Berwick Sayers on Annotation I

A  pamphlet for librarians that is still relevant in the days of the web. People still need to know how to annotate information in catalogues. As Berwick Sayers says, annotation is elucidation - but he is down on the annotator who adds information needlessly. A real offender is a cataloguer who in noting the plot of a novel gives away the whole story.  Internet booksellers  break B-S's rules every day. For example, if the information is obviously there already do not annotate-- we do not need to know that Wood's British Trees is 'a handbook to trees growing in Great Britain' or Harrison's The Boys of Wynport College is a 'a schoolboy story.'

He also points out a fault of which many cataloguer is now guilty - giving irrelevant details about the author: for example, if a man writes a book on The Fertilisation of Soils it is of no consequence to the reader to know that "the author was Chancellor of the Exchequer." There are of course different rules for sellers; a librarian is not trying to get someone to buy the book. B-S's rules however apply to the world of Wikipedia where they are often broken - giving opinions, recommendations, irrelevance, shallow research and, conversely, faults that '..arise from too great a devotion to this work. The introduction into catalogues of fine writing or elaborate language is an abuse greatly to be deprecated.'

In the case of undesirable books B-S notes that drawing attention to them by 'danger notes' is self-defeating - "to say that a book is 'not written for girls' schools' must really be frightfully tantalising to any normally built schoolgirl."  To be continued with info on the life and writings of the great librarian-- a book on card indexes, mountaineering, songs, poems and a history of his borough Croydon..

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The Enchanted Forest

Came across a book about the New Forest in Hampshire - The Enchanted Forest by Gladys Mackenzie Forbes (Mate & Sons, Bournemouth circa 1930). It is attractively illustrated in black and white by the young artist Jacynth Parsons and is written in a sort of poetic, evocative prose that was popular at the time in nature writing. This piece is about the gypsies who had long been in the New Forest and is a somewhat romanticised view of their world. This is the New Forest of Augustus John and and Juliette de Bairacli Levy both of whom had befriended the forest dwelling gypsies.

Green-Wood Fires

Aromatic sweet scented smoke hangs in the windless air like a grey-blue curtain, and mingles itself with the autumn mist. A stream sings lazily along, and the mist changes its singing into plaintive sadness, as it also does the sharp thin music of distant children's voices. A dog's bark has a note of mystery, and all things seem far away and unreal.

Down in a sleepy sheltered hollow is a picturesque encampment of gay coloured gypsy vans, yellow, green, gold, and crimson, decorated with the brooms and rush baskets, by which the gypsies make a living, and looking like distorted giant toadstools against the glory of the woods. Each van has its own graceful plume of smoke, which gradually widens out, until it is lost in the blue grey curtain. In the centre of the ring of vans, is a large fire, made from the green-wood, gathered by the gypsy children, who are far afield after still more fuel, it is their voices which vie with the streams faint song.

Over the communal fire from crossed sticks, hangs a large black pot whose steam has the most inviting odour. Near the fire, women are busy with a culinary duties, and almost in silence the men are tending the animals, lean horses, and small sturdy donkeys, while several nondescript dogs group themselves hopefully around the simmering pot. Obviously the gypsies have only just arrived, yet already the hollow has an air of home, and is fragrant with green-wood smoke, and the good smell of savoury food. When darkness falls, the campfire will glow redly, and its smoke have an even  sweeter scent. One leaves the homely hollow, and the gay caravans, reluctantly, and with a tiny pain of regret.
To very few of us, for even a short time, is it made possible to live in such a simple, sane, and happy way.

Young Gypsies by Augustus John

Paul Nash bookplate for art collector Samuel Courtauld

Found - a loose bookplate by Paul Nash  for the industrialist and art collector Samuel Courtauld. Produced around 1930, it measures a sizeable 13 by 9.5 cms, probably intended mainly for art books and livres d'artistes. The writer and broadcaster Lance Sieveking writes in his autobiography The Eye of the Beholder (Hulton Press, London, 1957) -'Sam Courtauld and Paul met at a dinner party I gave at Number 15 The Street, and Courtauld persuaded Paul to design a book plate for him. The result was one of the most charming he ever made.' The engraving is said to be the only one initialled by Paul Nash on the block. The bookplate is quite scarce as, presumably, it is mostly found in books held at the Courtauld Institute; few have entered the used book trade.

