L. P. Jacks

From the Reeves* collection, this study of the slightly  neglected writer L.P.Jacks (Lawrence Pearsall Jacks 1860-1955). His best known book was probably Mad Shepherds and Other Human Studies from which the drawing of 'Snarley Bob' comes (below.) There is an excellent article on him in Dictionary of Unitarian & Universalist Biography and Gutenberg have the entire text of Mad Shepherds.

L.P. Jacks.

A potential distinction was presented unknowingly to the citizens of Nottingham in 1860, the year when the eminent Lawrence Pearsall Jacks was born. I have a notion that he was a delicate child and frequently a trial to his parents; but I am sure that I am one among thousands to whom he has given hours of delight, either in speeches or in his fascinating literature.
  Indeed I sometimes feel that he would have been much better known to the general public had he been nothing but a professional journalist, instead of one of the leading Unitarians of his long career; for his reminiscences are so well written and so fascinating that I often pay him the compliment of a second or third reading. I browse among his memoirs as frequently as those of Harold Nicolson's letters and diaries and Frank Swinnerton's autobiographies; for there is a touch of magic and intensity in his recollections which keep many a mesmerized reader fighting against sleep on numerous occasions. His was the vivid phrase, the unmistakable meaning, the frank opinion, the distilled  wisdom of a long life among some of the most brilliant men of his era, and anyone who could claim him for a friend must have been a very privileged adult.
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Laughton Osborn

Found- a rare anonymous work by Laughton Osborn, an almost completely forgotten writer and one time friend of Poe - A Handbook of Young Artists and Amateurs in Oil Painting (Wiley and Putnam New York 1845.) The author is given as 'An American Artist' and the book demonstrates  a very thorough technical knowledge of the subject, particularly the making and mixing of colours. Very much a writer manqué, his entry in the American Dictionary of Biography ends on this pathetic note: 'His plays were obviously for the library, and not for the footlights, and a search of dramatic records fails disclose any mention of their production in New York or elsewhere.' An online search some 80 years later shows no mention of any performances or reviews of his plays but brings up one modern critic (David S Reynolds) writing that his plays '…have been  deservedly ignored because they sheepishly attempt to duplicate both the  the form and content of Shakespeare's plays.' As a friend (and correspondent) of the 'divine Edgar', surely the greatest of all American writers, he may be worthy of greater note. Poe writes about him fulsomely in The Literati of New York (1850) which is available at Wikisource. The shorter Allibone has this: 'Novelist. Author Confessions of a Poet, Sixty Years of the Life of Jeremy Levis,etc. A writer of some power, whose works have been criticised as of questionable morality.'

Here is his entry in the American Dictionary of Biography:

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Vampires in Literature 2

The second and last part of this extract from The Vampire in Literature: a Critical Bibliography (edited by Margaret L. Carter, Ann Arbor, Michigan, U.S.A.: Umi Research Press 1989.) The types of vampire literature are broken down into categories. An amazing and comprehensive work that will probably be much longer if they bring it up to date.

In - Inanimate object, e.g., a house or a car, acts as a a vampire.
Examples: Benson, Edward Frederic. 'The Room in the Tower'. 1912.
Bloch, Robert. 'The Hungry House'. 1951.

J - Juvenile fiction.
Examples: Schoder, J. 'The Bloody Suckers'. 1981.
Scott, R. C. 'Blood Sport'. 1984.

L - Character functions a s vampire while still living, without passing through any form of death.
Examples: Giles, Raymond. 'Night of the Vampire'. 1969.

MN - Movie novelization. I note this fact wherever I am aware of it.
Examples: Johnson, Ken. 'Hounds of Dracula'. 1977.
Burke, John. 'Dr. Terror's House of Horrors'. 1965.

