Books we must not read. Part One

In issue number 11 ( January 1951) of the book miscellany Colophon someone called W. Mason- Owen describes some of the literary material that remains locked away in two departments of the British Library ( or British Museum Library as it was then known). Incidentally, didn’t unfashionable novelist Angus Wilson work in the Manuscript department of the BM around this time? I bet he had a peek at these banned items.

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Henry Campbell-Bannerman ( James Guthrie)

In 1951 the first and most important of these departments was the Copyright Department, in which ‘ neatly packed away in brown paper parcels ‘ could be found ‘ politician’s diaries , books, letters and documents of scientists, inventors, poets and literary men, Court gossipers and King’s Messengers’. According to Mason-Owen, many of these writings wouldn’t be available to read for another fifty years---some perhaps would never be read. Owen then describes a few examples of the material locked away:-

  • Sir Henry Campbell-Bannerman’s private papers. Apparently, according to Mason-Owen, Campbell-Bannerman was Prime Minister in the early part of ‘ the nineteenth century’ , which should of course read ‘ the twentieth century ‘. Never mind. The reason they’re hidden away was because this particular politician was ‘famed for his caustic outbursts ‘against his more intransigent opponents. It’s hard to imagine that many of these MPs would have been alive forty or fifty years on, but there you are. I suppose war hero Winston Churchill might have been one of them.
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A Byron forgery—rediscovered

Lord Byron

Forgery has always fascinated historians of literature, whether it takes the form of a whole manuscript or annotations in a printed book, or (of much rarer occurrence) a whole book or books, as in the case of Thomas Wise. The manuscript forgeries of the self-styled Major George Gordon De Luna Byron, alias De Gibler, alias Monsieur Memoir, were of some key Romantic poets, including Byron, Shelley and Keats. The one that concerns us here was a quatrain and a long prose note supposedly written by Lord Byron on the fly leaves of a copy of the fifth edition ( 1777) of the works of the eighteenth century poet, William Shenstone.

This particular forgery was well known to bibliophiles for many years, but had been long lost until our own Jot 101 CEO bought this particular copy in a book sale about eight years ago. Details were then handed on to Byron scholar Andrew Nicholson, who discussed them in a paper published in The Byron Journal in 2010.     We at Jot 101 HQ are grateful to the late Mr Nicholson for his assiduous research which focuses on the nature of the forgery. It  had been acquired by a certain Mr Young from the library sale in 1851 of John Wilks, MP, a well known collector of manuscripts.

The forgeries, penned in black ink, appeared in several volumes of the Works, as follows:

Volume 1: on the first fly-leaf at the head of the page

Trin. Coll. 1807

Byron

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Praise for Everyman’s Encyclopaedia

Everyman's EncyclopaediaFound-  a bookmark advertising the virtues of Everyman’s Encyclopaedia.  For obvious reasons the set is now of very little value, except as decoration. In the 1920s, when these were written it was a (relatively) portable fount of all knowledge – hence these brief encomiums from the great and the good (and the titled). Sets could be bought with their own small book-case ‘in unstained oak’ and the deluxe versions in full leather (£7 10 shillings.)  It boasted 7 million words and 2700 illustrations plus a World Atlas.

Some opinions on Everyman’s

Prof. Sir J. Arthur Thomson

What an encyclopaedia! So comprehensive and yet so compact. It is like a well-arranged series of levers, releasing a wealth of potential energy with minimum effort.

H. G. Wells

I think it remarkably good value.

Viscountess Snowden

A wonderful production. These 12 volumes form a library in themselves, a never-failing source of information and delight.

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Literature – The Rivals

Found among some papers of the late John Symonds  (1914-2006) novelist, biographer (Aleister Crowley), playwright and writer of grendel001children’s books – this letter. The sender’s name has been clipped off but he or she was obviously something of a power in the literary world. It displays two opposing views of the writer John Gardner. The second letter was written to propose Symonds for a literary position and talks of Gardner in glowing terms, the first letter (to Symonds) declares that he is ‘…one of the worst novelists in the world.’ This is the world of Martin Amis’s The Information, his great novel of literary rivalry.

