bearing the once-revered name of Protestant , aye Protestant clergy, have set up the Confessional, the Rags and mummeries of Rome…'

A rather appropriate piece of propaganda, given the crisis now attending the power-sharing agreement at Stormont.

R.M.Healey

Stephen Pribil—the Invisibility Man

Here are three photographs out of a possible six from the photo-archive of the famous newspaper  El Mundo of Argentina. Interestingly, they are stamped 1st April 1935. Now, I don’t know if the Spanish, or indeed the Argentinians, reserve the 1st of April for tricks, leg-pulls, spoofs, scams or other deceptions, but if Dr Pribil, a Hungarian oculist, was deliberately playing a trick on journalists with his demonstration of ‘Invisibility  Rays’, then he certainly went to a lot of trouble to do it.

According to the typewritten labels on the back of each photograph Pribil placed three objects—a teddy bear, a bronze statuette and an opaque china vase -- in his apparatus—basically a wooden box fronted by a picture frame behind which is a sort of slated affair. Out of the back of this box electric cables are connected to a supply. Unfortunately, the two photos showing how the objects gradually fade away are missing, but the last photo does show that all the objects have now disappeared.’ They are in the same place, perfectly tangible ‘, the caption points out, ‘but are completely invisible’.

Continue reading

Famous people from Swindon Number 3: Alfred Williams

Two other contenders could be Diana Dors (nee Fluck ) and Desmond 'Human Zoo' Morris. This letter, from a perhaps less famous Swindonian (though he actually came from South Marston) was rescued from a junk stall on the Portobello Road a few years ago. It was written by Alfred Williams (1877 – 1930), sometimes known as the ‘Hammerman Poet ‘, because for 23 years he worked for the GWR, latterly  operating  a steam hammer—a task that severely damaged his health.

Williams, who published several volumes of decent verse and topographical writing as well as the much admired Life in a Railway Factory, belongs to that small category of writers (most of them poets) who held boring and/or physically taxing jobs while creating reputations for themselves in the literary world. The best known was probably John Clare, but a more recent example is the celebrated poet Peter Reading, who had the thankless task of operating a weighbridge. After many years of doing this he famously refused point blank to wear a uniform when it was imposed on him and instead resigned, whereupon his admirers in the literary world came to his rescue with offers of more congenial literary work.

Continue reading

The A.A. Gunner’s creed

A.A. RAF team in Normandy.
Many thanks Histomil
Found in The Journal of the Royal Air Force Volume 15, no. 2 Autumn, 1935. pp 229-230 The A.A. Gunner's Creed, by H. W. H. The journal preface the creed by stating "…the origin of this creed is unknown, and the Editor publishes it hoping that he is not infringing any copyright" - a sentiment we also echo. HWH shows considerable wit and was probably a formidable gunner. A.A., as every WWII buff knows, stands for 'Anti-Aircraft.'

Whosoever will be saved: before all things it is necessary to hold the A.A. Faith.

Which Faith except every one do keep whole and undefiled: without doubt he shall miss the target everlastingly.

And the A.A. Faith is this: that we worship Calibration and the Mean of Three Height Readings.

Neither confounding the Height-takers: nor cavilling at their marvellous discrepancies.

For there is one Height of the Mirror, another of the Altimeter: and another of the U.B.2.

And yet there are not three Heights; but one Height.

Continue reading

Smatterers or Scholars?

Found – an obscure book by a forgotten journalist. In the 1920s and up to the early 1950s his short ‘thought pieces’ were syndicated in the UK and as far as Australia. This tradition of coffee break columns is still with us – now it’s Robert Crampton rather than Robert Power. His ideas are oddly prescient given the plethora of information now available. The answer to the second part of Dr Johnson’s question is known by everybody – and it’s not the Encyclopaedia Britannica! This is from Two-minute talks. Second volume. Robert Power. London: S. W. Partridge [1925] pp.45-46.Other ‘talks’ have titles such as ‘Poppy Friendships’, ‘Blistering Tongues’, ‘In the W.P.B.’, ‘Rich Poverty’, ‘Are you Popular?’, ‘Poachers’ and ‘Rubbernecks.’

Smatterers.


Time was when we used the word “smack” to mean “taste,” and thus a taster became known as a “smacker”. It is not difficult for a generation of slovenly talkers to corrupt a word, and thus “smacker” or taster has become “smatterer,” one who has only a slight, superficial knowledge, a sciolist.