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Vampires in Literature 1

Found in the extensive Peter Haining book and ephemera collection - a xerox of The Vampire in Literature: a Critical Bibliography (edited by Margaret L. Carter, Ann Arbor, Michigan, U.S.A.: Umi Research Press 1989.) Principally a bibliography of vampire fiction in English, but also covering drama, anthologies, nonfiction studies of vampires in literature, and including a checklist of non-English vampire stories readily available in translation. It follows Bleiler in using an alphabetical key to the different types of literature. The most disappointing is category H - '...Vampirism...explained away as a hoax, delusion, or misunderstanding.' Books with  'rationalised' plots are generally avoided by collectors of the supernatural. M.L. Carter does not seemed to have missed a trick, except possibly a genre that occurred more recently - the retelling of a classic story with vampires added…

Al - Vampire as member of a separate species, whether originating on Earth or not. Frequently the text leaves the point of origin unrevealed.
Examples: Baker, Scott. 'Nightchild'. 1983.
Dicks, Terrance. 'Doctor Who and the State of Decay'. 1981.

AlH - Alien, humanoid.
Examples: Asprin, Robert Lynn. 'Myth-ing Persons'. 1984.
Baker, Clive. 'Human Remains'. 1984.

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Quest for Fire ‘undeserving of translation’

Found with the press cutting about Anthony Burgess inventing a grunt language for the 1980 movie Quest for Fire, this reader's report for Souvenir Press about the possibility of publishing an English translation of the original 1911 book. The report is by the distinguished translator Eric Mosbacher (1903-1998) who had translated Freud and Silone and at the time of the report would have been working on Pitgrilli's novel Cocaine. Not noted is the fact that J.H. Rosny's book  had already been translated by one H.Talbott and had appeared in America in 1967 under the Pantheon imprint. The mention of 'strip cartoons' is fortuitous as the book had appeared in France more than once in this format.

La Guerre du Feu. 
By J. H. Rosny Aine.

Published by Bibliotheque-Charpentier, 11 Rue de Grenelle Paris (1911)

This remarkably uninspired story is totally undeserving of translation, and the Souvenir Press Ltd. should firmly decline it. It was obviously written many years ago and half-heartedly masquerades as literature, but belongs to a genre which has long since been overtaken by the strip cartoon. The time is prehistoric, thousands and thousands of years ago, when the aurochs and the mammoth still flourished.

A primitive tribe called the Oulhamr has just suffered a heavy defeat by its enemies, who not only inflicted heavy casualties but put out the saved fire. It is essential to the tribe's survival to get the fire back, and Faouhm, the tribal chief, promises his daughter to anyone who succeeds in this. Two warriors, Naoh and Aghoo, compete for this prize. Naoh is a relatively nice chap and eventually kills the disagreeable Aghoo as well as his two undesirable brothers and comes back with some fire. Everyone is delighted with him, and he is promoted to share the chieftaincy with Faouhm, who grabs his daughter Gammla by her hair and unceremoniously deposits her at his feet. The caste also includes mammoths, tigers, cats. Eric Mosbacher 8/5/79

Wilfred Owen – ‘A Cribber’?

Has it ever been acknowledged that the memorable and now iconic line of Wilfred Owen- ‘the pity of war’ is actually the title of a novel from 1906, that happened to be written by his close friend and fellow soldier-combatant Conal O’Riordan?!

The Pity of War. F. Norreys Connell ( i.e. Conal O’Riordan) 1906. Henry J Glaisher, London.

[Sent in by ATSJ - for which thanks]

Life and death in a Georgian workhouse ( A real life Mr. Bumble)

Here is a letter picked up years ago in London among a box of ephemera. It is undated, though the watermark is 1821. It is addressed to ‘Mr or Mrs Peacock’:

Mrs Kennion is quite surprised that Mr Peacock should have sent this poor boy to work. He was certainly very ill & ought to be in bed & have medical advice immediately. Mrs K will call at the workhouse about 1 o’clock & hopes that Mr Peacock will have sent for the Parish doctor before that time,that she may hear what he thinks of the child. Mrs K has sent him to Dr Sympson & Mr Richardson, but they are both from home.
Friday.

