Christmas advice from 1932

The Perfect Christmas by Rose Henniker Heaton was a companion volume to the same author’s Perfect Hostess and Perfect Schoolgirl. Published in 1932 by the eighty something Australian-born widow of an illustrious Conservative MP, its distinctly barbed humour has hardly dated. In addition to the many jokes and riddles (one of which defeated Professor Einstein) are some handy hints. The following still has value today.

How to Ruin Christmas

Grumble at everything and everyone.
Moan at the mention of presents.
Scramble wildly at the last moment for people you dislike, rather than be left alone.
Do nothing for anyone, and expect everyone to wait on you.
Eat too much, and drink far too much. 
Spend too much, and grumble while spending it.
Spend too little, and grudge even that.
Leave everything to the last, and sit up until 4 a.m., tying up parcels, and decorating madly.
Start a family quarrel. 

[RMH]

Interview with Robin Cook aka Derek Raymond

Found - loosely inserted in a copy of his novel A State of Denmark this typescript of an interview with Robin Cook aka Derek Raymond. At one point he says he is 60 which dates it at 1991. It does not appear to have been published. Many of the typos have been cleared up. It was probably transcribed from a tape recorded in a noisy pub with a break in a Chinese restaurant and back to the pub. Robin Cook, cult novelist and author of The Crust on Its Uppers was also known as Derek Raymond. He had to change his name as it was the same as the best selling author of schlock medical thrillers (Coma etc.,).

Dead man upright. Chap still walking around who really oughtnt to be.
Bit like your nameless policeman.
Yea, lots of policemmen like that esp the busted ones. All driving minicabs. What can you do after being a bent policeman? and you know London well what can you do next/
Dont do research with police. Had lunch once . Id rather do it from imagination. Better relations with French police. How to beat people up with a telephone book.
Known a lot of busted ones in my time, disciplinary reasons, sex casess, bisexual ones.
Back in West Hampstead. Been there a year until I finish the book.
Memoirs out next month
BBC series. Kenneth Trodd. Scriptwriter is a man called William Golding. The man in charge is Kenneth Trodd. First met him years agao back in 1962 when he wanted to make a film of Crust on its Uppers, used to have endless talks. He did singing tec with Dennis Potter. So its in as good hands as it could be. Three 50min episodes, they will draw on all 4 books.
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Antonia Kelly World War 2 poet

Found - an album of poems among books and ephemera from the St. Clair Erskine family - sons of Lord Rosslyn (1869-1939) whose Calcot Park and Hunger Hill visitors book we covered recently. These were written by Antonia Mary Kelly (1920? - 1965) of Irish descent and the daughter of Admiral Sir John Donald Kelly. She married David Simon St. Clair-Erskine in 1948 and divorced him in 1958. They had one son. There is  a small amount information about her online, mostly garnered from gossip columns and peerage sites. In 1938 at the age of 18 she launched a warship (destroyer) called 'The Kelly' and she seems, on the evidence of these poems, to have worked at the Foreign Office during World War 2. There is a photo of her (below) on her wedding day in The Sketch 1948; she wore hyacinths in her hair, the best man was the Hon W.K. Davison and the priest was Father J. Bevan (indicating a Roman Catholic service) at the Brompton Oratory.

Her poems written between 1933 and 1947 are mostly highly competent, some are passionate love poems. Many are amusing or satirical and some quite worldly for a young woman of the time - at 16 she wrote these 'Lines Written during a Meagre & Modernist Dinner Party' :

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‘Lines on the Loss of the Royal Charter’

At least 800 lives were lost in the seas around the shores of Britain in the violent storms on the night of 25-26 October 1859. 223 vessels were wrecked: the biggest disaster of all was the loss of the Royal Charter off the coast of Wales, in which almost 450 people died. The ship was returning from Australia and the passengers included many gold miners, some of who had struck it rich at the diggings in Australia and were carrying large sums of gold about their persons. A consignment of gold was also being carried as cargo; it was insured for over £300,000 - about half a billion pounds in todays money. Many of the passengers were killed by being dashed against the rocks by the waves rather than drowned. Others were said to have drowned, weighed down by the belts of gold they were wearing around their bodies. The survivors, 21 passengers and 18 crew members, were all men, with no women or children saved. This poem on one side of a small  card was probably sold for a halfpenny or farthing just after the disaster. The address 'Trafalgar, Neyland' is nearby in Milford Haven, Pembrokeshire. Of Maria Roberts nothing is known…