Continue reading

Edgar Wallace at Sing Sing

Found in the Haining archives - this article by Edgar Wallace.It is unclear from which magazine it was clipped but probably dates from the late 1920s and was published for his British readers. Several of Wallace's books refer to Sing Sing prison including  Mr J.G. Reeder Returns (1932) which has a story called The Man from Sing Sing. Edgar Wallace (1875-1932) was the adopted son of a Billingsgate fish porter in London, and largely self-educated - the newspaper boy who became one of the most famous writers in the world. He sold millions of books, but he was plagued by debts due to an extravagant lifestyle. He left Britain for the United States in 1931, only to die in Hollywood in 1932, aged 56, after writing the original story for King Kong. His body was returned by ocean liner in honour, only to be reunited with an ocean of outstanding bills.It is said all his debts were paid off in a few years from massive book sales. A BBC radio programme earlier this year by thriller writer Mark Billingham on Edgar Wallace (The Man Who Wrote Too Much?) suggested he was somewhat forgotten. He may not be much read anymore but his books are still collected throughout the world…

Continue reading

Professor Alexandre Lacassagne – a real Sexton Blake

Found in the endless Haining archive, an article cut from The Union Jack Detective Supplement, undated but about 1925. Peter Haining was a collector of Sexton Blake books so this piece on the scientific / forensic detective Professor Alexandre Lacassagne (1843-1924) would have interested him.

A Real Sexton Blake

By Donald Campbell.

They read like improbabilities, the achievements of this real-life Sexton Blake. But we credit them when we see the working methods of Professor Lacassagne, who has recently died.

  A few weeks ago there died at Lyons one of the greatest scientists of his own kind in the world.
This was Professor Alexandre Lacassagne, honorary professor to the Faculty of Medicine, who passed away at the ripe old age of eighty-two. He was the first man in Europe to apply science to detective work. He served as an officer in the army of Napoleon III., and fought through the Franco-Prussian War of 1870-71.He was taken prisoner. When released he was attached to the Bataillons d’Afrique, then a species of depot for all the rough characters who came to do their military service, usually very much against their wills.
  First he merely studied characters, but afterwards the real criminals, and specialized offenders who came under his treatment.

Continue reading

Pickpockets

Found in the Haining collection - this article from 1936 on pickpockets. The author Louis Mansfield has much advice,most still relevant. The bit about a 'dip's' long, tapering fingers may be fanciful but certainly it is not a profession for one with fat fingers...

PEARSON'S WEEKLY, May 30, 1936

THIS IS DERBY WEEK, SO

WATCH YOUR POCKETS!

Pickpockets will be busy among the crowds. It is their best time of the year. Louis C. S. Mansfield, detective and crime investigator, lets you into secrets of the "dip's" profession – and they have some good ones. You have been warned!

TAKE HIS ADVICE–

  I have worked against pickpockets for years. Here's my advice to you if you want to return home with your notecase.
  Be careful when you see men carrying, and not wearing, their overcoats, or holding newspapers which are open–not folded.
  Grab your wallet quickly if a stranger starts brushing paint or dust off your coat.
  If somebody hits you on the back and says "Sorry," look for a touch in front–because you won't feel it.

Continue reading

A musical genius in Tottenham Court Road

This account of an amazingly talented musician (reminiscent in some of his skills of Percy Edwards) occurs in various forms in trivia collections of the 19th century. This version is from the 20 volume Percy Anecdotes published by Berger in London in 1852.

It is related of a gentleman who resided in London some years ago, that he possessed such extraordinary musical talents, that he could play upon two violins at one time, and imitate the French horn, clario- net, organ, and trumpets, in so astonishing a manner, as to make them appear a whole band, with the sound of different people singing at the same time. The pieces of music which he played were principally from Handel's oratorios. His imitative faculty was not confined to musical instruments. He could imitate a carpenter sawing and planing wood, the mail coach horn, a clap of thunder, a fly buzzing about a window, a flock of sheep with dogs after them, a sky-rocket going off, the tearing of a piece of cloth, the bagpipes, and the hurdy-gurdy. He generally finished his performance with the representation of beating a dog out of the room, which was accounted the most difficult, and, at the same time, the most natural imitation of all.