A bit of Googling revealed that the action took place in Harrogate, then just beginning on its journey to becoming the most select watering place in the north of England.  In June 1822 Henry  Peacock, formerly the master of Aldborough and Boroughbridge workhouse,  arrived, with his wife Elizabeth, as the master of Harrogate’s workhouse in Starbeck. Evidently aiming to make an impression with the employers by saving money, the couple soon managed to reduce the average cost of keeping a pauper by establishing what was basically a vegetarian diet. This regimen could have contributed to the poor health of the boy in question. It would probably not have included many, if any, fresh vegetables, and may, like that of the hero of Oliver Twist, which was set in the 1820s, have consisted mainly of gruel.

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The Rings of Baron Corvo

Biography of Baron Corvo
by 
A.J.A. Symons

An interesting side note on the appearance of the great cult writer can be found in this speech by C.H.('Harry') Pirie-Gordon (1883-1969) co -author with Baron Corvo  of The Weird of the Wanderer (by Prospero & Caliban). Baron Corvo was also known as Frederick Rolfe. The speech was delivered at the first banquet of the Corvine Society in June 1929 16 years after Corvo's death. Caliban speaks:

"His Archblessedness the Grand Master has referred to the Baron's sub fuse (sic) and sometimes revolting vesture. I cherish happier memories of his sartorial appearance. While he was our guest, sometimes he appeared in the purple habit designed and devised by himself for the Order of Chivalry, of which we were both members, a habit sumptuous and amaranthine: at others, when dining with the doubtless bucolic society, which marvelled at his conversation and his lore, he would wear a dinner jacket of soft bluish-grey velveteen, with his clerical collar and silk stock, while on his fingers would appear one or more of the massive silver rings which he had designed for himself. These he kept, when not in use, in a box of powdered sulphur in order that they might constantly be black: two of these were the famous anti-Jesuit rings, to which he alludes in one of his stories. They were of immense thickness, and each was armed with a spur rowel, so set in the thickness of the ring as to be capable of revolving. He used to explain that if a man, wearing these, were to meet a Jesuit, he could dash one of them across the Jesuit's forehead, and escape while the holy man was blinded by his own blood pouring from the wound scored across his forehead. Another ring he had, which he gave to me, made of electron, which he explained as being an amalgam of gold and silver in equal parts. This was engraved with a Crow..."

The diners who throughout the meal had drunk larger and larger libations finally toasted the Baron in Corvo Gran Spumante and then "the meeting did not so much end as deliquesce..."

Stephen Graham—a prince among Soho tramps

Just a few minutes walk from Leoni’s Quo Vadis is Frith Street, now famous as the home of Private Eye, but for a century or more  the haunt of Soho journalists, writers and other near- do- wells, including Stephen Graham, who from 1912 to his death in 1975, lived in a flat at no 60, a handsome Georgian town house. In the days before adventurers in dangerous lands were accompanied by a TV crew, Stephen Graham, who described himself as ‘tramp’ before that word had gained unsavoury associations, explored a number of exotic lands, including Russia, on which he became an expert, recording his impressions in books and articles, until he could no longer finance his expeditions.

The letter, which was discovered among a batch of other unrelated correspondence, belongs to his most productive period, is written from Frith Street and is dated 4th December 1926. In it he invites a Miss Morley to an after-dinner ‘mixed party of various acquaintances who will sit around the fire & talk.’ He also invites her to bring along her copy of his recently published London Nights for him to sign.