We also have a more accomplished poem about a gold ring washed up on the beach (to follow) but this poem was probably composed very shortly after the fateful night:

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Some curious changes in book titles

Found - an article by Ellery Queen -Some curious changes in book titles in the omnibus Carrousel for bibliophiles, a treasury of tales, narratives, songs, epigrams and sundry curious studies relating to a noble theme by William Targ (Duschnes, New York 1947.) The book is a late example of one of those bibiophilic tomes that were published in such numbers at the end of the 19th century (Love Affairs of a Bibliomaniac, Autolycus of the Book-Stalls, Shadows of the Old Booksellers, The Souls of Books, Book Song, Behind my Library Door, The Romance of Book Collecting etc., etc.,) and are now almost unknown. Queen's article is about changes of title of British editions of (mostly) detective fiction when published in America.

Thomas Burke. The Pleasantries of Old Quong (Constable 1931) became A Tea-Shop in Limehouse (Little Brown 1931)

W. W. Jacobs. Sea Urchins (Methuen 1899) became More Cargoes (Copp, Clark 1899)

R.Austin Freeman. Dr. Thorndyke's Casebook (Hodder 1923) became The Blue Scarab (Dodd, Mead 1924)

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This England

Found -- This England, a patriotic pamphlet from the late 1920s in the Golden Thoughts series. "A Pictorial Memento of the scenic loveliness that lies within the land which the King calls 'our own dear home' as described by the poet Allan Junior."

The four images on the cover show England as an island of lakes and seas - 'this island race.'  A jingoistic magazine of the same name has carried on publishing into this century. The title comes from Shakespeare's King Richard II: "This royal throne of kings, this sceptred isle... This blessed plot, this earth, this realm, this England."

Homosexuality and Its Cure (1936)

Sexology : The Magazine of Sex Science was a magazine founded by Hugo Gernsbach ('the father of Science Fiction') and seems to have flourished in the 1930s. It had many anatomical diagrams and articles about 'female inverts', pregnancy, infibulation, venereal disease etc. It probably sold well. This letter is in the 'Questions and Answers' column and has to be assumed to be typical of its time, regarding homosexuality as a sickness to be cured by determination and the love of a good woman. Autre temps, autre moeurs. What is slightly strange is that the 'doctor' providing the answer suggests physical violence if the other man persists in his attentions - 'beat him up.' Odd advice from a doctor. The reference to drink - 'you got drunk and became intimate' may refer to other matter in an abridged letter or simply be an assumption…again, curious.

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Pulp fiction art

This original artwork was one of three covers created for a number of 1940s pulp magazines published by a British company. The series was called the ‘Headline series’ because each story was built around a newspaper headline-- to be found sketchily depicted at the bottom left hand corner of each cover. The other two pieces of artwork were for Road to Nowhere and Road to Revenge—both stories by someone called Max Foster. There seem to have been at least 20 tales in this particular series.

In the ultimately futile three hundred year old debate that has raged regarding ‘high ‘ and ‘ low art’, such ‘ low’ art as these pulp fiction covers, is often derided for the poor quality of the  draughtsmanship, whereas the simple truth is that for pure draughtsmanship, as opposed to piercing originality or ‘ vision’, this art is often more impressive than that of many ‘ high’ artists. Next time you visit Tate Britain wander around the many rooms devoted to Turner and study the groups of figures that inhabit the foregrounds of his huge oil landscapes. You might be surprised at how inept our greatest painter could be at depicting the human figure.

Then return to the work of ‘low’ book illustrators and marvel at how well most of them could draw. [RMH]

Arthur Augustus Tilley francophile and academic

Found in a copy of The Romantic Movement in French Literature - Traced By a Series of Texts (C.U.P. 1924) this obituary of A.A. Tilley by his co-author H.F. Stewart - also a distinguished Cambridge academic and francophile, but so far rather neglected on the web. It appeared in The Cambridge Review 6/3/1943. It is a model of its kind and gives a glimpse into a vanished world..