In The Entertaining Companion (1805) the same story is told with further information. It states the man is 'now living in Tottenham Court Road' and is an 'extraordinary genius in the musical  line, a person of independent fortune who has the most wonderful powers of voice of any man in the kingdom yet he is under 5 feet high…' The account concludes -'...what a pity it is, that his abilities were not given to a poor man; for such a one might have made a fortune by them.'

An Address to the people of Suffolk on incendiary fires

Found in the Haining collection - a mid 19th century pamphlet An Address to the people of Suffolk on incendiary fires. No publisher, author, date or place of publication is given. WorldCat notes that there is a copy in the Goldsmiths'-Kress Library of Economic Literature, (no. 34328) and says the author was probably  Lord Thurlow - a Suffolk peer (Edward Hovell-Thurlow) and estimates a publication date of 1845. Evidently Suffolk was plagued by arson at this time. An impassioned plea, unashamedly patrician in tone, to stop this outbreak. It appears to be addressed mainly to farm workers and may have been spoken to a gathering and/or published in local newspapers. The account of the violent and seditious behaviour of people at the fires is fascinating and alarming...

Continue reading

A rare souvenir of London’s Great Wheel

The Great Wheel, which was built for the Empire of India exhibition at Earl’s Court in 1895, and was the ‘London Eye’ of its time, is pretty well documented. Postcards showing various aspects of it can be had quite easily, as can medallions, which were struck periodically throughout its career, right up to 1907, when it was demolished. But what we have here is something quite rare—on a number of levels. Firstly, it is a large photographic image of the wheel—four times the size of a postcard—which was mounted on board and sold –presumably to be framed and hung—by the famous  commercial printers of posters, stamps and banknotes, Waterlow and Sons Ltd. And there on the lower right hand corner is the signature of the Wheel’s ‘constructor ‘ Walter B Basset ‘, which may be original, but could equally be a facsimile. Lastly, we can date the photograph because it depicts the Wheel looming above the temporary constructions in painted wood and ironwork—some especially imported from India-- that comprised the Exhibition, which was the brainchild of Imre Kiralfy, a producer of burlesques and spectacles.

Interestingly, in the background can be glimpsed  the warehouses that stored the forage for the horses that transported goods of London largest department store, Whiteleys, while in the bottom left hand foreground can be seen a very early example of an elaborate electric floodlighting system for the Exhibition. If the signature is a facsimile then this mounted photograph could well have been a bit of opportunistic merchandising by Basset, who remains a very significant figure in the history of the amusement industry. Born Walter Basset Williams in 1864, the scion of an ancient Devon family, whose seat was Watermouth Castle, he entered the Royal Navy but left in 1882, possibly due to ill health, and instead took up engineering with the well established Maudslay Sons and Field, which specialised in steam-power. Here he did well and by the age of just 27 had become managing director. In 1894, inspired by the pioneering example in Chicago, he begun to build his first steam-powered Ferris Wheel at Earl’s Court, which when completed stood 300 feet high and contained 30 carriages, each of which could carry 30 passengers. It was an immediate success, but its popularity waned over the following years and in 1907 it was dismantled and the metal sold for scrap to the same company which 46 years later was to buy the Skylon at the Festival of Britain and produce cigarette cases from the scrap metal.

While the Wheel was still operating, however, Basset built other Ferris Wheels at Blackpool and Paris, but neither were a financial success, and when Maudslay went bankrupt in 1899, he set up his own business, The Basset Nut and Screw Company, in Belgium. In the end the destruction of his prized project at Earl’s Court may have been the last straw for a man in poor health, for in May 1907 he died, aged just 43, at the family home in Devon.  Thankfully, the Vienna Riesenrad survived its creator and is now one of the city’s greatest attractions—it featured in the films ‘The Third Man’ and ‘The Living Daylights’.