In his latter years Graham’s reputation fell into decline, and there is a depressing description of him in poverty and disarray in his flat. He died at an advanced age in comparative obscurity in 1975, but today, however, thanks possibly to the popularity of TV travelogues and cheap holidays to exotic lands, there is renewed interested in his work. Two major online sites are devoted to him, and Abebooks shows that his books are beginning to be collected once again. A biography by Michael Hughes has just been published Beyond Holy Russia: The Life and Times of Stephen Graham. [RMH]

The Laying of the Atlantic Cable (1866) in verse

This scrap of doggerel, found among a collection of holograph letters, has no name attached. It is bad enough to be by William McGonagall, the second worst poet who ever lived (the first being Amanda Ros), but is dated at around 1866, which must surely be too early for him.

Hark ? that noise, what meaning that Gun
The Great Eastern has arrived, the Goal is won
All the world must now precedence yield
To the Proprietors Glass, Canning and Field
For the (longest) Rope is made & successfully ran
That ever was made by the Hands of Man
To Capt. Anderson & all his officers too
For their strict perseverance all Credit is due
Likewise, all on board did as far as they were able
Every assistance render to lay our Glorious Atlantic Cable.

The first transatlantic telegraph cable manufactured by Glass and associates was laid in 1858 from Western Ireland to Heart’s Content, Newfoundland, with Cyrus Field as entrepreneur.  Unfortunately, the poor quality of the cable meant that it functioned well for only a few weeks and was irretrievably damaged in September of the same year when too much current was passed through it. Undaunted, Field and associates raised more money and in 1865 Brunel’s huge ‘Great Eastern’ steamship, was commissioned to lay a new improved cable along the same route. Under Captain James Anderson and with Canning as chief engineer, the ship sailed westwards from Ireland, but after 1,062 miles the end of the cable was accidentally dropped into the sea, where it sank to the depth of over two miles. The mission was abandoned and the Great Eastern sailed back to obtain a new cable. This was duly laid in July 1866, to universal acclamation .The poem seems to celebrate this astonishing feat of seamanship and engineering, but it may have been composed a few months after this initial success, when thanks to the 'strict perseverance' of Anderson and his officers the lost first cable was somehow retrieved from the depths of the Atlantic, spliced to a new cable, and the whole laid along the same route to Newfoundland. Thus, by September 1866 two working transatlantic cables were in operation.

The new communications link to America was an astounding boon to commerce, diplomacy and the military—reducing the time taken to send and receive messages from ten days to a few minutes.  [R R]

Marlowe in Abadan

Another humorous piece from the papers of  'EVOE' i.e. Punch editor E.V. Knox. A Kit Marlowe parody…

MARLOWE IN ABADAN

 "Our methods of dealing with Persia have scarcely been those of Tamburlaine the Great," I wrote; and then (remembering a recent dramatic performance) I thought "How very strange if they had been." Something, I suppose, after this sort.

Enter, from underground holes, MR. MOUSSADEK and the BRITISH FOREIGN SECRETARY, with great voluted swords.

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Lament for a Country Vet

Found - amongst a collection of Suffolk ephemera - this one page poem about a late lamented vet who died in the year of the Titanic and, according to records, was born in 1847. Little is known about him, but the poet W. S. Montgomery, the 'Blind Organ Grinder of Westleton' appears to have been an itinerant local poet and some of his poems and a short note* about him can be found in Barrett Jenkins book from the 1990s - A Selection of Ghost Stories, Smuggling Stories & Poems Connected with Southwold.

In loving memory of Edgar Willmott Wright, M.R.C.V.S.
For many years Veterinary Surgeon at Yoxford,
Died Friday, July 26th, 1912.

Interred at Yoxford Cemetery, Monday, July 29th.