Obituary

Arthur Augustus Tilley - December 1, 1851 - December 4, 1942.No one who visited Arthur Tilley in the evening of his long life but must have felt himself standing on hallowed ground, in the presence of a veteran who, having fulfilled his course, was quietly, serenely, awaiting his call. "Le vent de l'éternité le frappait au front." Not that there was anything pietistic about his conversation. He would speak with grave simplicity of things deep and high, and pass easily to current events upon which he commented with shrewdness and vigour, or to the sometimes affectionate, sometimes caustic, review of men and their doings in the past. And what a range, and how varied, his memory covered! He was the favourite nephew of Anthony Trollope, whom as a boy he adored and as a mature critic he greatly admired. He had known everyone worth knowing i the University for 70 years, and his recollections were sometimes starling. A propos of a picture card of the Puy de Dôme he said to me the last time I saw him, "I took Bradshaw up there; I shouldn't have done so if I had known his heart was bad."

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Books in Shakespeare’s plays

Browsing Ayscough's An Index to the Remarkable Passages and Words made use of by Shakspeare ; Calculated to Point Out the Different Meanings to Which the Words are Applied (Thomas Tegg, London 1827) I checked out its dozen or so entries under 'books'. It is fairly comprehensive (Samuel Ayscough was known as 'The Prince of Indexers') but at about 500 pages is not  a 'concordance' and  its intention was somewhat different, as stated in the title. Henry IV (Part 2) seems to be the play with the most bookish references

Books

Burn but his books. Tempest, Act 3, Scene 2.
Drown my books.  Ibid, Act 5, Scene 1.
The gentleman is not in your books. Much Ado About Nothing, Act 1, Scene 1.
Tire the hearer with a book of words. Ibid, Act 1, Scene 1.
These trees shall be my books. As You Like It, Act 3, Scene 2.
I have unclasp'd to thee the book of my secret soul. Twelfth Night, Act 1, Scene 4.
By what time shall our book, I think be drawn. 1 Henry IV, Act 3, Scene 1.
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Eric Parker, Country Writer, Bird Lover & Sportsman

This press-cutting of an obituary was loosely inserted in a copy of Highways and Byways in Surrey (Macmillan, London 1919). It is dated 14/2/55 and was probably cut from The Times. He is so far unknown to the all knowing Wikipedia despite having written many books. A recent article about him  in The Guildford Dragon News is headlined Eric Parker, Who He? In the second hand book world however he is not forgotten on account of his many books, still mostly quite saleable...

Writer on Sport and Countryside

Mr. Eric Parker, a well-known writer on field sports and the countryside and an active campaigner for the protection of wild birds, died at his home near Godalming yesterday at the age of 84. He was editor of the Lonsdale Library and a former editor-in-chief of the 'Field'.

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A flyer from the Platonist Press

Found - a publisher's flyer loosely inserted in a copy of Kenneth Sylvan Guthrie's  Mithraic Mysteries (Platonist Press, Alpine, N.J 1925.) The Platonist Press seems to have flourished between 1900 and 1930 publishing books on philosophy, occult speculation, mysticism and the occasional work of fantasy fiction (including Guthrie's Bleiler listed A Romance Of Two Centuries. A Tale of the Year 2025 which appeared in 1919.) This flyer is eccentric, oddly surreal and now politically slightly  dubious. It was probably the work of Guthrie. There is little on the Platonist Press and some of these works may be 'ghosts' (i.e they were never published.) They appear to have moved from Alpine, New Jersey to North Yonkers, NY -which puts this advert some time in the 1920s...

SPICY SITUATIONS, and Dr Kenneth Guthrie's REMEDIES
The Board of Education's Examiner had Just turned down the blushing Miss Teacher Candidate. Weeping, she wailed, Is there no hope at all for me? Oh yes; purred he. Try again next year! What could I study in the meanwhile? Dr Guthrie's TEACHERS' PROBLEMS & HOW TO SOLVE THEM, $1.25; 'Value and Limits of the History of Education,' and 'The Mother-Tongue Method of Teaching Modern Languages,' each 30 cents. Will that pass me? Really, Miss, you are too pretty to teach school. Get his Progressive Complete Eduction, or Marriage as the Supreme School of Life, $1.25. And if I pass examination on it? Then I will marry you, Thanks, kind sir!
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Mornington Crescent – the poem