The woodcut is British Surrealist in style with an echo of Cubism and Vorticism - both movements had earlier attracted Nash. Samuel Courtauld's family fortune came from the textile industry (rayon), hence the bobbin and threads. The French flag refers to the origins of the name Courtauld, a French Huguenot family whose early descendant was the celebrated goldsmith Augustine Courtauld. The Courtauld textile industry was based in Braintree and Halstead in Essex. The view through the frame shows what appears to be a Martello Tower - these are closely associated with the  East Anglian Coast.

The Pan Bookshop, Fulham

A bookmark of the much loved Pan Bookshop in Fulham, London. In late 1997 its landlord accepted a high offer from a grocer and the bookshop 'went dark' (or is it that only for restaurants?) after 32 years trading. The shop's blog is still up and has many commiserations in the comments field - 'best bookshop in London,' 'irreplaceable' and a fulsome piece from Vogue food writer Arabella Boxer (cook books were one of its specialities.) One customer writes: " I will refuse to step foot in whatever shop might replace it - heavens forbid another Carluccio or Starbucks or bar serving caperinias - I would launch a hunger strike if I thought it would do any good."

It seems that by the mid 1990s the area (now known as 'The Beach') was moving away from book culture to cafes, food and delis. The book mark is probably from the 1970s as the 01 number was current then. The Pan Books pink symbol is interesting and one imagines at some point it was full of Pan paperbacks (now quite collectable) although latterly it was owned by Macmillan. Macmillan blamed "tough market conditions, a decline in the overall trading of independent bookshops combined with an expensive high street location in Chelsea" for the closure.

The Devil’s Hoof- Marks

Another chapter from this fascinating forgotten work Oddities: A Book of Unexplained Facts (Allan, London 1928) by R.T. Gould. The illustration is from an Edwardian novel (possibly Quiller Couch or Baring Gould.) Info on the polymath Rupert Thomas Gould (1890 – 1948) can be found at the foot of this post..

THE DEVIL'S HOOF-MARKS

  A Scottish minister once preached a sermon upon the text "The voice of the turtle is heard in our land".* He was literally-minded, and unaware of the fact that the "turtle" referred to is the turtle-dove, and not that member of the Chelonia which inhabits the ocean and furnishes the raw material of such "tortoise-shell" articles as are not made of celluloid. In consequence, the deductions which he drew from his text were long remembered by such of his hearers as were better-informed.

* Canticles ii. 12. 

  "We have here", he is reported to have said–"we have here, my brethren, two very remarkable signs and portents distinctly vouchsafed to us. The first shall be, that a creature which (like Leviathan himself) was created to dwell and abide in the sea shall make its way to the land, and be seen in the markets and dwelling-places of men; and the second shall be, that a creature hitherto denied the gift of speech shall lift up its voice in the praise of its Maker."

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Bookplate of Chesterton of Kensington

Found in a copy of Bella Duffy's Madame de Stael (Eminent Women Series, W.H. Allen, London 1887) a bookplate of one E. Chesterton of Kensington. This is almost certainly a close relation of G. K. Chesterton, the writer, novelist and creator of the immortal Father Brown. He was from Kensington and a member of the family who owned the Kensington estate agent Chesterton's - which still flourishes in London's white hot property market of 2014.

The illustration seems to be by E. Chesterton (a man) and is reminiscent of the style of Lucien Pissarro. The quotation is from one John Wilson, whom Holbrook Jackson, in his Anatomy of Bibliomania, notes was a London bookseller. Modernised, it reads thus:

“Oh for a book and a shady nook,
Either indoors or out,
with the green leaves whispering overhead,
or the street cries all about.
Where I may read at all my ease
both of the new and old,
For a jolly good book whereon to look
is better to me than gold” 

London Night and Day 1951

London Night and Day, illustrated by Osbert Lancaster, edited by Sam Lambert (Architectural Press, 1951)

Surely one of the most entertaining of the plethora of books brought out in the wake of the Festival of Britain. The coloured cover illustrations and the vignettes in black and white were by Osbert Lancaster, a friend of John Piper—the same John Piper who is named in a section devoted to the Festival, to which he contributed, among other things, a superb semi-abstract panorama. If you hadn’t been informed that Lancaster had designed the cover, you would have attributed it to Piper, whose style of portraying shop fronts is showcased in Buildings and Prospects, which had appeared just a few years earlier. Lancaster’s style is identical. Was Piper concerned that he was being flagrantly copied by Lancaster? Probably, but according to his biographer Frances Spalding, the two men were friends.