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Hallucinations of Shakespeare

When English tourists abroad are accosted by foreigners on trains it is now more likely to be about Manchester United or Downton Abbey. According to the writer Maurice Baring, in his time it was often about Shakespeare, as in this intriguing account in his Lost Lectures (London, 1932):

Over and over again it has been my fortune to be told about English literature by foreign high-brows in trains, and to be initiated in the secrets of the literature of my country. I once met a Serbian professor who told me that he had written a book about Shakespeare. He spoke French (not Shakespeare—the Serb). Shakespeare was a well known case, he said, of self-hallucination. He knew, because he was a mind doctor. Hamlet was a well-known case of a man who thinks he sees ghosts.
“But”, I said, “the other people in the play saw the ghost.” “They caught his infection,” he said.
“But they saw it first,” I objected.
“It was Suggestion,” he said; “it often happens. The infection comes from the brain of the man who thinks he sees a ghost before he has seen the ghost, and his coming hallucination infects other brains. Shakespeare hallucinated, or he could not have described the case so accurately. All his characters hallucinated—Macbeth, King Lear, Brutus (he saw a ghost).”
I said enough things had happened to King Lear to make him go mad. “Not in that way,” he said. “Ophelia is mad; Lady Macbeth is mad; Othello is mad; Shylock is mad; Timon of Athens is very mad; Antonio is mad; Romeo is mad. The cases are all accurately described by one who has the illness himself.”
“Was Falstaff mad?” I asked.
“Falstaff,” said the doctor, “is a case of what we call metaphenomania.
He was a metaphenomaniac; he could not help altering facts and changing the facets of appearances.”
“What we call a liar?” I suggested.
The doctor said that was an unscientific way of putting it, but it was true. Then he got out.

The Dynamiter – first punk mag?

At a revolutionary printing office*

Found - a review in a 'monthly magazine of bibliography' Book Lore (1886) of  a new magazine The Dynamiter : a record of literary bombshells, books old and new, flung into the camp of the orthodox [London : Printed and published for the proprietor by Thomas Shore**, Jun.,] WorldCat shows that it  went to just one issue. The only copy in world libraries is at the British Library in Euston. Amazon list it as 'currently unavailable' assigning it the ASIN number ASIN: B0000EF989. The publisher, and probably the author, seems to have been a minor John Camden Hotten style publisher of the curious, seditious & the scabrous. WorldCat lists another work almost certainly by  by him:

Men V. Machinery. Suggestive Facts and Figures, urging National Control of National Powers of Production. By Thomas Shore. With Preface by H. Halliday Sparling. 20 pp., price 2d. 

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John Hayward—‘the most malicious man in London’

This photo, which is inscribed on the reverse, 'Rose Macaulay (centre) and John Hayward' was found amongst a large collection of press photographs that included a number of other shots of celebrated British cultural figures from the forties and fifties. Judging from the physical condition of the identified figures, it must date from the mid fifties. Hayward had suffered from muscular dystrophy since his twenties and eventually became wheelchair- bound. I suspect that the other two individuals in the shot were his ‘carers’, although observant Jotwatchers may know better. Even though Hayward was said to be light in weight, I can’t imagine the spindly Rose  having the energy to propel him across the grass. Incidentally, does Rose come into the category of Very Tall British Female Novelists**, along with Virginia Woolf ?

The photo makes Hayward, with his thick lips and mischievous mien, resemble top notch Modernist Wyndham Lewis. Nor were these facial features the only attributes they held in common. Both were disabled, though Lewis only became blind in his late sixties. Both were close to T. S. Eliot, though the much younger Hayward was more of a literary groupie than the intellectual equal of the poet, though his various editions of poetry gave him a certain cachet.  In 1926, while still an undergraduate at Cambridge, he had met Eliot for the first time. They got on well and Hayward developed the friendship with letters and invitations to the lonely Eliot to visit him at his home. In 1946 the two men moved into a flat together, with Hayward as the great man’s companion and amanuensis. For many years his closeness to Eliot, and his extraordinary ability to amuse all who came into contact with him meant he became a popular guest at literary parties, where his waspish tongue (which Lewis also had) was much in demand. One friend called him approvingly ‘the most malicious man in London’.  On Saturdays Eliot could be seen wheeling his friend around London, but the poet‘s late marriage ended the relationship and Hayward was obliged to vacate the flat in 1957. A year later Rose Macaulay died. Eliot died in 1965 and Hayward followed him eight months later. [RMH]

According to CelebRiot she was 5 foot 7 inches but this is a site more about Lady Gaga than V.W. so it may be inaccurate. Tall for a woman but not "Very Tall."