Found - a slim volume of poetry called Annotations (London: Humphrey Milford, 1922) by 'Susan Miles'' (i.e. Ursula Wyie Roberts 1887-1975 feminist, suffragist and poet). She wrote a pamphlet in 1912 The Cause of Purity and Women's Suffrage. This copy is signed in 1960 to Russell and Letitia Sedgwick. The poem's title is taken from the famous tube station (and later the humorous improvisational radio game) Mornington Crescent. It is slightly reminiscent in sentiment and setting of Ezra Pound's earlier imagist haiku of 1919 In a Station of the Metro - 'The apparition of these faces in the crowd;/ Petals on a wet, black bough.'  Persephone recently republished Susan Miles's  Lettice Delmer, a novel in verse, which had first appeared in 1958. ‘Its simplicities are at a profound level. The theme is a great one and the characters are superb,’ wrote Storm Jameson. Her poetry was also anthologised in the 1920s by poetaster Harold Monro, said to be a hard man to please when it came to poetry...

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The Miseries of Modern Life

Miseries of Travel (Rowlandson 1806)

In 1806 a witty Oxford don called James Beresford published The Miseries of Human Life, or The last Groans of Timothy Testy and Samuel Sensitive, in which a pair of curmudgeons railed against all the 'injuries, insults, disappointments and treacheries of everyday life'.Today they would probably be diagnosed with clinical depression, but Bereford’s book turned out to be a huge best-seller, proving that black humour is always popular in the UK. Indeed, rarely has mental illness been a source of such razor –sharp observations as those that emerged from the mouths of these Regency Victor Meldrews.

Some of the wit directed at miseries associated with coachmen, ostlers and taverns is very much of its time, but much of it has remained timeless and can still raise a smile today. I particularly like the following examples from their observations on ‘ Miseries of the Table ‘

After eating mushrooms—the lively interest you take in the debate that accidentally follows on the question ‘whether they were of the right sort ?’

Nicholas 'Horse Whisperer' Evans and his disastrous Scottish mushrooming party of a few years ago, gravely ill after consuming specimens of cortinarius speciosissimus, might wince at this one.

Or what about this ?

On taking your dinner from an a-la-mode beef house –the relish of your favourite dish disturbed by the perpetual recurrence of a doubt whether the animal you are feeding on was a native of the stall or of the stable

Seemingly, horse meat was ending up in fast food outlets even in Regency times!

To be continued… [RR]

Another Idler

Most literary people when they think of past magazines called The Idler would cite Samuel Johnson’s famous miscellany and Jerome K Jerome’s humorous organ of the1890s. Today’s Idler is edited by the anti-corporatist and ukelele enthusiast Tom Hodgkinson, author of How to be Free. But there was another Idler, which is, as yet, unknown to Wikipedia, and indeed has a very, very low online profile.

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Tambimuttu on Poetry

Tambimuttu was a Ceylonese poet best known in England and America as a poetry editor. His full name was Meary James Thurairajah Tambimuttu. He was a great champion of poetry and poets, especially Dylan Thomas. Wikipedia says of him: 'Most of Tambimuttu's own works are difficult to access, and his earliest works published before he came to London are lost. His greatest influence was as an editor and publisher, especially during the 1940s.' Here he is writing on poetry in  his editorial/manifesto in the debut issue of Poetry early in 1939. The cover is by Hector Whistler.

FIRST LETTER

  I wish to take my stand and I start by restating a few fundamentals, well-known enough maybe, but which seem to have been lost in the ramifications of modem thought and to need restatement for the purpose of this magazine.

  Every man has poetry within him. Poetry is the awareness of the mind to the universe. It embraces everything in the world.

  Of poetry are born religions, philosophies, the sense of good and evil, the desire to fight diseases and ignorance and the desire to better living conditions for humanity.

Poetry is the connection between matter and mind. Poetry is universal.

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A Bill Childish ephemeroid

Found a Billy Childish (and Sexton Ming) broadsheet listing 24 books from their Phyroid Press 1978 - 1982. It gives a useful bibliography of their publications (some are now rare) and it also lays down some ground rules when dealing with this esteemed publishing house:-

1. Do not swager yu bollocks when you come in
and dont give us any arty shit
yu will resive a brocken jaw and apendiges pretty qwick

2. If yu bottle out n turn out to be a whimpy one
we will not give you respect
infact we will do you down.
3. Do not talk of CND feminism or any of
that crap or we will bust yu lip

We talk the strong langwige that only children can bear
we drink neat carosean n smoke full strength navi-cut
our noses are smokeing chimny stacks
they fall over and crush yu wife and kids