[R.M.Healey]

Frances Willard—nineteenth century American feminist extraordinaire

Here is a signed photo of that amazing woman, Frances Willard ( no relation of Dolf !!), an icon of American feminism, who almost single – handedly organised the suffragist movement in the States from the mid nineteenth century until her comparatively early death (probably partly from sheer hard work) in 1898 aged 58. As a committed proto-Socialist and president of the Woman’s Christian Temperance Movement (WCTU) for 19 years she lobbied on an enormous range of progressive social issues, including the voting rights of all women over the age of 21, federal aid for education, free school lunches, unions for workers, an eight-hour working day, municipal sanitation, national transportation, anti-rape laws and protections against child abuse. On the issue of female suffrage she argued that women could only be safe from male violence in their own homes if they were seen as ‘companions and counsellors of men’ rather than their playthings.
Willard made several tours of the UK to promote her ideals and it was probably on one of these appearances in October 1895 that she signed as ‘your affectionate sister’ this mass-produced photo of herself. Three years later she was dead. [R.R.]

The Open Window 1905

Not sure where this came from or what it was. It appears to be a literary magazine but is not the literary magazine  The Open Window published in London by Locke Ellis  from 1910 onwards with contributions by Edward Thomas, E.M. Forster, George Bourne, Katherine Mansfield,  Maxwell Armfield, Douglas Goldring, W.H. Davies, Geoffrey Whitworth, Lord Dunsany, John Drinkwater, Walter de la Mare and Vivian Locke Ellis etc., The article, of some competence, quotes among other George Borrow, Kipling, W.E. Henley and F. Marion Crawford...

On the “Joie de Vivre.”

There could hardly be a more fitting time to say something about this primitive impulse than now, when maps and guide-books are taken down from shelves; when bicycles, botanical vascular, and geological hammers are brought out from their places of concealment, and we lift up our eyes to the hills.
  The true “joie de vivre” I take to be the satisfaction of an instinct for communion with Nature, an instinct which, implanted in the bosoms of our ancestors during the long ages before cities were existent, has not yet died completely away in their more artificial descendants, and which, at certain periods, seizes upon some of us with an almost irresistible power.
  After living during many months in dingy offices or class-rooms, poring over musty tomes, and hearing through our windows nothing but the lugubrious cry of the coal man, the discordant tinkle of the barrel-organ, or other of the multiform phases of the “brouhaha des rues”–sounds having relation to nothing more than the distracting life of this “man-made” town–suddenly some small note may be heard, or an odor of spring may be felt, or a green blade seen growing in a cranny of the wall–some sight or sound, small in itself, but mighty in the mental effect it  evokes; for, in a moment, this ancient primaeval instinct grips us by the heart-strings, and we resolve–to take a holiday.
  In Marion Crawford’s “Cigarette Maker’s Romance” there is a wonderful passage describing the annual wild rush of the reindeer to drink the salt water of the Arctic Sea. As their blood cries out for the essential chloride, so in spring does that of the city-dweller for the ozone of the hills.
Continue reading

Gunmen in Piccadilly (Edgar Wallace)

Found in the Haining archives - this slightly scaremongering article by Edgar Wallace from Nash's Pall Mall Magazine in March 1931. Edgar Wallace (1875-1932) was the adopted son of a Billingsgate fish porter in London, and largely self-educated - the newspaper boy who became one of the most famous writers in the world. He sold millions of books, but he was plagued by debts due to an extravagant lifestyle. He left Britain for the United States in 1931, only to die in Hollywood in 1932, aged 56, after writing the original story for King Kong. His body was returned by ocean liner in honour, only to be reunited with an ocean of outstanding bills.It is said all his debts were paid off in a few years from massive book sales. This article was copyrighted from America and one can imagine him churning it out in Hollywood to pay the bills. The title belies the content which is about criminal gangs anywhere in Britain- even art thieves. A BBC radio programme earlier this year by thriller writer Mark Billingham on Edgar Wallace (The Man Who Wrote Too Much?) suggested he was somewhat forgotten. He may not be much read anymore but his books are still collected throughout the world…

Continue reading

Nobody Has Ever Died II

The second and last part of this booklet by Shaw Desmond (1877-1960). (see first part here.) He was an Irish novelist, poet, founder of the International Institute for Psychical Research in 1934, and author of many works on the afterlife and several Scientific Romances- some dystopian and possibly influenced by Olaf Stapledon. He appears as himself in Haunted Palace(1949), a documentary, directed by Richard Fisher, in his role as a ghostbuster. There is more on Desmond at the at the SF Encyclopedia.