Dear John, … You must excuse me for coupling your name with John Gardner’s in the way I do: it was but for policy and diplomacy. In my opinion John Gardner was one of the worst novelists in the world. But he was also just about the most famous American novelist of the past 20 years, in terms of the publicity he got and the huge sums of money he made and the general ballyhoo that went with his name. And the fact that I knew him gives a certain credence to my suggestion that you are another of the same. You and I needn’t tell them that we know you aren’t, praise be! I also enclose a little essay which might interest you, which isn’t to say you have to model yourself on me. But if you get the job let me know and I will give you a few hints which you can regard or disregard as you think fit. Tra la! Dear Sir, .I understand that my friend John Symonds is making an application to succeed John Gardner as resident novelist …May I say a few words in support of his application? As novelists, Gardner and Symonds had something in common: both brought a new perception to the writing of novels; they were (and Symonds still is) in the old sense, Makers. No American novelist has written novels quite in the way John Gardner did; no English novelist, in the way Symonds does. I am sure you will find this to be so when you look at his work when considering his application. Such novels as ‘Prophecy and the Parasites’, ‘The Shaven Head’, and ‘The Guardian of the Threshold’ are unique in English – and each is equally distinct when contrasted with the others. By a coincidence, I knew John Gardner well …I watched his early success as a novelist with the pleasure of a friend. And I can tell you that John Symonds is man (in his own, different way) of the same stamp. He would bring to the task of teaching the novel the same qualities as John Gardner had – a fresh viewpoint, having no truck with mere convention for its own sake, a lifetime of experience in many kinds of literary activities, wide practical experience in journalism and publishing, enthusiasm, insight, and a deep dedication to the art of writing. Indeed, I can think of no more fitting successor to John Gardner…You may already know some of John Symonds’s work – his important study of the Shakers, ‘Thomas Brown and The Angels’, for example, and his life of Madame Blavatsky. There is also his definitive biography of Aleister Crowley. Symonds began to publish novels in 1946, and has now published fourteen. You may also have seen the first two volumes of this ‘Collected Plays’, a publication still in progress. I hope these remarks may be helpful, and please call upon me if I can assist you further.  

The Army of the Planes

51v-xtwfTSL._SX369_BO1,204,203,200_Found in  The Poetry of Flight, an Anthology (edited by Stella Wolfe Murray, published by Heath Cranton, London 1925) this stirring poem by the American poet Minna Irving (1857 – 1940) Her real name was Minnie Odell Michiner and she was from Tarrytown, New York. She published a poetry collection, “Songs of a Haunted Heart” in 1888, and published poems in turn-of-the-century periodicals such as Munsey’sThe Smart Set, and The Gray Goose. She also wrote a science fiction story  “The Moon Woman” which appeared in the November 1929 issue of Amazing Stories (right.) She has no Wikipedia entry.  The anthology, which has pieces by Homer, Swinburne, Duncan Campbell Scott and W.H. Davies is dedicated ‘..to the memory of all have given their lives for aeronautical progress.’ Her poem could have been written by an Italian Futurist and has all  the excitement of the early days of aviation.

The Army of the Planes
They are coming with the drumming of a million pinions humming
And the purr of mighty motors that are all in time and tune
Proudly soaring with the roaring of the thousand northers pouring
Through the vast and hollow spaces sacred to the sun and moon
They are racing into places filled with radiant star faces

Following the meteor’s speedways and the comet’s ancient lanes,
And the universe is shaking, and the waking earth is quaking
At the terror and the marvel of the army of the planes
Wings of wonder as they thunder sweep the rolling clouds asunder
Sailing great uncharted oceans of the empyrean blue;
Struts are singing, wires are ringing, swift propeller blades are flinging
Spray of diamond dust and silver when they cut a star in two.
Hail the aerial squadrons forming through the fields of azure storming, Battle birds the crimson war god to celestial combat trains,
Swooping down from viewless regions to the aid of earthly legions—
Hail the glorious, victorious, valiant army of the planes!