We feed on boil pork n black cocain...[etc.,]

Zeppelins over literary London

A correspondence on Zeppelins in the letters column of the Times Literary Supplement  prompted a visit to a local Suffolk church where 17 German airmen were buried after crashing their Zeppelin in 1917. The letters have the slightly leaden header 'Led by a Zeppelin' and concern a remark of Katherine Mansfield's about how she was so attracted to the sound and sight of a Zeppelin during a raid on Paris that '…she longed to go out and follow it…' This reminds the correspondent of G.B. Shaw's reaction to a Zeppelin over Potter's Bar in October 1917 -'…  the sound of the engines was so fine, and its voyage through the stars so enchanting, that I positively caught myself hoping next night there would be another raid…'

This letter (from the American writer Stanley Weintraub) prompted a riposte about the metropolitan bias of the T.L.S. letters from Suffolk beer baron Simon Loftus (26/9/2014). He notes that Zeppelin raids were relatively common on the East Coast - "...towns such as Great Yarmouth, Lowestoft and Southwold were bombed more or less ineffectually by these strange  Leviathans of the skies…" He then alludes to the Zeppelin shot down near Theberton, noting that pieces of the aluminium structure, salvaged from the wreckage were auctioned in aid of the Red Cross. The 17 German airmen were buried in the peaceful graveyard at Theberton. Also buried there is the author of Arabia Deserta Charles M. Doughty. The airmen's  bodies have since been moved to a central burial ground in Staffordshire, although a memorial can still be seen in the cemetery across the road from the church.

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Poet sees the Loch Ness Monster

Found -- this newspaper cutting on the Loch Ness Monster. It is a letter from the poet Herbert Palmer (cited in an earlier Jot when he was writing about C.S. Lewis and women.) The cutting is undated but is probably from the late 1940s. The press source is not noted,but it was found in in a 1937 edition  of Frazers' magisterial work The Golden Bough, part of a large collection of books from the writer on political philosophy Professor J-P Mayer, whose collection looks set to provide more jottable items...

THE LOCH NESS MONSTER

Herbert Palmer, St. Albans.

Sir,- The Loch Ness Monster, it seems, has been described as a huge creature with a long neck and a small head. I would suggest that it is the same creature which I saw in the upper waters of the Tay when I was fishing there in 1930, and described by me on pages 183-184 of my book, The Roving Angler, published in the spring of 1933. I saw something very clearly and definitely; but perhaps only the head and the neck, though I was under the impression that I had seen great part of the body. I have thus described what I saw: "Two hours afterwards a creature which looked exactly like a calf reared itself three-quarters out of the middle of the Tay, and then sank back with a light splash… It had the head, neck and shoulders of a calf".

It looked to me like that - a creature with a small long head and a rather long neck broadening to what appeared to be the shoulders. It bore no resemblance to an otter or seal, for the head was another shape. The colour was brown. What I saw may very well have been the head and neck of a gigantic lizard-like creature rather than the head and neck and part body of a calf. There may be a family of water monsters in the Highlands of Scotland. On the other hand, my perfectly true story may have given rise to an invention. One has only to see a strange thing once, talk or write about it, and a lot of other people imagine afterwards that they also have seen the same sort of thing, brooding on it until they grow quite confident about it'.

Hector Whistler

Co-editors Anthony Dickins and Tambimuttu, who Geoffrey Grigson appropriately nicknamed ‘Tutti-Frutti’, made an unusual choice when they asked the thirty-four old Hector Whistler to illustrate the debut issue of Poetry early in 1939. Trained at the Slade and the Architectural Association schools, the multi-talented Whistler, who was related to American genius James McNeill Whistler and was cousin to both Rex and Laurence, was better known as a muralist, having, five years earlier, executed some rather unusual wall paintings at the council-owned Aero Café on the Marine Esplanade in Ramsgate.

Alas, the murals, which were supposed to be temporary anyway, were obliterated along with the whole Lido complex on Ramsgate’s waterfront, some time ago, and unlike the more celebrated Vorticist wall decorations by Wyndham Lewis in La Tour Eiffel restaurant, off the Tottenham Court Road, which also disappeared, there doesn’t seem to be any record of what they looked like. The curious art lover will just have to look up Whistler’s other decorations for books to imagine what holidaymakers and the residents of Thanet lost when the despoilers moved in. [RMH]