VI.
STORIES FROM MY CASE-BOOK

It is impossible in a little booklet of this kind in every case to give the minutiae of authorities, places, times, people present and conditions of phenomena described and other references, but the reader wose interest has been stimulated to further study is advised to refer to the author's books and to those of others. The books of Geraldine Cummins, in particular, will be found of the utmost value, especially her Scripts of Cleophas and their kindred volumes, which can, with the author's, be obtained at any good library.
  The following experiences from my case-book and from other records may be relied upon. They run the gamut from tragedy to comedy. They are of the stuff that helps to make psychic history.
  Some years ago I was travelling on one of my American lecture tours in my Pullman, from San Diego to San Francisco. In the night, I was awakend by a most powerful influence which kept on "calling out," so to speak, the name of Annie Flynn.
  This spirit influence brought to my memory a lady of this name I had known thirty years before in Ireland, and with whom I had since lost all connection. Annie had been a lovely girl of the typical Irish model, with blue eyes and black hair, tall and of a certain queenliness which had remained in my thought.
Continue reading

The Secret Places XVII & XVIII

Two more chapters of The Secret Places (Elkin Mathews & Marrot London 1929) - a chronicle of the 'pilgrimages' of the author, Reginald Francis Foster (1896-1975), and his friend 'Longshanks' idly rambling in Sussex, Kent and Surrey. See our posting of the first chapters for more on Foster and this book, including a contemporary review in The Tablet.

Continue reading

ABMR – The Antiquarian and Book Monthly Review

There are now no popular magazines in the UK covering the field of rare and antiquarian books. Just seven years ago there were two—Rare Book Review and Book and Magazine Collector –and I wrote regularly for both of them. First to fold was Rare Book Review, a very glossy and well designed affair financed by a wealthy dealer. Previously this had been known for many years as the Antiquarian Book Review, and before this as the clumsily-titled Antiquarian Book Monthly Review, an early issue of which we have here.

When we consider how well designed and glossily produced magazines covering other fields in the arts –such as fashion and the fine arts—it is astonishing how unglamorous this particular magazine must have appeared to the eye of someone familiar with, say, Vogue,  the Burlington Magazine, or Country Life at that time. To arrive at something that could compete in visual terms with these titles it took over 40 years and oodles of dealer's dough. It isn’t as if there had never been glossies that had dealt with aspects of the antiquarian book trade---The Bookman, a product of the twenties and thirties, being the most notable.

The idea for a new popular magazine distinct from the academic Book Collector and the dryasdust Clique, which was then just a list of books for sale and wanted ( it has since extended its range and appeal) came from the antiquarian  book dealer, Paul Minet, who operated from Chicheley House, Bedfordshire. Minet ( 1937 – 2012) provided most of the copy, as he was to do for many years after, but the editing was left to one of his employees, the recently married Elke Sadeghi, then in her early twenties, who was also helping to compile his catalogue of Chicheleana, and was working from Minet’s home and her own flat in the Georgian Brayfield House, near Olney. A local printing firm called Comersgate, based in Newport Pagnell, was chosen and the first issue appeared early in 1974. It is easy to forget that before the advent of digital publishing, which now makes it possible for amateurs to produce magazines and booklets of a professional standard for next to nothing, that back in the seventies a magazine produced cheaply on bog-standard paper by a non-professional art editor would tend to look like this 1974 issue of Antiquarian Book Monthly Review, with its yucky light orange cover, title in Gothic script, and clunky page set-up.

The content was unpromising too, consisting mainly of an exhibition review, some book chat, extensive book lists and a piece on recent science fiction that clearly has nothing to do with ‘antiquarian’ books. There was nothing to suggest that this venture would come to anything. We know that it did, and its eventual success seems to have had something to do with the good intentions of dedicated people like Minet, Sadeghi and her successors as editors, but perhaps more importantly, with the goodwill shown in the letters page, which is dominated by messages of encouragement from dealers and collectors alike, who clearly welcomed what the new enterprise represented.

Sadeghi was eventually replaced as editor and left publishing to start a family with her husband, Dr Majid Sadeghi , who became an internationally acclaimed expert on automotive design and anti-crash impact technology at Cranwell. Around 2002 she became a bookbinder and still practices her art from North Crawley, near Newport Pagnell.

Collectors and dealers now hope that Rare Book Review, the splendid child of Antiquarian Book Monthly Review, will somehow, with the help of another wealthy sponsor, be resurrected.
[R.M.Healey]