Gabriel Fielding—a neglected British novelist

Gabriel_Fielding1Listing British novelists or poets who were also medics is a fun party game. Going right back to the eighteenth century one can think of Goldsmith and Smollett. From the nineteenth, I suppose Keats can be included, although without a degree in medicine, he can’t be classed as a physician. Thomas Lovell Beddoes is a less well known example, as is Samuel Warren, who ought to be better known, especially as his ground-breaking Passages from the Diary of a late Physician heavily influenced the Bronte sisters. Among the twentieth century poets there are a few, including Dannie Abse and Alex Comfort and I dare say one or two writers studied medicine, but never practised it. I don’t think Somerset Maugham did, apart from a stint in the Red Cross. And then there is Gabriel Fielding (1916 – 86).He certainly practised. In fact he was a GP and a prison doctor based in Maidstone for many years until literary fame allowed him to give up medicine and try his luck in America. With a mother who was a descendant of Henry Fielding, he certainly possessed the literary credentials to succeed, and indeed he did, but not so much in his native land, where he is still little known. The reputation of Alan Gabriel Barnsley (his real name) is well documented in a review dated April 6th 1963 from the Haining Archive. In it, John Horder, himself a doctor and writer, marks the publication of Fielding’s fourth novel, The Birthday King, which had just appeared in the States, with the statement that in America he was acknowledged as ‘ one of our leading novelists, along with Graham Greene, Muriel Spark and Iris Murdoch’. According to Horder, Gabriel’s obsession with ‘the darkness in man ‘ was present from the start. In his debut novel, Brotherly Love (1954), for instance, Fielding’s hero, David Blaydon, who is based on the author’s eldest brother George, gets pushed into the Church, becomes entangled in the lives of various women in his parish and eventually falls ‘a great height from a tree to be found dead by one of his brothers in one of the most horrifying scenes in fiction’. Continue reading

A verse on the 1908 London Marathon

Found- a rare and forgotten slim volume Verses by one Norman Grieve privately published in 1912.  A handwritten note loosely inserted in the book says that Norman William Grieve was director of the Anglo-Ceylon and General Estates Company Ltd. (12950 acres, half tea, 40% forest – the rest cocoa, coffee and cardamons.) He  had interests in Mauritius and also dealt in rubber. The poems are on a variety of subjects – Canada, Golf, Marconi and this topical poem about the Italian runner Dorando Pietri. Pietri finished first in the marathon at the 1908 Summer Olympics in London but was subsequently disqualified. He became something of a hero at the time and met the Queen…

Dorando_portret

The Marathon Race

(Olympia Dorando in First but Disqualified)

“Only a Race,” you say, and yet conceive

The bitter pangs of that brave heart –

Foremost of all the runners, there in sight

The goal, then deathly weariness

And the overwhelming shout of all those watchers:

What anguish! the longed-for laurels

Almost in his grasp, and yet how distant.

O God, to my tired body give

Strength to run out the Course and gain the wreath

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Odyssey of a Barbarian

Found in a Penguin Odyssey translated by the classical scholar Dr E. V. Rieu a typed signed letter from the novelist, playwright and the biographer of Aleister Crowley John Symonds to Dr Rieu. EVR’s reply is witty and good-natured…

IMG_1375Methuen and Co., Ltd.

36 Essex Street, London W.C.2

22nd September 1961

Dear Sir,

Some years ago I bought your version of THE ODYSSEY and THE ILIAD, and put them on a shelf beside my bed, intending one night to begin reading them, and thus fill a literary gap. And there they remained until the month when I took down THE ODYSSEY removed the paper wrapper, felt the fine blue cloth binding, gazed at the clear print and began reading.

Splendid and immortal yarn! But what a barbarian Odysseus is! He is like a comic-strip superman of the Daily Mirror. And then I came to Book XXII which you describe in your introduction as “the magnificent climax”. What is magnificent about it? The cruelty of Odysseus appalled me. Merciless butcher, without charity! He won’t even spare the tearful women. The horrors described on page 324 made me feel sick and I flung the book into the fireplace.