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The Sensational Story of the Christie Case

Found - a sensationalist paperback The Christie Case (Gaywood Press, London circa 1958). A rare non-fiction pulp by Ronald Maxwell - one of the youngest journalists following the case. The book begins:

The Christie case was more than the stories below the headlines for me.It was the story behind the headlines and it took many sleepless nights and long-drawn days to unfold as I followed closely upon the greatest manhunt of modern days, culminating in the final arrest of a man named John Reginald Halliday Christie, in whose flat the partly clothed bodies of four women were found strangled. In the small garden behind the flat, there were uncovered the skeletons of more women, who were still not identified weeks after the discovery.

The story began when a coloured man named Beresford Brown decided to fix the wireless in the kitchen of the ground floor flat at number 10 Rillington Place, Notting Hill, London W 11. That was on Tuesday, March 24, 1953. Beresford Brown intended to share the kitchen of the flat – which had recently been vacated by John Christie – with other tenants of this dingy, two storey house. By accident, the man tapped against the wall, and there was a hollow sound. It intrigued him. He tore away a strip of wallpaper and discovered a small hole in the partition which his action had exposed. Through the hole, in the small cavity inside, he saw a woman's leg. Shaken with horror, he looked closer. There, in the dark hollow, he could see well enough to distinguish the outline of a partly clothed body. In his brief glance it up in the fact that there were two bundles behind the body. 

… He ran excitedly into the street in search of the police, it was not difficult to find a constable in this part of the Royal Borough of Kensington... within minutes, the whole apparatus of Scotland Yard been set in motion in motion and the hunt had begun...

Constable and the Spedding family—-the missing pieces of the jigsaw

Sent in by a regular from Hertfordshire - Robin Healey.

John Constable -- The Spedding Home

Less than five minutes into an episode of the recently aired Fake or Fortune series I pricked up my ears. Fiona Bruce and her art sleuths were discussing the provenance of a putative Constable painting of Yarmouth Harbour when they pronounced the name of a former owner, Jane Spedding.

That rang a very loud bell with me. You see, about 25 years ago I bought a rather battered dissected map of England and Wales, dating to around 1811, from an eccentric old dealer in the Pimlico Road. It was priced at just only £2, and I assumed that its cheapness reflected the fact that it, like many of these early jigsaw puzzles, had many pieces missing. At home I examined it further and discovered that the handwriting in pencil on the bare wood on the reverse of the lid confirmed my suspicions. There were, according to the writer, six pieces missing---‘ Anglesea, Flintshire and Radnor, Surrey, Middlesex and Isle of Wight ’. But there was more information. The writer had appended two names and two addresses: ‘Margaret and Jane Spedding 23, Norfolk Street, London & Hampstead Heath, near London, Middlesex, England’.

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Etiquette for young ladies at Cambridge

Found - this scarce pamphlet: Say "Thank you" : a manual of university etiquette for young ladies. It is known to be by Jean Olivia Lindsay and is light-hearted in tone. Jean Lindsay was at Girton in the 1930s and published several books on Spanish and Scottish history. The text of this book has (so far) been unavailable. Google Books note the existence of the book but have no text. Although she is very down on jeans and corduroys ('deplorable') the work is quite modern in tone, at one point she suggests you could meet men by joining a religious club 'but there the young men are apt to have very honourable intentions...' There is also a lot of practical advice, some of which probably still holds, like 'It is more important to be polite to gyps and bedders than to the Bursar or Senior Tutor.'