Wickham Steed

Wickham Steed
(Bibliotheque Nationale Francaise)

[L.R. Reeve* writes:] Somewhere in the world of books there must surely be a biography of the late Wickham Steed. He would have been an eminent man if only for his vast knowledge of foreign languages: a knowledge which could be acquired only after months and years of intense application to his studies and excellent hours.

  One wonders whether his obvious passion for other tongues began at the Sudbury Grammar School. Did he learn from an enthusiastic and efficient French teacher, or was his enthusiasm inborn in spite of an apathetic form master?  No matter. His enthusiasm and obvious genius could never develop so remarkably without both inherent ability and uncommon will power. No indolent man could have achieved so much. His long arduous apprenticeship abroad began, I fancy, at the Sorbonne, in Paris. When he spoke to a large audience on foreign languages at Essex Hall, Strand, he told us of a Parisian who informed him that he spoke French like a Frenchman: a testimony which all students would like to hear.

  Many English people obtain employment in foreign countries in order to reach a working knowledge of a certain tongue. A friend of mine served behind a counter in Paris; but most professional men of course aspire to a university, for it is there they learn the grammar, the correct accent, and study the refinements and culture of a beautiful language in a beautiful city. To be in Paris itself, is, I should think, an inspiration to study and learn as much as possible of an historic centre of learning, and as for its beauty on has only to examine a view from the top of Notre Dame to appreciate the genius of man to design and build a city carefully planned by architects of vision so long ago.

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D.H. Lawrence & Rananim – the lost plans

In our researches in the Glenavy papers in various books and online we came across  traces of D.H. Lawrence's plans for a Utopian community to be called Rananim. At one point it appears that Lady Glenavy had Lawrence's actual plans for the community…

Painting by D.H. Lawrence

22/1/17 Lawrence wrote to Baron Glenavy (Gordon Campbell):

I hope, in the long run, to find a place where one can live simply, apart from this civilisation, on the Pacific, and have a few other people who are also at peace and happy and live, and understand and be free…

A little later he wrote to Gordon Campbell :

You see for this thing which I stutter at so damnably I want us to form a league - you and Murry and me and perhaps Forster - and our women - and any one who will be added on to us…as long as we are centred around a core of reality, and carried on one impulse.

Earlier (1915) he had written to E.M. Forster:

…in my island I wanted people to come without class or money, sacrificing nothing, but each coming with all his desires,  yet knowing that his life is but a tiny section of a Whole : so that he shall fulfil his life in relation to the Whole. I wanted a real community, not built out of abstinence or equality, but out of many fulfilled individualities seeking greater fulfilment. But I can't find anybody. Each man is so bent on his own private fulfilment…'

Campbell's wife, Lady Beatrice Glenavy writes in her memoir Today We Will Only Gossip (Constable 1964):

About 1915..Lawrence  begin to formulate his ideas about  an Isle of the  Blest which he had named Rananim, a name which he got out of one of *Kot's Hebrew songs.  He had written out a long draft of the constitution of this island and given it to Gordon to study, hoping to get him interested and involved, believing him to have the organising capacity and the capital to work the scheme. Gordon put the papers away and they were forgotten till after Lawrence's death when Gordon met Aldous Huxley in London and they spoke of Lawrence and Gordon remembered the plans for the island which his practical mind had not taken seriously.  Huxley was very interested and said these papers were of great importance and interest. When Gordon returned home he looked for them in the place where he thought he had put them, but they were not there. We searched the house and we almost tore it to bits in an effort to find the document, which consisted of several sheets of paper covered with Lawrence's own beautifully careful writing. They were never found and their disappearance remains a mystery.