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Miguel de Unamuno on Fuerteventura

unamunoFound in Essays and soliloquies by Miguel de Unamuno (London: Harrap 1924) this preface written on the windswept Spanish island of Furteventura. The island is now mainly a holiday destination, although there is an impressive statue of Unamuno by the main road and also a life size statue of him on a side street. Unamuno was exiled to Fuerteventura in 1924 by the Spanish Government for his political ideas. His friend J.E. Crawford Flitch visited him there and prepared (and translated) this selection.

Author’s preface

I am writing these lines, today the 6th of June, 1924, in this island of Fuerteventura, an island that is propitious to calm thinking and to a laying bare of the soul, even as this parched land is bare, bare even to the bone. Here I have been confined now for nearly three months, no reason for my confined having been given other than the arbitrary mandate of the military power that is de-civilising and debasing my native country.

Hither came my friend Mr. J. E. Crawford Flitch to bear me company. He was entrusted by Mr. Alfred A. Knopf with the task of making an anthology or florilegium of my shorter articles and extracts from my more extensive writings which should present a conspectus of my whole literary work. It is he, my friend and translator, who is responsible for the selection of the pieces which form this anthology…

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Vera Wainwright, poem on Powys

An excerpt from a signed typed letter addressed to the feminist bookseller and Powys specialist, Joan Stevens from Phil Coram (among other things the bibliographer of Hugo Manning.)

Vera Wainwright… have you heard of her Joan? She met the Powys family in 1927 and was “greatly enriched by this meeting”… a curious tie-up here… she was published in COMMENT, the very magazine which Hugo had such difficulty in getting hold of. She was also a good friend of Victor Neuburg and Austin Osman Spare… both of whom were involved with Aleister Crowley. In fact I have a copy of POEMS & MASK by Vera Wainwright which is illustrated by Austin O. Spare (and not published till 1968… 13 years after Spare’s death). These illustrations, as far as I know, are not published in any of Spare’s other books. The thing which may be of interest to you however is the first poem in the collection… at the risk of copyright here goes…

For John Cowper Powys

The sad sea shell that murmurs all the day

Its memories faint; the lost, abandoned stone;

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Sir Frederick Treves on the smell of Nice

Found in The Riviera of the Corniche Road (Cassell896d404c280cb8f898f970a1ff20cf15, London 1921) by Sir Frederick Treves (1853 – 1923) this description of the old town part of Nice. Treves, of course, is well known as a prominent British surgeon  and for his friendship with Joseph Merrick, “the Elephant Man”. He was also a distinguished writer on travel, as well as surgery. In 1906 he had written on Dorset, the county of his birth, in the Highways and Byways series. He is particularly good on the smell of the old town. Odours are often neglected by travel writers. Does the area still smell the same?

 The old town of Nice is small and well circumscribed. It occupies a damp and dingy corner at the foot of the Castle Hill. It seems as if it had been pushed into this corner by the over-assertive new town. Its lanes are so compressed and its houses, by comparison, so tall that it gives the idea of having been squeezed and one may imagine that with a little more force the houses on the two sides of a street would touch. It is traversed from end to end by an alley called the Rue Droite.
This was the Oxford Street of the ancient city. A series of narrower lanes cross the Rue Droite ; those on one side mount uphill towards the castle rock, those on the other incline towards the river.

The lanes are dark, dirty and dissolute-looking. The town is such a one as Gustave Dore loved to depict or such as would be fitting to the tales of Rabelais. One hardly expects to find it peopled by modern mechanics, tram conductors, newspaper boys and honest housewives; nor do electric lights seem to be in keeping with the place. Its furtive ways would be better suited to men in cloaks and slouched hats…

The only thing that has not changed is the smell. It may be fainter than it was, but it must be centuries old. It is a complex smell ” a mingling of cheese and stale wine, of salt fish and bad health, a mouldy and melancholy smell that is hard to bear even though it be so very old. The ancient practice of throwing all refuse into the street has drawbacks, but it at least lacks the insincere delicacy of the modern dustbin…

From any one of the windows may protrude a mattress ” like a white or red tongue “..