A MANUAL OF UNIVERSITY ETIQUETTE FOR YOUNG LADIES

FOREWORD

Almost certainly no bluestocking would ever worry whether her behaviour was ladylike or not, so a book of University etiquette for young ladies may appear to be so much wasted effort. However, as the great majority of young women who come up to the University every autumn would hotly repudiate the title of bluestocking, some of them may find these notes useful. Some dyed-in-the-wool donnish bluestockings may even find them amusing.
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Forum Club (Grosvenor Place)

Found-- this intriguing bookplate. It can be seen in many books deaccessioned from the club's library. Until I researched the Forum Club I thought it had some occult or theosophical connection, as the women look like priestesses witnessing some sort of vision or apparition. In fact it was a normal London club, but solely for women, with 1,600 members.

It was founded in 1919 as The London Centre for Women's Institute Members, and lasted into the early 1950s. A number of suffragettes and early feminists were members, including Elizabeth Robins, Mary Sophia Allen and Sybil Thomas and Viscountess Rhondda. As well as accommodation for members (and their maids), the club contained a dining room, a lounge, a photographic darkroom, a salon which could by hired for exhibitions, a bridge room, a billiard room, a library and a hairdresing room. Formerly it had been the residence of of Sir Henry Campbell-Bannerman, who was Prime Minister from 1905 to 1908. A blue plaque commemorates his residency. During World War I it was The Princess Christian's Hospital for Officers - a convalescent home with 35 beds, affiliated to Queen Alexandra's Military Hospital in Millbank. A website in 2012 reported it was now boarded up but it will probably re-emerge as an oligarch's palace or a hotel.

Eating Chinese in late 1940s Soho

Forwarded to us by a loyal jot watcher. One restaurant was favoured by celebrities - Johnnie Mills, Bobby Howes, Coral Browne, Sandy Powell, Ivan Maisky and Lady Cripps - probably impressive names in their day. I especially like the bit about Lord Tredegar bringing his own jade chopsticks...

Stanley Jackson’s brief but brilliant Indiscreet Guide to Soho is crammed with so much colourful reportage on the immediately post-war night life, petty crime, Bohemian characters and restaurants in this popular quarter of London, that it is difficult to choose what to Jot down. In the end, I opted for two pages on Chinese restaurants. Jackson attributes our ‘craze‘ for eating Chinese to our sympathy for the nation’s stand against the ‘Jap Fascists‘, but the trend must surely pre-date this.

Incidentally, what happened to the redoubtable ‘Ley-On’s ?’

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The Grosvenor House Ice Rink

Best known as the venue for the most prestigious antiques fair in the world, the Great Room of London’s Grosvenor House Hotel (opened 1929) began life as a vast ice rink, where the rich and famous refined their skating skills. It is said that in 1933 the present Queen learned how to skate here. She must have been around the same age as some of the little girls being taught the basics by their elegantly dressed coach in this press photo dated 18th September 1931.

Unfortunately, under pressure from rival (and probably cheaper) establishments in the metropolis, the Grosvenor House Ice Rink was forced to close in 1935, after just six years of use. The space was then used as a grand ballroom, and afterwards as a conference venue. However, all the refrigeration machinery was left in situ underneath the present floor, where it can still be inspected.

Duleep Singh—Prince of Suffolk

A rare find—a letter written in English from the last Sikh Maharajah of India. Duleep Singh (1838 – 93), came to power at the age of 5, with his mother as regent. When she was deposed and jailed, he was made a ward and finally was exiled to England in 1853 at the age of 15, having been converted to Christianity. On his arrival, he was lionised in the London salons and became a particular favourite of Queen Victoria. He lived in Roehampton and Wimbledon for a while and then bought estates in Yorkshire and Scotland, where he was known locally as the Black Prince of Perth. His mother having joined him in 1861, he was now firmly established as a country gentleman, with the reputation as the fourth best shot in the land. His final purchase was of a 17,000 acre estate at Elveden, near Thetford, where he proved to be an excellent landlord and a generous local benefactor. Though he later died in Paris, he chose to be buried here.

Elveden was an ideal purchase for Dukleep. Just eighty miles from London, its open situation in the heart of Breckland enabled him to pursue the life of a hunting and shooting squire while remaining in touch with metropolitan life. The deep forest may even have reminded him of the jungle he had left behind.

