The twentieth century writer Philip Gosse was one of those many British physicians who changed direction into literature. Others, including Oliver Goldsmith, Thomas Smollett, John Keats, Samuel Warren, Robert Bridges, Francis Brett Young, and Somerset Maugham, took up poetry or fiction, but Gosse began with books on pirates. In the collection of essays entitled Go to the Country(1935) we learn that by the time he had given up medicine Gosse had managed to acquire a large country house called ‘Crossbows’ that was spacious enough to have threeguest rooms, which for a bibliophile like him ( his wife also collected) was the ideal environment. Moral: if you are a seriousbook collector make sure that you make enough money to acquire a home large enough to house your collection.
Gosse succeeds in making every less fortunate collector envious by writing glibly about all the space he owned in which to shelve his huge library, and then shocks us by mentioning that while a GP he was momentarily tempted to pocket perhaps the only book in the house of the patient he was visiting—a work entitled Fancy Mice for Pleasure and Profit.Gosse is good on the way books should be housed and displayed –scattered around on tables or on open shelves which allow air to circulate, rather than in caged bookcases, where damp and mildew are encouraged to thrive, although he later rather puzzlingly admits to owning ‘ three tall bookcases with glass fronts ‘ in which his rare association copies were housed.
Gosse’s four works on pirates grew out of his own mania for collecting books on this subject, which luckily for him was not one for which he had any rivals among collectors. Because of this he was able to buy nearly every edition of the two works published by the mysterious eighteenth century chronicler Charles Johnson, and by so doing brought out a Johnson bibliography. Continue reading