George Bernard Shaw saws wood

IMG_20160306_0001Found – a sepia photo of George Bernard Shaw sawing wood. The photo measures 8 inches by 6 and on the back is written “GBS 88th birthday”. It was probably a press  photo taken in the grounds of his garden at Ayot St Lawrence.  It was 1944 and nine of his  plays were staged in London during that year – he was undergoing a revival in his popularity but was concentrating mainly on journalism…He died six years later at the age of ninety-four of complications precipitated by injuries incurred by falling while pruning a tree. The hat  looks Russian, possibly leather, and is rather splendid.

The pioneers who gave us the first true Copyright Act

Talfourd and Mahon 001

Writers of all kinds should be grateful for the work done of their behalf by two men, the lawyer, MP, and writer, Thomas Noon Talfourd (1795 – 1854) and the Tory MP and historian Lord Mahon (1805 – 75), who were the driving forces behind the Literary Copyright Act of 1842. But this was not the first Act that granted authors rights over their work. The first to do so became law in 1709. Up to this time copyright was restricted to booksellers who, as publishers, would buy up all rights from authors for a fixed sum. The 1709 Act first made it legal to anyone to own a copyright—even authors, although it gave them a meagre fourteen years. A further Act of 1790 extended this period to 28 years. Although this was an improvement, it still meant that a young writer like Dickens, whose Pickwick Papers was dedicated to Talfourd in 1837, could not expect to profit from his early works beyond his mid fifties. It is probable that his friendship with the novelist prompted Talfourd to pursue legislation that would benefit writers like him and to this end he presented an initial version of the 1842 bill to Parliament in 1837.

This bill failed, but Talfourd remained determined. Further bills were presented and at last, in 1842, the Literary Copyright Act became law. This extended copyright to the life of the author plus seven years, and where copyright already existed in a work under earlier legislation, it was to be extended to that provided by the new Act. The Act was further amended in 1911 and several times since.

So here is a rather rare item –a letter from Lord Mahon to T. N. Talfourd written six years before the famous Act was passed. Although the issue of copyright is not mentioned in the letter, the contents do suggest that the two men, who shared literary interests, were on friendly terms. Talfourd had sought election to the Athenaeum, a prestigious London club which numbered many writers, artists and scientists among its members. He was unsuccessful on this occasion, not because, as Mahon explains, the committee doubted Talfourd’s ‘eminent qualification ‘, but because there were insufficient committee members present to vote.

Although Talfourd’s literary career was unremarkable, he became a guiding presence on the Bench and died at the comparatively early age of 59 while delivering judgement in court. [R.M.Healey]

Jane Deverson—the forgotten poet who invented Generation X

generation X book titleIf you Google Jane Deverson all you will find is that she was the journalist, who with Charles Hamblett, invented the catchy term ‘Generation X’  to describe the disaffected youth born just after the close of the Second World War. Today they are better known as ‘ Baby Boomers ‘, but back in 1963, when she co-wrote the feature in question for the magazine ‘Woman’s Own’, that particular label had not yet been invented. Anyway, Generation X sounds a lot cooler. A book followed in 1964 and it was a copy of this, which budding punk Billy Idol found in his mother’s home, that inspired him to form a band with the same name.

Fast forward eight years to 1972 and the thirty-two year old publishes Night Edge, a collection of distinctly visceral poems whose imagery often recalls the nihilism of Ted Hughes’ Crow, which had appeared two years earlier:

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The Truth about Publishing (1926)

Found in RL2463_1 The Truth about Publishing (Allen & Unwin, London 1926) this flier/ order form for the book ‘to be published in September.’ Quite an early use of the word ‘blurb.’ The pamphlet ends with this tongue-in-cheek claim ‘…The Truth about Publishing is a long book but it is published at a low price. This happy combination is due to the fact that the publishers were able to dictate their own terms to the author.’ Our illustration shows a later version of the book illustrated with a portrait of Sir Stanley Unwin by Oskar Kokoschka. He is not to be confused with the great comedian Stanley Unwin  (‘deep joy.’)

A ‘Blurb’

Mr. Stanley Unwin is not tongue-tied, like the ghost of the elder Hamlet. No power on earth or in heaven can forbid him to tell the secrets of his publishing house. ‘The Truth About Publishing’ – how fascinating a theme! Cannot we see authors (whose name is legion, but who, in general, are parsimonious book-buyers) queuing up in Museum Street, burning with eagerness to have their should harrowed by these revelations? ‘Are our suspicions to be justified? Will it prove as bad as we thought?’ – thus we can imagine one Author saying to another while they await their turn.