He continued to visit his Scottish estates at and it is from Loch Kennard Lodge that he wrote this letter, which is dated in pencil July 27th 1868 by its recipient, John Norton, the celebrated Gothic architect, who had just completed the astonishing Tyntesfield, near Bristol. It is characteristic of the ostentatious Duleep, then aged just 30, that he should engage one of the most trendy architects in the land to remodel the rather old fashioned Elveden Hall. In the letter Duleep acknowledges receipt of the latest plans of the proposed alterations to the Hall and asks Norton to send the earlier ones so that he can 'compare the accommodation and their costs '.

According to Pevsner, Duleep enlarged a Georgian building of moderate size into 'an Oriental extravaganza unparalleled in England'. Though the external style was Italianate, the interior incorporated  'a central domed hall with a glass lantern, with the walls, pillars and arches  covered with the closest Indian oriental detail, all made of white Carrara marble and carved in situ by Indian craftsmen'. Work was completed in 1870. In 1899 – 1903, following Duleeps’s death, Lord Iveagh of Guinness fame, enlarge the Hall still further. Today, Elveden Hall remains in the Guinness family, and though empty and a shadow of its former glory, it remains  a popular location for filming. Among the movies shot here was Kubrick’s Eyes Wide Shut.  [RMH]

Bullingdon Club 1935 and 2013

Found in the window of an antique shop a photo of the 1935 members of the ultra privileged Oxford University Bullingdon Club -an exclusive society noted for its grand banquets and boisterous rituals, such as 'trashing' of restaurants and college rooms. It is mentioned in novels by Waugh, Powell, Raven etc.,

Membership of the club is expensive, with tailor-made uniforms, regular gourmet hospitality and a tradition of on-the-spot payment for damage.Their rallying cry is 'buller, buller, buller!' and their ostentatious display of wealth attracts controversy, since many ex-members have moved up to high political posts - UK PM David Cameron, London mayor Boris Johnson and Chancellor George Osborne. They are seen to embody an upper class mentality that could have no inkling of how ordinary mortals live. Certainly the 1935 members look highly patrician, snobbish even arrogant.

Bullingdon Club members in London 2013

How much has changed 78 years later? Former members include Edward VII and VIII, Frederick IX of Denmark, Prince Leopold, Duke of Albany,Prince Paul of Yugoslavia,Rama VI, King of Siam, David Dimbleby,Lord Randolph Churchill, Darius Guppy,Peter Holmes à Court, John Profumo, Cecil Rhodes, Nathaniel Philip Rothschild, Charles Spencer, 9th Earl Spencer, Alexander Thynn, 7th Marquess of Bath and Felix Yussupov. The 1935 crowd appear to have no famous members, just the usual aristocrats, landowners and gilded youth...

Ghosts as a symptom of dyspepsia

Frankfort-Moore in his Italian Home

From A Mixed Grill : a Medley in Retrospect / by the author of "A Garden of Peace". London : Hutchinson, [1930.] The anonymous author was, in fact,  Frank Frankfort Moore (1855–1931) an Irish dramatist, biographer, novelist and poet. Born in Limerick, Ireland, Moore worked as a journalist (1876–92) before gaining fame as an author of fiction. The frontispiece of this book shows him in his 'Italian Home' - this was actually a house in St. Leonards called 'The Campanile' filled with Italian artefacts that was on sale  in 2010. On the subject of ghosts he is somewhat sceptical but most subjects, as the title implies, are seen from a slightly  gastronomic viewpoint:

All the great ghost-seers on record have been also eminent dyspeptics - men and women who were deficient in pep or who had ruined their digestions by irregularity in diet or by a wrong diet. The ghost is really a symptom and it is rightly so regarded by the medical profession. We all know the sort of person who is  associated with a ghost story - the ethereal girl like the sister of Sir Galahad who saw the Holy Grail - "I thought she might have risen and floated" - that girl has really risen and floated in innumerable ghost stories - the type of girl on whom that form of rash, known as the stigmata, has from time to time appeared. This may be the ghost of indulgence. In the days of gluttons there was a glut of ghosts, and there are few men of middle age to-day who have not had some experience of the man whose ghosts take the questionable shape of blue monkeys pr black cats, sometimes even of such minor crawling things as spiders or black beetles in natural colours, or, more frequently, snakes of no recognised classification. These are all the result of an over indulgence in the drug known as alcohol. Other drugs such as opium or cloral are productive of more pleasing spectral shapes; but this class of ghost has nothing in common with the phenomena of Spiritualism. Their capacity of self-expression does not go beyond the ordinary gibber. They are not worthy of serious consideration, except, of course, from the standpoint of a medical prognosis.