Kot = the writer S. S. Koteliansky a core member of the Bloomsbury group. This Hebrew musical version of the first verse of Psalm 33 ('Rejoice in the Lord, O ye Righteous') is preserved in his papers.

A Sitwell Parody

Edith Sitwell by Roger Fry

Not sure where this came from but it is most likely to be from the voluminous papers of 'Evoe' - i.e. E. V. Knox. The poem parodied Colonel Fantock (from Troy Park, Duckworth 1925) is actually one of Edith Sitwell's finest, but 'Evoe' has picked up on her and her brothers' snobbery, haughtiness and pretentions. The full  original poem can be found here. It contains some beautiful lines and has elements of tragedy, or at least pathos:

I was a member of a family
Whose legend was of hunting -- (all the rare
And unattainable brightness of the air) --

The parody dates from the early 1950s when it seems the Sitwells had become ubiquitous in British cultural life, possibly to a slightly  annoying extent in the way that some British celebrities (with vast tribes of twitter followers) are 60 years later.

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An unpublished Titanic poem (May 1912)

Found among a lot of miscellaneous papers, some religious - this poem by one William Allen about the Titanic disaster. It is dated May 1912, one month after the tragedy. The name William Allen is associated with the Titanic because it was the name of the father of one of the survivors, Ada E. Hall. The family was from Hackney, London and Ada was emigrating to America (along with her brother in law the Reverend Bateman who drowned*). She is in the Encyclopedia Titanica and in a lengthy article on her in the  Baltimore Sun it states: "Nearer My God to Thee" was the last song Ada heard from the band that was playing on the deck of the RMS Titanic after she boarded a lifeboat and was lowered to the waters below." This hymn is mentioned in the poem and there are a few details that may have come from an eyewitness (i.e. his daughter) rather than from press reports. William Allen is a common name so none of this is conclusive. The poem is heartfelt, competent and deeply religious:

T'was the eve of the day of rest
That the mighty Leviathan
Ploughed her way through the ocean's
Sleeping breast.

List  to the throb of her stately tread
Mark her proportions
From anchor to lofty head
Its harmony sublime.

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Matthew Arnold letter – a football injury

Found tipped into the front of Poems of Matthew Arnold (London, 1853) an unpublished  handwritten signed letter from the poet to his French friend the writer and anglophile Edmond Schérer.

PAINS HILL COTTAGE, COBHAM, SURREY*. Oct 13th '76

My dear Mr. Scherer

My boy slipped down and was trodden upon at football last March, and was very ill afterwards from some injury to the back. He got well, however, but when I wrote to you we had been disturbed by a sudden return of his pain.  We have taken him to Prescott Hewitt** a great surgeon, who says that he must lie in bed till the pain has entirely gone,  this upsets the arrangements of a small cottage, as we have to give our invalid the one spare room we have, that he may have more air  and  space than in his own little room.  So we are unable to receive any guests in the house while he is ill, and therefore I was obliged, to my very great regret, to put you off.  I fear it will be still a week before we cease to be a  hospital but – do let me know what you are doing and how long you stay in England.  I cannot easily give up the hope of seeing you here. At any rate I shall meet you at the Athenaeum, I trust;  for next week I begin inspecting*** again and shall be in London every day. I have so much to say to you and to hear from you. Most sincerely yours Matthew Arnold.

* Printed at head of notepaper. This was in the beautiful private landscaped park Painshill Park and Arnold rented the cottage from 1873 to 1888.

** In Dickens's Dictionary of London, by Charles Dickens , Jr., (1879) under 'Doctors' Prescott G. Hewitt is noted as Consulting Surgeon at the  Evelina Hospital for Sick Children (Southwark Bridge Road.)

***Matthew Arnold  was appointed, in April 1851, one of Her Majesty's Inspector of Schools, a job which he worked at until 1886. He once described it as 'drudgery.'