Readers of ‘The Truth About Publishing’ will find it a fascinating book, of fit is written by one who is a master of his craft of book-publishing; has served his apprenticeship in the book-printing trade, as a publisher’s traveller, and as volunteer assistant to a German bookseller; and has the witty and humorous pen of a ready writer. A successful publisher, withal, eager, not only to inform, but also to criticise. Genially and shrewdly he criticises, not authors alone, but publishers and printers and papermakers and bookbinders and booksellers and book buyers (when there are any) as well. This criticism is always kindly, always helpful – always directed towards the cause he has most at heart, the production and distribution of good books. Incidentally, he makes a modest livelihood (not a fortune!) by the process? Agreed! That is why he is so well qualified to tell us all about it, and to convince his readers that the good publisher is an expert in whom, with due precautions, we may trust; not a necessary evil, but a necessary good.

On his title-page is a quotation from a famous publisher of an artier generation, with which this blurb may aptly close. (Yes, Mr. Stanley Unwin tells us all about blurbs, in his volume of cheerful indiscretions! – but he has not written this one himself). ‘It is by books that mind speaks to mind, by books the world’s intelligence grows; books are the tree of knowledge, which has grown into and twined its branches with those of the tree of life, and of their common fruit men eat and become as gods knowing good and evil.’

Gerald Heard on J.W. Dunne’s Theory of Time

HEARD16Found – the typescript of a review by Gerald Heard of J.W. Dunne’s The Serial Universe (1934). Dunne proposed that our experience of time as linear was an illusion brought about by human consciousness. He argued that past, present and future were continuous in a higher-dimensional reality and only experienced sequentially because of our mental perception of them. He went further, proposing an infinite regress of higher time dimensions inhabited by the conscious observer, which he called “serial time.” In his time Dunne’s work was highly influential, Aldous Huxley (a friend of Gerald Heard) J.P. Priestley and T.S. Eliot all used his ideas in their work. Gerald Heard is sometimes cited as a proto hippie or father of the ‘New Age’ movement. Wikipedia writes: ‘His work was a forerunner of, and influence on, the consciousness development movement that has spread in the Western world since the 1960s.’ He also wrote several still rated supernatural fantasies. This typescript was probably published in a newspaper at the time.

MR. DUNNE'S THEORY
OF TIME


'IMMENSELY IMPORTANT' FOR MAN

The Serial Universe. By J. W. Dunne.
(Faber. 10s. 6d.)

Reviewed by GERALD HEARD

  In pre-Nazi days in Germany there used to be a popular print. It showed one of the great German philosophers walking along the main street of his home town with his manuscript under his arm, on the way to the printers. He keeps close to the wall because down the street's centre dashes that dreaded black travelling carriage inside which can be seen Napoleon, Europe's tyrant, rushing from-one battlefield to another.

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Bermuda’s Coral Strand

Found- a handwritten poem. Not sure where it came from but it looks about 90+ years old. The anonymous author calls it ‘doggerel’ in his closing lines. William Plomer might have called it ‘Tough Verse.’ The style is of the stand-up ‘dramatic monologue’ as exemplified by Milton Hayes’s ‘There’s a one-eyed yellow idol to the north of Kathmandu…’ or possibly the Grenadier’s marching song (“Some talk of Alexander…’) The reference to fox-hunting in England may indicate the writer was a British expat.

"Bermuda's Coral Strand".

------------------------------------------------

I've heard of men tell of Clusium
And of the Chinese war,
Of troubles in the East and West,
Of Delhi and Cawnpore,
Of brave Horatius Cocles
Who battled hand to hand,
But never yet in all my days
Have I heard a single word of praise
Of Bermuda's Coral Strand.

2.

Now it does seem very strange to me
That such should be the case
For though there's not much of it
It's a very pretty place,
So, off my coat and up my sleeves
And with my pen in hand
I'll call the Muse to my aid and write
Doggerel verses with all my might
Of Bermuda's Coral Strand.