A humble variant is, of course, the nightmare, a horror due to such a ridiculous accident as a slipped pillow or a superfluous eiderdown, but more frequently to an incautious or a too hasty supper...

The Legend of the Romsey Nuns

This is from Folklore Legends and Superstitious Customs in Connection with Andover and Neighbourhood  by M Gillett (Andover 1917.) A shortish book with were wolves, ghosts, shadows of the firstborn and the Glastonbury holy thorn. This dramatic tale shows how legends are made...

The following legend I admit is rather hard to believe, but I have heard it from two quite different sources, and I relate it as follows:

 When the Danes ravaged Wessex, they marched up to Romsey Abbey, pillaging as they went. The nuns,  terrified at the barbarous and heathen hordes, fled, and supposing Winchester to have shared the same fate, journeyed on to Wherwell Abbey - now Wherwell Priory. But before they arrived at the nunnery they got lost in the woods, which still remain, and many of them perished from exposure and starvation. Tradition says that the nuns sat down in despair, and  in their hopelessness began to abuse the Almighty  and angered Him to such an extent that when they died their souls became wild cats.

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A Treasure Hunt in London 1973

Samuel Charters was a London based American writer on the Blues and ethnic music. He was also a poet and on Sunday, February 11, 1973 he decided to publicise his latest book of poetry with a treasure hunt around London where people found the various poems. This is a transcription of the leaflet he distributed about the hunt. In the case of Speaker's Corner he writes 'I'll be near fence by Park Lane from 11 to 2. I won't be arguing with anybody and will be wearing poems. If it's really raining I'll leave about 1.' At the end of the day Charters would be at the Holly Bush pub in Hampstead from 7:30 onwards with extra copies of poems. A merry enterprise, one wonders how it went...London has changed a bit since then.

"FROM A LONDON NOTEBOOK"

Instructions for the treasure hunt

A Note

Most of these poems were written while I was going from place to another place in London over the last year and a half. Sometimes I finally got there, sometimes I just stood around looking at something else and never got there at all, Sometimes I was just getting out of a pub or just going to a pub. Somewhere early in the time this started I bought a notebook in a stationer's in Camden Town, and the poems were scribbled into it as I went along. Since I wrote the poems in so many parts of London it seemed most natural to publish them by scattering them back across London again, in the places where I'd written them, The place where they were written and the poems themselves, in a way, were too closely bound together to be separated.

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Bolan in Cyclops

From the first issue of the Norwich based literary magazine Cyclops (Wild Pigeon Press 1968). Other contributors included Jeff Nuttall, Snoo Wilson and Bill Butler. There is a full page portrait of Marc by Harriet Franklin, the wife of the magazine's editor Dan Franklin. Cyclops says of Marc: 'Sings with Tyrannosaurus Rex. First book of poems is appearing soon.' Indeed this poem appeared soon after in his Warlock of Love. Untitled (as it is titled) is  a prose poem so abstract it might turn into mist and float out to sea. It seems probable that rare and exotic herbs were consumed during its creation...Take it away Marc:

Tall as the truth the creature coughed in the clouds, 
feeding on mountain tips and the rare winged eagle lords 
that journeyed higher than the memory of man. Its claw, caked in mist and wishes, ripped at a pillar of fear 
masoned long ago by terrible forgotten Titans, to
 prevent the dreams of man from floating in the valleys 
of the diamond.
 Its eyes, like women and sand, shifted ever searching 
for the perilous horn of plenty. A foolish colossus 
it looked, ragged and unworshipped. Solitary on the 
roof of the world, a remaining nightmare in a plateau 
of fair thought.
It moaned and clumsily spewed spells of fear on the 
storm stallions grazing in the temple of pearls. And 
the years danced on. And all that moves returns to 
stone, eventually.