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Joan Abbay – Art & The Holy Grail

IMG_1131

Found —  a slim volume of poetry from 1927 Lodequest: A Ballad of the Grail (Ancient House, Ipswich 1927) by Herbert Hudson. His wife produced the illustrated cover and also contributed one of the poems. She was Joan Abbay an East Anglian artist, and this is the only example of her work currently online, although it is possible some of her paintings are occasionally sold at auction.

The introduction to the book places the Grail legend in context, quoting from Jessie L Weston’s The Quest of the Holy Grail (1913)- (also an influence on a somewhat better known poem*):

“Every student of mediaeval literature will bear witness that there were strange current stirring in those days, that more was believed,that more was known than the official guardians of faith and morals cared to admit; that much, very much of this undercurrent of yearning and investigation was concerned with the search for the source of life; life physical, and life immortal. I contend that the Grail romances were a survival that period of unrest….The secret of the Grail I hold to be above all a human problem. When seekers after Truth will consent to work together in harmony, doing full justice to each other’s views, then,and not till then, the secret of the Grail will cease to be a secret.” Continue reading

Action list from John Osborne

Found in Christoper Herold’s Mistress to an Age. A Life of Madame de Stael (Hamish Hamilton, London 1959) a list scribbled on the front endpaper. The book came from the library of the playwright John Osborne (1929 – 1994). It has a posthumous book label reading ‘From The Library  of the Hurst. The John Osborne Arvon Centre Shropshire.’ The Hurst was his final residence – a large country house, now a cultural centre owned by the Arvon foundation. The writings are Osborne’s notes to himself about changes possibly needed (or not) in his life.

Handwritten  notes-to-self are not uncommon in second hand books, although they tend to be in self-improvement or psychological/ spiritual works. In a jot from 2013 we show a copy of  48 Laws of Power with notes by King of Pop Michael Jackson. The connection with Osborne and Madame de Stael is obscure. Osborne appears never to have referred to her in a play.. He has a few notes about her on the rear endpaper: ’How that girl plays at sensibility writing letters from room to room..’ He notes a quotation from Voltaire about Diderot: ‘No one has ever written more amusingly on famine.’

He also highlights something that Madame de Stael wrote to her husband -‘What I love about noise is that it camouflages life..’ His biographer writes that Osborne had a life-long hatred of noise, often writing complaining letters about it. This action list /cri de coeur probably comes from a period in the 1980s when he was at a low ebb, especially as his film production company (Woodfall) which had (1970s) made a fortune from the worldwide success of Tom Jones (he wrote the script) appeared to be in a serious financial mess. The endpaper notes read:

1. Sex

2. Desire to work

3. No desire to work

4. Whether to give up work altogether. 

5. Desire to do something else altogether. Pure leisure e.g.

6. Decision to give up drink

7. Decision to go on drinking and resign to an early grave.

8. Decision to change way of life and live sober/ industrious (illegible) life  dedicated to self-improvement and tough grappling with all problems mostly   (illegible)

9. Give up Woodfall

10. Not give up Woodfall for reasons of sentiment, cowardice and expenditure

11. Seek new place in which to lead better, less wasteful life

12. Stay put

13. Go on holiday.

14. Stay put.

15. No. More (illegible – cats?)

Collecting Spanish Civil War literature

(Merci, Surbouquin)

An excerpt slightly  abbreviated, from Student Magazine issue (January 1963.) Quite prophetic as almost all the books mentioned in it are now valuable, especially the Orwell. Edmond Romilly's Boadilla is almost unobtainable as a first edition and copies of his scurrilous magazine Out of Bounds are thin on the ground. Frederick Grubb, who was a friend of radio pundit Fred Hunter -whose estate of books we bought, was a poet and literary critic much admired in the 1960s.

ENGLISH LITERATURE AND THE SPANISH CIVIL WAR
 
They clung like burrs to the long expresses that lurch
Through the unjust lands, through the night, through the alpine tunnel;
They floated over the oceans;
They walked the passes: they came to present their lives.
 
W.H. Auden: Spain.

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